Link: Stephanie Beatriz on Why Diverse Casts Are Needed on TV | Latina Roles on TV & Movies

Stephanie Beatriz on Why Diverse Casts Are Needed on TV | Latina Roles on TV & Movies

Stephanie Beatriz on Why Diverse Casts Are Needed on TV | Latina Roles on TV & Movies

Everyone PLEASE read this awesome blog post by actress Stephanie Beatriz on Latina.com. I love Brooklyn 99, not only because it’s funny and it’s so similar to Parks and Recreation (same showrunner, so duh on that part), but because it’s so diverse and tries to actually look like a New York police station. The fact that there are TWO black men and TWO Latina women on the show feels like a first on network TV (psh, cable even) and it shouldn’t. But it is and the fact that Stephanie didn’t think she had another shot on the show after Melissa Fumero was cast is absolutely ridiculous but completely indicative of how the business works for people of color.

I am so glad that there are two Latina women on the show and the one is the main love interest and neither are made to be stereotypes of their culture, they just are and they don’t compete for men or attention, they coexist like real human beings. Just the fact that they’re both on the show and have such different personalities is fantastic because it immediately disproves the idea that people of color can only fulfill one type at a time on any given show. Brooklyn 99 just makes me really happy and I am glad that in this dwindling age of network comedy, it’s a beacon of hope for both a brilliant, hilarious show, but also for the future of what television will look like. I quoted Stephanie below, but click through for more of her blog posts.

When I was waiting to hear about my screen test for Brooklyn Nine-Nine, I started looking at Deadline.com constantly. It’s a website that often posts up to the minute casting news, and is pretty handy during pilot season if you want to drive yourself absolutely bananas. I checked it, at minimum, eight times an hour. I was a woman possessed, because this show was the thing I wanted more than anything in the world. And then I saw that Melissa Fumero had been cast as Amy Santiago on Brooklyn Nine-Nine, and I felt my guts roll up into my throat and try to escape out of my mouth. Omgomgomgomg that’s it then. There’s no way in hell a major network is gonna cast two Latina actresses in such a tight ensemble show I AM SCREWED.

And then next day my agents called and told me I’d booked it.

I couldn’t believe it. I had been saying to my boyfriend the night before how there was JUST NO WAY. Normally, The Latina is a singular element of the ensemble she is working in. She’s there to provide contrast, or sexuality, or humor. Or she’s there to clean the floors and/or steal your man. There are some serious stereotypes very much alive in film and TV today, and The Latina is one of them.

Here’s the thing though. The world is changing. Slowly but surely, television is changing. The character stereotypes are changing, or being turned inside out by some fantastic writers and actors (I’m looking at you, Orange is the New BlackScandal, and The Mindy Project). People of color are on TV playing roles that are fleshed out, complex, human. And yes, some of those characters are maids. Some are sexy heartbreakers there to steal your man. Some own BBQ joints, while some are Chiefs of Staff. Some are prisoners, and some are cops. All are real people with hopes, dreams, ambitions, fears, and all the other vast human emotions and desires.

Right now, you can turn on your television or log onto your Netflix or Hulu account and SEE YOURSELF. Not always, and maybe not as much as you’d like, but you can. You can find characters who look like you. I couldn’t do that very often when I was a kid, and it subtly informed me that I might be kind of unimportant. Thank God for Luis and Maria (Sonia Manzano and Emilio Delgado) on Sesame Street, who were the first Latinos on TV I ever saw. I was fascinated by them both, and remember thinking how lucky I was that my mom looked just like Maria. I watched Sesame Street into junior high, simply because I loved seeing Maria and Luis on TV. In fact, in my memory, PBS was one of the only places I regularly saw people of all races on my television.

This is important. Because young women are watching TV, and they are getting messages about who they are in the world, who the world will allow them to be. And in big important steps, television is showing a reflection back to those young women that YOU CAN BE WHATEVER THE HELL YOU DAMN WELL PLEASE, and that two Latinas on one show is NORMAL. I think that’s a win for everybody. 

–Stephanie Beatriz

Advertisements

Response Post: “New Girl, Brooklyn 99, and Breaking the “One Black Friend” Pattern | TIME.com”

Can you find the token? (Love you Dule Hill)

It’s so very rare to find a show with more than one character of color. Some notable tokens off the top of my head include Angela from Boy Meets World, Lisa from Saved by the Bell,  Martha Jones from Doctor Who, Charlie on The West Wing and Gunn on Angel. 30 Rock subverts the trend by having Tracy Jordan in the main cast, but also Twofer, who is both black and nerdy. Some of the disappointment behind Agents of SHIELD came from the team claiming diversity and internationality (yup, I made that up), but only having one character of color, Melinda May.

For the most part, the characters listed above were main cast members, but even when I Googled “Token Black Character,” a lot of the examples were recurring characters, if that. When we begin to include 1-episode black characters as “token” characters, it doesn’t look good for the diversity of television.

Some shows this season, however, are trying to buck that trend. Mostly they’re on FOX, who started and seems to be maintaining a diversity initiative this season. Brooklyn 99 has one of the most diverse casts out there, up there with Grey’s Anatomy in terms of variety, which makes sense due to its New York Police Department setting. FOX also airs Sleepy Hollow, which has 2 black main cast members and up to 4 black supporting characters. Then there’s John Cho’s recurring character and the sometimes seen Abbie ex-boyfriend Det. Morales.

And when they brought Damon Wayans Jr back to New Girl, I was pleasantly surprised that Lamorne Morris wasn’t going anywhere. (Though, just through a quick google, there don’t seem to be any new cast photos with Damian– I have to wonder how the conversation went down when they told Lamorne Damon was coming back. Was there a “don’t worry, we’re not replacing you with him like we did him with you” conversation, or was it just we’re adding him to the cast everyone, no one is leaving. With this trend so prevalent, I would have been a little nervous my time was up.)

This article, from Time a few weeks ago, discusses FOX and other networks beginning to break the 1 black friend trend, which we could hopefully include other nationalities of color too. Here are some of my favorite quotes from the article.

But it’s also a welcome change because it makes New Girl a rarity in TV today: a major-network sitcom with more than one African American character in its regular ensemble–a comedy about friends in which “a black friend” isn’t “the black friend.”

[…]

The big networks have had a notoriously sketchy track record on casting diversity–better some seasons, terrible other seasons. The reaction has tended to be adding minority characters to shows with largely white casts. That affects the overall math, of course, but it has the side effect of replicating a universe in which black–or Asian, Latino, &c.–characters are scattered, uniformly and singly.

[…]

The exceptions are scarce: Troy and Shirley on Community; Glee, if you count that as a comedy; Parks and Recreation, depending on your definition. (That is, Rashida Jones is biracial, but having seen every episode I can’t recall Ann Perkins’ ethnicity.)

[…]

Brooklyn 9-9, the diversity is very conscious, not for p.c. reasons but simple realism. As its co-creators have said, it’s a New York City police show, and New York’s police department is about half minority. So you’ll see two Latina detectives who are very different personalities, because why not? You’ll see Andre Braugher and Terry Crews (who had a fantastic episode this week), sharing a subplot about Crews’ character’s annoying brother-in-law–not because they’re bonded as the precinct’s black characters, but simply because they work together, and it’s life–and, you know, in-laws, amirite?

[…]

But there’s another reason: sometimes, a show should just have two black women on it, because sometimes in life, there just are two black women in the same place. (Again: or men, or Indian, or Middle Eastern, or…) TV should be diverse because of fairness, but above all because it should reflect the world.

I hope this upcoming pilot seasons shows a continued growth to this trend. It shouldn’t just be FOX and Shonda Rhimes’ shows on ABC that have more than one token character of color. But that’s if the shows feature a character of color at all, like I said, sometimes the token is a recurring character and not even a supporting character. All television shows don’t necessarily have to be a tossed salad of racial diversity, but more shows need it.

Read more: New Girl, Brooklyn 9-9, and Breaking the “One Black Friend” Pattern | TIME.com http://entertainment.time.com/2013/11/07/new-girl-brooklyn-9-9-and-breaking-the-one-black-friend-pattern/#ixzz2q49hWhew

Enhanced by Zemanta