Jamie (of Black Girl Nerds) and I discussed Summer and Fall TV over on the Black Girl Nerds Podcast, including chats about Mr Robot, Vixen, Arrow and the Stephen Amell mess, and the ridiculous Sleepy Hollow/Bones crossover we’re all confused about. Take a listen!
From what I’ve noticed of this season’s midseason finales, is that it’s been a rough one. Characters have died left and right, been fired, gone missing, etc — I’M SO WORRIED ABOUT ABUELA! — and a whole bunch of other trials that don’t even happen at season finales! But let’s check in with some of our new and returning characters of color this season. How are they doing as characters and how are their shows faring so far this season?
[a few midseason finale spoilers below, particularly Sleepy Hollow, Scandal and Jane the Virgin. Proceed at your own risk.]
Over on Sleepy Hollow, it seems like Abbie (Nicole Beharie) has been getting the short end of the stick and fans are noticing. I’m three episodes behind, but from what I saw before I needed to catch up and what I’ve heard with regard to the over-inclusion of Katrina and the killing of Captain Irving (Orlando Jones), it seems that what we once loved about Sleepy Hollow is being written out of existence. (Killing Irving feels a bit like the Black Guy Dies First trope, honestly. Though John Cho’s character did die last season and he was also a major character. That felt more nuanced, however, and Orlando Jones was promoted to main cast and then killed off, so it certainly speaks to the typical horror trope. Le sigh.) Here’s hoping that Irving is magically resurrected and brings new life back to the show. Also, less Katrina. Hopefully this is mere sophomore slump and things will turn around, but if they don’t do it soon enough, it won’t make it to a season 3.
One time slot later, Jada Pinkett-Smith has been owning things as Fish Mooney in Gotham City, but can she save an otherwise kinda dull show? I’m also three episodes behind on that one, but I’m not sure I have the desire to tune in again. Fish is the brightest (visually, and she’s definitely up there intellectually) and most interesting character on the show (Penguin holds about even in most fans opinions), so hopefully they give her enough to do. But I’m a little bored by Gotham so far.
Jane the Virgin
Sorry Sleepy Hollow, but if you continue the way you’re going, Jane the Virgin is going to get my Mondays at 9pm live-viewing points. It’s one of the best shows, new or old, on television now, flawlessly weaving from comedy to drama to mystery to melodrama in the blink of an eye without losing its momentum. Definitely the strongest writing of the season, especially for a new show. The Golden Globes recently recognized nominated it for Best Comedy, as well as star Gina Rodriguez for Best Actress in a Comedy Series. I’m not holding my breath that they’ll win, but hey, miracles happen. My only concern for Jane (besides what happened to Abuela in the midseason finale — !! –) is how long can they stretch the premise? I can see the show going one strong season and maybe a season 2, but what are the plans for after she has the baby and for when she’s perhaps, no longer a virgin? Will the show just outlive it’s title? It seems that audiences have shown, with their lack of patience for will-they/won’t they, that they won’t be content to be strung along to wait for Jane to marry a suitor. So far, I’ve been no reason to not trust the creative team, but the concern is in the back of my mind. (Side note: After writing about Sleepy Hollow’s death above, I’ve realized that Zazz’s death was also “Black Guys Dies First”… ::sigh::)
I love The Flash. I love Joe West, played by the impeccable Jesse L. Martin. He and Barry (Grant Gustin) have amazing father-son chemistry and usually at least once per episode, a scene between them pulls at your heart-strings. Iris (Candice Patton), on the other hand, has a little ways to go. Barry loves her — this is great for black women being presented as the love interest, especially since she’s not a black female stereotype. But is she too tame in the other direction? I don’t want a sassy black girl — been there, done that ad nauseam– but she’s a bit perfect in every way which makes her a little boring. She also never realized that her so-called best friend is in love with her and has super powers — makes her seem a little self-absorbed. Candice is lovely, I like her a lot, but I think her character needs to find her purpose a little more. We don’t want a Laurel situation…
Shondaland: Grey’s Anatomy, Scandal, How to Get Away with Murder
We already know that Shondaland Thursdays has been knocking it out of the park. And we already know that Shonda Rhimes’ shows have always been champions for diversity as well as color-blind casting (both purposely casting people of color as well as not limiting non-specific casting to only white actors). And this season has been no different. Meredith Grey has a black sister (Kelly McCreary) on Grey’s Anatomy (which I no longer watch outside of the 5 minutes before Scandal comes on)! Scandal’s Olivia is trying to get past her romantic hang ups and finally choosing herself — though it looks like someone else wants to choose her too and kidnapped her to have her. Meanwhile, Joe Morton continues to give the best monologues on television while being deliciously evil! And while we’re all here for Viola Davis (and her manipulative ways) and Alfie Enoch (and his perpetual confusion) being our lead actors, surprise audience interest perhaps goes to Oliver (Connor’s bf played by Conrad Ricamora) and Detective Bae (I mean Nate) played by Billy Brown. All three shows have Image Award nominations, while Viola alone will hold down Shondaland at this year’s Golden Globes (though award for best giraffe goes to Alfie) for How to Get Away With Murder. When we return from hiatus, I can only imagine where these shows will go!
In the comedy arena, black-ish has been holding strong, being touted as ABC’s #1 new comedy this season (I think ABCs cancelled most of their other ones already…). It’s already snagged a few NAACP Image Award nominations for Best Comedy, Leading Actor and Actress in a Comedy, as well as some supporting actor and actress noms. The show is quickly finding it’s legs and allowing for more diverse conversations on race to happen on the show — my initial hesitance with it stemmed from a kind of one note portrayal of how black people should be (coming from Anthony Anderson’s character Andre), but I think as Dre learns that his family is still black no matter what they like to do or eat or play, hopefully America learns this lesson too. Shows like this are important in bringing different perspectives into the homes of those who may not (somehow) interact with black people on an even weekly basis. Plus, I am loving Tracee Ellis-Ross and young Marsai Martin is a scene stealer. She’s really going places. Keep a look out for a Black Girl Nerds podcast featuring some of the cast members of this show.
Brooklyn Nine-Nine has been holding it down on Sundays. I still think it’s a terrible time slot and foolish to split up the comedies on the network, but it’s a great show that has been giving more and more focus to the two Latinas (Amy [Melissa Fumero] and Rosa [Stephanie Beatriz]) and the black men (Terry [Terry Crews] and Captain Holt [Andre Brauer]). Just looking at the cast photo, it’s really wonderful to see that not only does the show realize you can have more than one black person at a time, you can ALSO have more than one Latina person at a time. Very few other shows (outside of Shondaland) realize that. Not that it couldn’t be even better with some Asian, Native American, Indian or Arab representation; but even without, it’s doing much better than a lot of shows even on this list in terms of a wider range of diverse characters. Though it wasn’t nominated this year, I am still incredibly proud of it winning the Golden Globe for best comedy last year. And Andre Brauer has been getting more and more kudos for his hilarity even while playing the incredibly staid character of Captain Holt– he’s even been nominated for an NAACP award this year.
- Cristela (Cristela Alonzo) is holding steady with a full season pick up! I haven’t been watching it, but it the few tweets I’ve seen about it say that it’s still pretty funny. Though I suppose your mileage may vary.
- Fresh Off the Boat hasn’t premiered yet, but it will soon add some Asian representation to the network landscape.
- Not really a network TV show, but I must say I am getting more and more excited for The Minority Report — I mean The Nightly Show Starring Larry Wilmore. I’m still sad they can’t use the title Minority Report…http://www.youtube.com/watch?v=iX6xoYMNJfw
We Still Have Some Work To Do:
In less than stellar representation is Arrow (shame on you, one of my favorite shows this season!), for their portrayal of Latinos in one episode this season and for once again whitewashing R’as al Ghul (though your mileage may vary on whether having a brown person play this character benefits representation).
Sadly, John Cho’s Selfie was cancelled. I didn’t watch it, but the few who have are growing to love it before just as they watch it fall into the cancellation abyss. If you like, go #SaveSeflie over on Hulu! I must say that having an Asian-American get to play a romantic lead is awesome and hopefully Selfie’s downfall won’t stop future shows from casting Cho (or any other Asian actor) as their lead.
State of Affairs was seriously underwhelming when I watched it, even Alfre Woodard (whose character is also named Constance) couldn’t compel me to watch episode 2 and its lukewarm reception leaves me wondering if it will survive its first 100 days on TV (I had to make a presidential joke, had to!).
That’s my TV midseason diversity check-in! I can’t watch everything on TV, so I may have missed some (didn’t a black character bite the dust on Agents of SHIELD? How’s Watson doing on Elementary or Michonne from The Walking Dead?) Some characters are on an upward swing, but others still have work to do. Either way, I am glad to see their faces and hope that there are more and more faces like theirs in seasons to come. The NAACP Image award television nominations had a lot of these actors (Viola, Gina, ), when last season they wouldn’t have had as many options, so there is some slow progress being made. The massive successes of especially How to Get Away With Murder and Jane the Virgin will hopefully finally show studios and networks that you can take a chance on people of color and unique storytelling and people will respond to it.
What other shows have PoC in them and how have they been treated this midseason?
Check out the Post’s article on the PoC led dramas coming this fall. And a few are led by women! Numbers are getting better, but no where near where they need to be.
The link and a couple of quotes below.
With “Scandal” commanding $200,970 per 30-second advertising spot, it’s a cash cow.“The color Hollywood loves the most is green,” says Wilmore. “Shonda Rhimes really showed that you can have a black lead in your thriller and you can have a great show. She broke down that wall, and Hollywood follows success.”
Hollywood definitely follows the money. Hopefully these new shows prove to be great television as well. The problem we’ve faced in the past has not always been a lack of content (well, yes, this is the problem, but) sometimes the content put out there isn’t good. There are a lot of times people of color will watch a show featuring someone of their background and that will boost ratings, but ratings will drop off if they don’t consider the show good. It’s not just about representation in numbers, but representation in quality and content. Don’t just give us a show with a black person and say it’s diversity, the content has to be good as well.
Rina Mimoun, executive producer of “Red Band Society,” says that, because of the Rhimes effect, “people will open up their casting. There’s no reason not to.”
More and more producers are realizing this, but things still aren’t where they need to be. The Emmy’s certainly showed that with the small amount of PoC nominees and smaller winners (most weren’t even televised). Hopefully, with this new crop of PoC led shows, next year’s Emmy’s will feature more PoC nominees and winners (now that Breaking Bad is finally out of the race; and maybe Emmy voters will finally be over Modern Family).
(In addition to these current shows, let’s not forget Sleepy Hollow, also led by a black female–I don’t think the article mentioned it.)
Emmy nominations came out today and they’re extremely frustrating. I’ve never claimed to watch the most popular or hit shows on television, if I do, it’s usually after they’ve ended or the hype has gone down. I watch oddball stuff, the low-rated critical darling comedies (on NBC lol) and sci-fi/fantasy/action stuff (I’m binging Arrow, and I’m really enjoying it so far!). The shows I watch are hardly ever nominated. It’s not like I’m expecting Sleepy Hollow to win all the awards, I’m not. But Emmy noms make me wonder who is voting for the shows that get picked. Is it a representative sample of television watchers? Or just a bunch of old white men (and probably some women, which is good but not great) like every other prestigious committee?
We don’t really know who they are for some obvious reasons, but are there demographics available? I am thinking women are decently represented, especially with Orange is the New Black‘s nominations, and there are plenty of action loving men if HBO’s record breaking nominations are any indication. I’ve lost count of how many Game of Thrones received–this I am pleased with–but a lot of the people I know who watch Game of Thrones, also watch Orphan Black. There is a reason Sci-fi/Fantasy are so often lumped together when people list categories–fans one of often like stuff from the other. (Obviously not always, you usually pick one over the other–I’m more Fantasy than sci-fi myself.)
So who is voting for Game of Thrones but has no interest in Orphan Black? Who is voting for fantastic women on Netflix but isn’t interested in one fantastic woman playing many fantastic women on BBC America?I get that there are many other considerations to voting, people’s personal interests and whatever the For Your Consideration choice was, but for a second year in a row, an amazing actress was overlooked. And that doesn’t count the mainstream snubs: I don’t even watch The Good Wife and I think it was snubbed for a best drama nomination.
I wish we knew more about these voters. Where are they coming from? What makes them decide the way they do? Do we need an upgrade of the entire system? Like many things, I kind of imagine they haven’t changed the way they do things, or include people, in ages. Have they widened their net of voters in this ever expanding age of television? They need more sci-fi watchers, more fantasy watchers, more young people, more people who will vote for Amy Poehler to finally win that comedy award she so achingly deserves (they’ve got this year and next to recognize. She might get another show immediately, but she deserves it for Parks so, so much). There’s more television happening than ever before and it’s not being looked at by the Emmy committee. There are more networks, more internet voices coming to play in the big leagues; have we included voters to represent those new voices that these new networks and new shows are trying to bring to the forefront? The Emmy pool just tells me that the efforts being made to bring diversity to the screen isn’t being made in the voting pool.
Maybe we need a category for science fiction, since it’s the most snubbed TV genre that I can think of. Maybe I am wrong or misinformed, but the selections aren’t showing the true pool of talent on television and isn’t that what the Emmy’s are for*?
*The answer is probably actually all about money. So everything I said means nothing. Except, the Good Wife is a hit show on the “number one network,” you know some hefty money is involved there. Ok, I’m done rambling about Emmy snubs now.
Check out the full nomination list here: http://www.thewrap.com/emmy-awards-nominees-nominations-emmys/
Just how gorgeous is this image? (I love and wear gold eyeliner.) I’ve been excited about Hieroglyph since I heard about it for several reasons. Number 1 being diversity. From the trailer, the cast seems really mixed. Often, tales in Egypt get whitewashed (then tanned), but this story actually includes people of color. Exciting!
Also, I really like Ancient and Classic Antiquity (thanks wikipedia!) Egypt. Two reasons for this: The Royal Diaries book series, of which Cleopatra – Daughter of the Nile was one of my favorites to read and reread (I might just do that, for my other blog). And The Mummy (this one’s a bit more obvious and standard). I think this will be a cool show and will get to explore some lesser known mythologies, now that fairy tale and mythology shows are coming back into fashion. Of course I love the idea of it being a supernatural, fantastical story with mystery, action-adventure, and intrigue.
It’s not airing until 2015, presumably in Sleepy Hollow’s time slot (though I wish they were being paired together), but I can’t wait to check it out.
Watch the teaser trailer below:
EDIT JULY 1, 2014: Hieroglyph, despite it’s straight to series order, was cancelled by Fox. More here.
Hieroglyph (Drama) — ORDERED TO SERIES [FOX]
EPs | Travis Beacham (Pacific Rim), Peter Chernin, Katherine Pope, Miguel Sapochnik
CAST | Reece Ritchie, Kelsey Chow, Condola Rashad
A notorious thief is plucked from prison to serve the Pharoah, navigating palace intrigue, seductive concubines, criminal underbellies and even a few divine sorcerers.
It seems FOX is committing to it’s diversity in sci-fi theme. After the success of this year’s Sleepy Hollow, FOX has ordered another supernatural drama with PoC in the lead role. Also for a 13 episode run, Hieroglyph has already been ordered to series, meaning we’ll see it when they air it.
As someone who loves The Mummy, I’m hoping it’s something in the same vein. I wonder if it’s airing in conjunction with Sleepy Hollow which is set to return next fall. Both series are supernatural shows with PoCs as leads and I think Sleepy Hollow’s success could mean pairing them together on the same night to give this new show Sleepy Hollow’s lead-in numbers. I could also see it as a summer series, perhaps in Sleepy Hollow’s same time slot. Either way, I’m excited to see what they do. FOX seems to be trying to make up for cancelling Dollhouse and Firefly (and causing other shows to derail because of executive meddling), so hopefully they keep it up.
That’s how you do a season finale!
The first part had great humor then ramped up the creepy factor with poor Andy Brooks and the second ended on that MAJOR surprise factor that had every fan wondering how they didn’t guess it before!
One thing I love about this show is the three black girls looking out for each other. So rare for shows to show that dynamic, especially with women of color. I’ve seen some comparisons to Supernatural (which I don’t watch), and I definitely think it would be cool to see the Mills sisters interact more like Dean and Sam over on Supernatural. A Mills sister roadtrip? Macey hanging out in the back? Basically, Sleepy Hollow is the TV show equivalent of Disney’s Frozen, where sisterly love is made a priority. Jenny getting herself arrested so that she was forced away from her sister due to her murderous thoughts really made Abbie rethink everything she’d thought about her all those years. It certainly helps that Jenny is basically Lara Croft Tomb Raider. Except Tomb Raider isn’t lying on the side of the road at the end!
I shouldn’t have trusted Henry, but I still don’t think I trust Katrina. Henry was a surprised (mostly because he was featured so prominently in the Jeremy Crane backstory episode) but really I should have known because in any mystery/suspense show, the casting choice you recognize (the most famous of the guest stars) usually committed the crime! So really we should have all known. But I don’t trust Katrina, quite, either. It was too easy for her to let Abbie stay in purgatory knowing Moloch’s plan was to get her there all along. But perhaps that’s just the Ichabod/Abbie shipper in me.
Speaking of, I love the way they are adapting to each other’s quirks. Instead of it just being Ichabod using 21st Century lingo, Abbie signs off her voicemails “respectfully yours.” There’s an equality there that’s really great to see, considering it could be Ichabod doing al of the adapting. Comparatively, Ichabod and Katrina are now on uneven footing, since he’s using language she doesn’t understand (“…cool”). And who knows how she was feeling about that Crane and Abbie head-cradling hug, it was very tender. And fist bumps are definitely the truest test of friendship.
But now, no one can return to get Abbie out of Purgatory! Jenny is laid out on the side of the road, Ichabod is buried alive, and Katrina has been absconded by Headless! Even poor Captain Irving is locked away, trying to protect his family. I can’t wait until the Irvings are even more involved in the evil fighting team. I bet Macey and her science skills can help somehow!
And finally, I still say that Jasmine Guy needs to play a Mills relative, those eyebrows are too similar and I get constant views on my Lyndie/Jasmine post whenever Jenny is on screen. It needs to happen!
Zombie George Washington!
Apparently, John Noble was told about Jeremy before he began, so this was the plan all along!
Yeah, I honestly don’t know how you’re going to get yourself out of this. How far are you into planning a way out of this huge pickle?
We definitely have ideas. Part of the fun of this show is taking these really big swings. So we’ll have to take some more to get them out.
They’re so cheeky, but I love how they have a plan. If only all shows 1. had a plan, 2. were allowed by the network to stick with it.
Quick summaries, click the link below before longer freak out/thoughts post!
The Indispensable Man
Andy returns and is still creepy. He reiterates the prophecy: Ichabod will deliver Abbie’s soul to Moloch. Then creepily confesses his love to Abbie before running away.
Meanwhile. Ichabod has discovered some more hidden clues in Washington’s Bible. There are 10 extra verses in the section on Lazarus, which lead them to George Washington’s secret gravesite to find a map. Abbie is concerned Ichabod will use the map to save Katrina but not focus on the greater good.
They retrieve the map in a true Masonic/National Treasure style crypt, but Andy’s been newly possessed by Moloch and hasn’t run out of his nine lives yet. Well, I suppose he does by the time the crypt collapses on him. Abbie urges Ichabod to destroy the map, since Andy told them Moloch could use it to bring war upon them. He does so, but not before committing it to memory. But War is coming to Sleepy Hollow…
Across town, Captain Irving’s family is under suspicion since a cop and a priest were murdered at the cabin he was keeping his family “safe” at. Macey is their number 1 suspect—DNA and all—and since Irving can’t say “a demon did it,” he confesses to the crime himself and gets sent to trial.
“Witness 1 paging Witness 2…”
“I am, respectfully, Lieutenant Mills.”
[receives smiley] “Oh. It’s a man’s face. I suppose that’s charming.”
“Poppycock!” “I know.”
“Yolanda was a much better listener.” [than Siri]
“Prophecies have a nasty way of fulfilling themselves if you let them…”
An eclipse is coming tonight and by the time it is over, War (the Second [but really Third because we’ve briefly met Pestilence] Horseman of the Apocalypse) will arrive in Sleepy Hollow. It seems Abbie and Ichabod want to face it head on and retrieve Katrina from Purgatory [a scene which I need to revisit considering the ending—whose idea was it to go to purgatory?]. Jenny doesn’t approve of the plan, because she doesn’t want to lose her sister again, and the girls share a nice moment of hugs and remembering Chekov’s Dollhouse.
Abbie and Ichabod are warned not to eat or drink anything, as it will be a Lotus Eaters situation and keep them trapped in purgatory. Both wake up having received a great wish: Abbie is hanging with Corbin and Andy, alive and offering apple pie and Crane returns to his estranged father, having never been estranged because he never joined the Rebels. In Crane’s dream, the British won and he’s reunited with his father! Both come to their senses, but not before Victor Garber goes a bit demonic and chews on some glass. Together again, Abbie and Ichabod find Katrina, but here’s the deal: She can leave only if one soul takes her place. Abbie offers herself up, despite Crane’s protests—It’s what Moloch wanted this whole time!—and with the assurance he will come back for her.
But once back in the 21st Century, the Cranes are stopped by the 2nd Horseman, War, who has been among us this whole time! Turns out, our friendly, neighborhood Sin-Eater has been fooling us this whole time—he’s the second horseman! He’s what Moloch resurrected when the Mills sisters saw him 13 years ago, and he’s also Jeremy Crane, the buried alive son of Ichabod and Katrina! Jeremy/Henry/the Sin Eater gives an epic “Why I hate you, Mom and Dad!” speech, then allows Headless (Van Brunt of Legend of Sleepy Hollow lore) take Katrina away and Jeremy buries Crane alive, breaking the second seal as he does so. Jenny, having run down a lead, has been shot up in her car by Headless and remains on the side of the road, bleeding an unconscious, unable to help her sister who is trapped in Dollhouse Purgatory! We don’t get to find out what happens next until next Fall!
“Admit it. You appreciate me.” “Microscopically.”
Click here for Finale thoughts
A quick summation of “The Vessel” (mostly for archive purposes and because I wrote it up so might as well post it, even if a week late). Look for longer finale posts!
Crane attempts modern clothes and doesn’t like it. The demon who threatened Irving’s daughter arrives at the precinct to cause an immediate threat. Irving takes Macey to a cabin in the woods, but a demon uses Morales to follow them there and posses her. She kills a priest and demands George Washington’s Bible, which was buried with Ichabod. Turns out the same demon, Ancitif, once possessed Jenny and is after Abbie’s soul. In order to get rid of said demon, without giving up the Bible, the gang must search for a lantern that will cast Ancitif back to hell. Once there, the owners of the Bible, a bit of a red-neck family, attempt to stop our duo, but Jenny rolls in looking every bit Lara Croft Tomb Raider, and they all get to HQ in time to release poor Macey from looking like a horrible demon forever. Ichabod uses invisible ink tricks to discover a date written in the Bible in Washington’s hand, written 4 days after he died. Dun dun dun!
“I want chapter and verse in my hands yesterday.”
“This place is booby trapped.” “Sounds unpleasant.” “Just watch where you step.”
In James Cameron’s “Avatar,” a white man once again plays savior, this time to a planet of tall blue aliens unambiguously suggestive of Native Americans. What if they’d cast Michelle Rodriguez, who plays a stereotypical no-nonsense doomed Latina side character, in the lead role instead of Sam Worthington? The context of an interesting movie about race is already in place. Without a single word changed in the script, “Avatar” would have taken on layers of new meaning, opened conversations that mainstream, white cinema has not even approached. […] Instead, though, we’re left with a cliché: the same old really nice white dude, filling a void in himself by appropriating and then saving another culture. What we could’ve had was something new: a story of intersectionality and solidarity across interplanetary colonialism.
YES THIS ALL OF THIS!
There is constant complaining about the same old stories being told, especially in Hollywood. A very, very simple solution to spice those same old stories up, is to cast PoCs as the main characters. Then it becomes something new that we haven’t seen before.
The article speaks heavily of Sleepy Hollow; if Abbie had been a white guy, it would have been sooo boring–kind of how Almost Human felt to me. Karl Urban being the primary lead was boring. What if they’d switched the roles and Michael Ealy was the human, Urban the robot? Then it might have been a different story. I haven’t seen past episode 3, so I don’t know if Michael Ealy’s character has to deal with race at all in the futuristic world of the show, but it would have been prudent to introduce it in the first three episodes, since him being cast as a black man is a big deal in the real world. But since it wasn’t really mentioned at all, I think I got bored (for forgot to set my DVR to record all…) and wasn’t interested in coming back. I don’t need race to be a discussion, but it shouldn’t be glossed over. (this isn’t even what I started to talk about after I mentioned Sleepy Hollow above…)
It is so simple to change the dynamics of the same old stories we’ve heard before by changing the racial and sometimes gender identities of the characters. I don’t watch Elementary, but it took guts to cast an Asian woman as Watson, and look how that turned out for them. The show is great. They knew they couldn’t follow in the wake of Sherlock, so they changed the story in a very simple way to make it more interesting to people who have seen Sherlock and the RDJ Sherlock Holmes movies and might be bored with the same old “two white guys solve crimes” story.
Thank you Laura (the author of this article) for pointing out all the reasons why I love Sleepy Hollow and for not ignoring all the things all those other articles have been ignoring about the show. It’s diversity in race AND in female characters are both the biggest reasons why it’s doing so well, it’s social media and the storyline are important, but if the leads were both white men, it wouldn’t be doing as well as it is.
Some points from the article that I loved:
First and foremost, the series boasts one of the most diverse casts anywhere on television. Two of its four series regulars are African-American (Nichole Beharie and Orlando Jones), while all three of its most frequently recurring characters — played by John Cho, Lyndie Greenwood, and Nicholas Gonzalez — are people of color.
Even Grey’s Anatomy, probably the other highly diverse show on television (I can’t even think of others besides the one I will point out next), doesn’t have the percentages of PoCs/whites as this show does. PoC’s have the higher percentage on this show, Grey’s (this is definitely not an official count, just a gut opinion) probably runs 50/50? I think the other show that can boast great diversity on Sleepy Hollow’s level is Brooklyn 99, which has 2 white guys and 1 white woman in it’s main cast of 7; the rest are PoCs.
The same study observed that shows with the highest percentage of racial diversity in their casts also performed better in the ratings than shows with less inclusive casts. As the study’s author, Darnell Hunt, : “It’s clear that people are watching shows that reflect and relate to their own experiences.”
Why does no one in Hollywood want to admit this is a true thing or do anything about it? Hopefully networks will follow FOX’s example (something I am loathe to normally say– I don’t agree with some of their other storytelling traditions)
It’s as if women can maintain relationships without being defined by who they’re dating — a novel concept!
Love this line. While most of the conversations between these women actually do revolve around Ichabod (which is of course going to be the case–not a fault but a necessity), it would totally pass the Bechdel test (if perhaps, the Headless Horseman were a woman). Their conversations aren’t necessarily about their relationships with the men, but about how to save them (or destroy them).
Jones has embraced fan fiction, fan art, gifs, and the art of “” — for bothSleepy Hollow and similarly fan-friendly shows like Supernatural — endearing himself to the show’s growing audience and helping to bring fan activities that were once considered niche or somehow shameful into the mainstream, reducing the stigma that’s still generally attached to demonstrating your appreciation for a piece of pop culture.
I’ve definitely appreciated OJs commitment to the fandom. I’ve been a part of various fandoms in my life, but always in secret (well–some parts in secret. I am an obvious nerd about a lot of things, but I have read fanfiction, for example, but don’t really talk about it because of what the author says: the stigma of fan activities. I definitely downplay some of my fan ways, which may lead people who know me to go “it could get worse?!” ;-)). So, while I haven’t delved that deeply into the Sleepy Hollow fandom, I appreciate that others are allowed to voice their opinions, share their work, and interact with the stars of the show, because pop culture and fandom make people feel less alone in the world. It really brings people together, so it’s nice that the sources of these feelings encourage it.
This article has some other gems, including:
Despite it being their number one new show, the network wisely decided that a less-is-more approach was more prudent, commissioning a second season without insisting on a back-nine episode order — a risk that might have led to a reduction in quality as the writers attempted to stretch a 13-episode story into 22 installments. Far too many network series wear out fans with too many meandering episodes, but Fox has ensured that Sleepy Hollow will leave viewers wanting more instead of overstaying its welcome.
I agree with this sentiment, it is better to let them control 13 episodes of story than to force them to then expand it into 22, which definitely messes many shows up; many writer’s rooms aren’t adept at handling that transition. This will be better for Sleepy Hollow and the fans in the long-run.
I am glad there is finally an article that speaks of all the points that make Sleepy Hollow the show to watch this season.
- Why I think “Why Is ‘Sleepy Hollow’ A Hit?” from Forbes is Missing a BIG Factor (constarstudiestv.wordpress.com)
- Quote/Link: Fox TV Says That Diversity Is Just Good Business Sense [Shadow and Act] (constarstudiestv.wordpress.com)
- The Diversity of the Sleepy Hollow Cast Makes Me So Happy (constarstudiestv.wordpress.com)
Dig Down to the Root Then Smash It to a Bloody Pulp
This week’s episode of Sleepy Hollow went in a new direction after last week’s Headless confrontation. We were given a few new threads to work with for the remaining episodes of the season. This episode acted as a hinge between the last few episodes and ones to come; a bit of a squeaky hinge that needs some oil but still got the job done. We’ll talk about the mysteries the episode gave us and which ones you are looking forward to solving the most.
Check the rest here! http://underscoopfire.com/sleepy-hollow-sanctuary/
Which are the ones you are most looking forward to finding out more about: The Crane Baby Boy, Macy’s Mysterious Accident, or the Mills’ Maternal Line?
When Sleepy Hollow returns in two weeks, the Sin Eater is back! I think that episode looks to bring us back into the serial story once again.
How do you interrogate a Headless being?
Throughout this episode, I couldn’t help but think of the Mouth of Sauron scene from Lord of the Rings: The Return of the King. Of course, John Cho isn’t as creepy as the Mouth was, but he did a great job of disturbing me through his performance when channeling the Horseman. But let’s go back a bit.
The gang (they need an awesome name, like the Scooby Gang or the Ghostbusters or something) …
Read more at http://underscoopfire.com/sleepy-hollow-necromancer/ Thanks!
- Why I think “Why Is ‘Sleepy Hollow’ A Hit?” from Forbes is Missing a BIG Factor (constarstudiestv.wordpress.com)
- Top 10 Reasons Why I Love Sleepy Hollow (blackgirlnerds.com)
Of course it may seem like a no-brainer, but execs told those in attendance that their shows must reflect today’s current and increasingly multi-racial and multi-cultural world in order to attract those coveted younger viewers.
Of course the success that Fox has enjoyed with their runaway hit Sleepy Hollow, which has already been renewed for a second season, and other current shows, like Almost Human and Brooklyn Nine-Nine, are just some signs of the network’s commitment to its new programming strategy.
Fox TV Says That Diversity Is Just Good Business Sense [Shadow and Act]
At least FOX is getting with the program. I love BK99 and Sleepy Hollow (and a bunch of other people are watching and talking about it) and I am looking forward to watching Almost Human. When you have a diverse cast, you basically double your expected audience, because while I watch plenty of “mainstream” (read: majority white cast) TV shows (and enjoy them), I have more pre-interest in a show that has a diverse cast. I look forward to it more. If Michael Ealy wasn’t in Almost Human (if the character was a white person), I’d perhaps be interested because it’s JJ Abrams, but I would be less interested, less invested, and less likely to watch it. Other people feel the same way. The same goes for Sleepy Hollow. I didn’t know anything about it before it premiered. If I’d heard about it (merely the title), I didn’t really care. I checked it out because I learned there was a black female star. I probably wouldn’t have if Nichole Beharie (or any other black female) hadn’t been the star. Networks really need to pay attention, the success of Sleepy Hollow and Scandal is not isolated to social media, their premises, or even the good writing (because both shows are great, but they’re not perfect). Those things are a factor, but their diversity is what has helped them skyrocket to the hit shows that they are.
First: Click here and skim Why Is ‘Sleepy Hollow’ A Hit? – Forbes, though I basically summarize it below.
Here are some reasons the Forbes gives for the success of my favorite new show of the season, Sleepy Hollow and some counterarguments.
1. “Choosing a young person, Emily Murray, as ‘Social Media Producer.'”
2. “Using Facebook and Twitter” (duh? What else would you use?), or I guess the point is knowing where your fans are hanging out (which is an excellent point–Castle, Doctor Who, and Supernatural fans rule Tumblr, Scandal and Sleepy Hollow are Twitter hits, no one is really using Facebook for this kind of thing).
3. “Collaborating internally.” I guess this means having the social media team and creatives and marketing people all work together to have gifs and images ready for the twitter experience; all of that requires multiple departments to work with the social media guys.
4. Focusing on the product, not the company.” or I guess, creating a community around the show not the network, but this is what every show does. Every show has a twitter account and makes it about the show. This isn’t a special thing Sleepy Hollow is doing.
5. Getting the actors to tweet. Yes, this is a huge helping, which they learned from shows like Scandal. Get everyone on board and people will retweet behind the scenes info or Orlando Jones being a hilarious doofball mentioning fanfiction and gifs in his tweets.
6. The twitter account having a back and forth “fight” with the twitter account from rival network show Elementary. Yes, this was funny to see and contributed to word of mouth.
But the article, which is definitely tech/social media focused, didn’t at all think about the show or the fans it draws. Other shows do these very same things. They have show specific twitter accounts. They try to get their actors to live tweet. They have the marketing department draw up designs and posters that work with their live tweeting efforts. These aren’t the only factors.
The audience is a major factor, and who is in Sleepy Hollow‘s audience? The same kinds of people who are in Scandal’s audience. Young black (females mostly, but some males who reluctantly admit they watch either or both shows) people (what these young people call Black Twitter). The media hasn’t yet caught on that young African-Americans LOVE Twitter. And if you give us a show with a black lead, we will watch that show (because we don’t have many options with that factor, so we watch the ones that do until there are more options). And we will tweet about it to our other African-American friends on Twitter. And shows like Sleepy Hollow and Scandal, both with a black female lead, will skyrocket to the top of the tv ratings and social media discussion charts. Oh, but we don’t talk about this being a factor, do we? Nor do we discuss the fact that the person doing the most tweeting and connecting with the fans is Orlando Jones, a person of color. These things are certainly important.
Other shows have tried to mimic the formula of Scandal. They’ve done the same social media things that Sleepy Hollow is doing. And yet they’re not ratings phenomena. All because the networks and media coverage are hesitant to acknowledge the real reason these shows are blowing up: because people want to see diversity on their TV screens. They are more likely to tune in. They are more likely to tell their black/asian/hispanic/white/etc friends about it. And then the show get super popular and gets renewed for the next season 4 episodes in, like Sleepy Hollow did.
Don’t let social media take all the credit for this show’s success. I know that’s what the article was about, but in a discussion about social media, you should discuss the people who use social media, and their various idiosyncrasies. That’s the real way of understanding how to use it and what platforms are best.
This week’s Sleepy Hollow was a solid episode with lots of forward movement. We’re just over halfway through the season and they’ve already caught the Horseman. I know there are three more horseman on the way, but it makes me wonder where they can go the rest of the season. I’m anxious with anticipation!
First, check out my recap here: Can Sleepy Hollow Cover Your Favorite Moments of American History?
“You paid? For water. […] the extent to which your generation has defiled this earth is truly mind boggling.”
The entirety of Ichabod’s voicemail, styled as a formal letter.
“I will not leave this earth with him still on it!”
“It was a mere inquiry.”
“The warning all the riders gave, as discretely as possible, was “the regulars are coming” NOT “the British are coming!” See, we too were british at the time, so that would have been most unhelpful.”
“Highly acclaimed dentist. The man was a silversmith. That’s the last person you’d want poking around in your mouth.”
“There’s good news and bad news. Which do you want first?” “Is this a riddle?”
“My cousin Steve forgot to take his medication this morning.”
I loved this line because of the obvious. He’s white and she’s black. And while there was no real time to deal with that simple throw-away line, it doesn’t get a response. They could be cousins. We know they’re not, but they could be. No questions that the two of them are together, in any fashion And the fact that she (and the writer’s) throw it out there with no regards to their difference in races is what I love. Because we don’t get opportunities for black characters and white characters to interact the way these two do. I don’t know. I just really liked that they threw that in there.
When Ichabod was trying to figure out the cypher, he gets really snippy with Abbie. I think this was really interesting because, in the promo for next week, it seems Ichabod is cracking under all the pressure. Introducing it in this episode is a great way to lead up to it organically rather than having us wonder next week where his outbursts come from. He’s been so cool under the “adjustment” (as he put it) so far, but he clearly feels out of place (as per his conversation with Abbie) and all of the craziness is beginning to get to him. I don’t think it helped that that website popped up and Abbie reminded him of his wife. Being without Katrina and knowing that she’s just out of place, trapped in that limbo, must also really frustrate him.
“Hey sexy. Wanna chat?” “I’m flattered but I’m afraid I am currently espoused to another.”
Do you mean Katrina? Or Abbie? lol
“Too bad we can’t summon your wife.” “Yes the thought had crossed my mind, thank you. Though not as a means to defeat our present enemy.”
As I said above, I’m sure this… pop-up… didn’t help with his frustrations… Careful Abbie, touchy subject. Though I wonder. Does Crane have any descendants we don’t know about yet? Could Katrina have gotten pregnant after his suspension in death?
The conversation Crane has with Abbie and Captain Irving are other reasons I appreciate this show and what it’s doing. They recognized that Crane supported abolition in the pilot, but it seems he thought everyone else did too. He must have had a desire to see the best in his comrades. He didn’t know about Jefferson’s infidelity with his slaves or the many descendants he has. (Watch this Key and Peele Acenstry.com sketch RIGHT NOW) Poor Ichabod also had to deal with dropping one of his mentors off a pedestal. I hope there is more of that. So far, we’ve have Ichabod schooling the moderners on how it really was in the Revolutionary Era, but there are things history teaches us that he wouldn’t know about his own people. More scenes like this would be great for the contrast and to disavow him of some of his hero worship.
I really loved the cinematography/direction of the horse-chase. The swivel of the camera when the Horseman stalks Ichabod down the tunnel was fantastic.
What episodes of American History would you like to see featured on Sleepy Hollow? If they could go to any time in our nation’s history, what incidents lend best to this show’s themes? Obviously some National Treasure/Lincoln Assassination stuff would be applicable. Maybe some Columbus era stuff that really reveals his awful character. Actually, they could definitely bring Pestilence back for that one! The two were teamed up! (Maybe I just planned my first Sleepy Hollow spec script?!)
My recap of tonight’s Sleepy Hollow episode is featured on UnderScoopFire.com! Check it out! Thanks!
“For a moment it felt as if I were home.” “You are home, Crane.”
“I look forward to you expanding my horizons further.” I bet you do, Ichabod. 😉
“He who is without sin–fairly certain that isn’t you.”
“You want to get biblical?”
“Against the impossibility we would ever find each other, we did. And I am most ever grateful.”
“There are too many people I didn’t get a chance to say goodbye to. You are not going to be one of them.”
Welcome back to Sleepy Hollow, Sleepy Heads! We’re just about halfway through the first season of Sleepy Hollow (it’s got a 13 episode season 1 and has already been confirmed for season 2) and I think the last couple of episodes were exposition heavy and introductory, but from the promo for next week, we’re in for a lot of action and excitement for the latter half of the season. I am so glad this show is back!
The baseball opener is a not-so-subtle reference to the fact that the World Series pre-empted the show for the last few weeks, but gives Abbie some character depth; it gives her some fun cop toughness that is rare in a tiny black female like her. I love the detail of her loving baseball, because it’s not necessarily something black women are known for liking.
It was nice to see Jenny back, but she didn’t have much to do this episode. She got a sassy line, but didn’t even get an action scene. But her eyebrows, as usual, were on point.
Many people are excited about John Noble, who was on Fringe, but I’ve never watched Fringe. I know him as Denethor, the Steward of Gondor from Lord of the Rings: Return of the King. And he’s back in my life being a disgusting eater! I think I will enjoy his character and can’t wait for more of him. If all his scenes were just bible verse-offs with the other characters, I would be happy.
Even in a short season, they’re adding characters midway and 3/4 way through, giving us new faces to work with and new characters to uncover. I think the shortened season is really helping its storytelling, but boy will I miss it during spring when it’s 13 episode run is over for the season. Next week’s episode looks really exciting and I can’t wait.
By the way guys, look for my Sleepy Hollow (and soon, Scandal) recap posts on UnderScoopFire.com! Features more recap, less thoughts, but my process may change going forward. Right now, they’re different posts, mostly because I have the time and energy to make them so. But if I’m really tired, they may be the same. I’ll figure it out as I go along. I’m really excited to be spreading my blogger wings! Check it out here: http://underscoopfire.com/recap-sleepy-hollow-the-sin-eater/
- The Diversity of the Sleepy Hollow Cast Makes Me So Happy (constarstudiestv.wordpress.com)(shameless plug)
- Sleepy Hollow’s Secret Formula: A Bunch of Great Shows Rolled Into One [Vulture]
- Recap: Sleepy Hollow “The Sin Eater” [UnderScoopFire](another shameless plug)
The Sleepy Hollow cast is just all I want from television right now. A diverse cast with (maybe not perfect) but interesting story lines, putting people of color in stories they are not often seen in. I also like nerdy history retellings, supernatural/fantasy stories, and Judeo-Christian lore.
But I mean look at this! Only 3/9 (10 if including Jill Marie Jones soon to recur as Orlando Jones’ character’s ex-wife, 2/9 if you don’t include the Sheriff who was only in the pilot, aside from flashbacks.)
This show and Brooklyn 99 are the best shows (especially new shows) in terms of diversity on network television. Grey’s Anatomy has always been good at it, but I think even these two shows beat out Grey’s.
Sleepy Hollow returns tonight! I’m excited to have it back!
I recently half-joked about how instrumental the additions of Angela Bassett and Gabourey Sidibe to the cast of this season of American Horror Story were, in helping its premiere episode become the most-watched telecast ever
But really! What this article (kind of surprisingly) forgot to mention was shows like Grey’s Anatomy and Scandal, whose diverse casts skyrocketed them both to being ABC’s #1 dramas. I think even Glee got it’s popularity boost when it came out because it had a diverse cast (though many have problems with the way that diversity is presented on the show, but that’s another issue). ER and Lost are also shows with that I’ve recently been reminded had diverse casts and hit #1 status in their day. They are the hot Thursday shows. And recent addition Sleepy Hollow has been doing extremely well (probably even better than the network or anyone thought) and I believe that is in large part to its diverse cast.
It’s kind of unbelievable that networks haven’t caught on to the fact that this is working. ABC is clearly trying to copy some form of the Scandal formula with it’s show Betrayal. Sexy secrets and affairs, a “scandalous” name– but these aren’t the things that make Scandal a hit, so ABC going with some blandly all white cast and a hot name and some racy storylines isn’t going to drive it to be the hit that Scandal is. Scandal is successful because of its black lead and showrunner, who see that diversity in storytelling is what makes a hit show even more popular.
“You look good for 200.”
Stop checking him out Abbie (don’t.)
“It is a language of which you too are familiar with.”
Ichabod is very, very sassy. It’s been pointed out before, but it gets more and more noticeable. Especially with the sarcasm references in the episode.
I don’t trust Morales (the ex-boyfriend) at ALL and I wonder what his endgame is. Does he merely not trust Crane because he’s an outsider (which I’m sure is very much the case for any new person entering such a small town; especially one with such weird things happening of late) or is there something deeper? Is he just jealous? ALSO, who is covering for Ichabod over at Oxford?! Who had his cover story lined up for anyone who asked? I suspect Irving… but then sometimes he seems like he’s not in on the supernatural stuff. I can’t tell what his story is sometimes.
(aside: but clearly something deeper lies with him (besides his deep, mysterious looks) or else they wouldn’t have given him the name Irving. It could have been anything. The sheriff who was beheaded in the pilot could have been Irving (as he basically introduces the story to us). What is Irving’s role in all of this?
Abbie clearly didn’t pay attention in school if she’s asking about the Lost Colony of Roanoke. Most of us know what it is and having Abbie ask was definitely over exposition. She totally could have been like “oh right, we learned about that in school.” But FOX isn’t known for thinking their audience is smart, so they force things to be episodic rather than serial (I think this show is getting away with as much serialization as it can, which is a lot compared to most FOX shows barring maybe 24. Also we must remember that Abbie is the audience surrogate who has to ask things the average viewer might need to know. (Myself and others who are into sci-fi/fantasy — aka you happening to read this post (thanks!) are above the average viewer. It’s easy to forget that.) I think that makes Crane kind of the Unfazed Everyman– he’s not supernatural (again, I think the Witnesses are the two sisters and that they have supernatural witchy powers in their line), but he’s surrounded by all this weird stuff and it doesn’t really faze him. In the trope, it’s usually someone who is surrounded by magical people and that’s why it doesn’t faze them, but Ichabod hasn’t knowingly been around magic. He was, but he didn’t know.
Anyway, I think it’s important for us to remember that sometimes the network intervenes and sometimes makes the writers spell things out they don’t need to, and it’s American Network TV (despite the shortened season, it’s not cable or British TV); they cater to the LCD. I wish they wouldn’t, but despite popularity of the show, they’re not going to write for the sci-fi savvy/fantasy lover audience. Not at its base. It’s going for the average person checking this show out on a Monday night, not for the diehard fans who visit and edit Sleepy Hollow Wikia’s and want to cosplay the characters. It’s a sad but unfortunate truth. (Not that I’ve thought about doing those things–yet. ;-))
I want to know more about Ichabod’s father issues. We can hear his eloquent speech, so we knew he had a high class upbringing, but he didn’t seem to enjoy it. I wonder if we will get more about that, or perhaps they’ll save that for season 2. We’ve kind of got enough to deal with for this 13-episode season.
I suspect Abbie’s childhood forest has a similar supernatural portal spot much like the Roanoke one.
We have now met 2 out of 4 of the Horsemen. I didn’t think we’d meet another one yet until season 2. I wonder where he disappeared too? How do we keep him there?
I thought the thing that creepy Roanoke girl was trying to give Abbie was a plot device, but apparently not? Was it a plant? A leaf? I wonder if it might still pop up in a later episode.
Abbie got her sign, but the Bible says to walk by faith not by sight. God (I suppose it’s God in this story–with all the Revelations verses) gave her a physical sign, but she is going to have to start walking by faith if she’s going to continue saving the town/the world.
“I cannot make it without you”
“Believe me when I say, you belong in Sleepy Hollow.”
Girl he just saw his wife in forest!purgatory, he ain’t thinking about you right now.
THREE WEEKS?!??! Oh come on! I forgot that baseball interrupts television on FOX. Sad.
Until we meet again.
(While you’re here, check out my other Sleepy Hollow posts from last season)
Can Jasmine Guy please play the Mills’
mom* auntie on Sleepy Hollow? (The mother is “dead,” but on this type of show, that’s easily undone.) There’s a fierceness in the eyes and eyebrows that are similar between Jasmine and Lyndie! As far as I know, the two aren’t at all related.
The popularity of this post skyrockets whenever Jenny is on screen! There are usually a bunch of google searches for the two actresses’ names together. Glad I’m not the only one who shares this idea!
*Aunjanue Ellis has been cast as Mama Mills, but there’s still auntie or ancestor or evil cousin…
**Aunjanue Ellis has the eyebrows for it. I approve.
The similarity is definitely there!
My favorite new show of the fall has already been renewed! This is one of the fastest network TV renewals I can remember hearing about (I’m sure I’m missing one). It’s only been three episodes! I know that cable networks, like HBO, pull this card all the time (I remember when HBO renewed Game of Thrones the night of it’s premiere), but it’s rare to see a network do it.
Also, I didn’t know that they were sticking with a 13 episode season. This should be great. As we see with cable and British television, shorter seasons lead to great acclaim and better storytelling, so I’m excited to see what a 13 episode season across two seasons could hold. This could be the beginning of a trend on network television.
Until the next episode (or article on the greatness that is Nicole Beharie)!
“ESSENCE: It’s so great to see a Black woman on prime time as the lead. Besides Kerry Washington, there’s you. Pressure?
NB: Yes, I think you just put the pressure on. [Laughs] My shoulders just fell. One thing I have considered is that the success of a show like Scandal and [Kerry’s] presence and Shonda Rhimes has opened up the minds of studios and executives. They know it’s possible. Even before that I liked Living Single. To me, all those shows were proof that of course it’s possible. Not only is it possible, but extremely entertaining and enriching.”
“I’m 5’1’’ and an African American woman. I just didn’t think anyone would hire me to play the cop. There’s a certain demographic of girls who look the same in every action piece and I didn’t think that that was going to be me. I’ve always been a big sci-fi person. I love fantasy, so when the opportunity presented itself I wanted to take a shot at this. Getting to hold a gun and running away from witches and incantations…there’s so much more that you’re going to see in the season that just doesn’t really fit into what I keep seeing on Twitter or what I keep hearing some people saying like ‘Yes, you’re the Black person who doesn’t die.’ A lot of people were like, ‘You’re going to die soon right?’ and I’m like I don’t know you have to watch. I haven’t died. It’s kind of a joke in the community like we always die within 20 minutes.”
Nicole Beharie is my new favorite person. She like sci-fi/fantasy, is a black nerd girl it seems, and I love her voice. I’m so excited that there is another black female lead, and as she says, the success of this show and Scandal will show producers and networks that choosing a black lead works. People will watch it (Sleepy Hollow and Scandal are doing extraordinarily well). I can’t wait to see what this inspires next.
I, for one, am very happy that this is a sci-fi/fantasy show, a realm you don’t get to see many black people (or black females) act in (outside of an ethnic magical person or wacky disbelieving sidekick) so black girls like me can know that black people do like sci-fi, we do like fantasy, we do act in these things and it’s ok to write them and explore them.
This show is making me very happy.
So there’s both the Icabod recap AND a “last time on…”? AND a full theme? That seems like a lot and/or a time filler to fill the episode length? I’m sure soon enough little by little, each of those (except maybe the “last time on…” will dwindle. As most shows grow, they need the time, so themes get cut to a blip and a title card.
Wow that eye pop was, ooh! *shivers* Really great job at the eyes popping, great effect. The sound really helped sell it. They’re doing a great job with the creepy factor.
“You had a prophetic dream” “…captial W Witness” Yeah, more like capital W Witch? I thought Icabod was the other Witness, but it’s probably actually Jenny.
What happened to the girls’ parents? Is Mills their original last name? Or a foster parent name? I have so many questions about this part of their backstory right now.
I also wonder about Morales, Abbie’s exboyfriend. Is he apart of the thick of things? I can’t believe he is just the exboyfriend who has nothing to do with her wanting to leave for Quantico and get out of there? And the Captain’s interest in him and their relationship…
LOL at Orlando Jones calling for and tweeting fanfiction requests and now every time something happens between them, people will be thinking of the fanfic possibilities. Like that scene where they wake up half-dressed and alive on life. Haha.
This show is really shaping up! I enjoyed this episode and am excited to see where they are going to take it. Currently they’ve got a case of the week deal going on (as is typical of FOX) but hopefully, an arc will continue to develop. If the writers do it smartly, they can have an arc and follow FOX’s villain-of-the-week rule.
I’m staying tuned!