#ConStarClicks: Learn to Talk Like a TV Writer [GQ]

ConStar Clicks: Learn to Talk Like a TV Writer – GQ

True ConStar Clicks posts are returning in June (if all goes according to plan) but here’s a cool article I’ve been reading (and memorizing) about words TV writers often use in the process of putting an episode together. It seems to be mostly focusing on TV comedy jargon.

Some of my favorites from the piece:

  • Button – I prefer button to blow.
  • Chuffa
  • Cranberry Sauce
  • Hanging a Lantern – I learned this on TV Tropes. If you’ve read my About Me, you know I love me some TV Tropes.
  • Schmuck Bait

Click through to find out what they mean.

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Link: How To Make It As A Black Sitcom: Be Careful How You Talk About Race

Link: How To Make It As A Black Sitcom: Be Careful How You Talk About Race on Huff Post Black Voices

Several people have sent this to me and I want to share it here. I haven’t been able to dissect it just yet, as it’s a long read, but it looks to be a really, really in depth piece discussing several decades of black sitcoms and comparing their successes and the ways in which they handle race. All of this as black-ish finds its legs and receives a full season pick-up.  There are some great graphs and discussion of a proposed “era” system of black sitcoms from the 50s until now.

 

Check it out.

Link: Stephanie Beatriz on Why Diverse Casts Are Needed on TV | Latina Roles on TV & Movies

Stephanie Beatriz on Why Diverse Casts Are Needed on TV | Latina Roles on TV & Movies

Stephanie Beatriz on Why Diverse Casts Are Needed on TV | Latina Roles on TV & Movies

Everyone PLEASE read this awesome blog post by actress Stephanie Beatriz on Latina.com. I love Brooklyn 99, not only because it’s funny and it’s so similar to Parks and Recreation (same showrunner, so duh on that part), but because it’s so diverse and tries to actually look like a New York police station. The fact that there are TWO black men and TWO Latina women on the show feels like a first on network TV (psh, cable even) and it shouldn’t. But it is and the fact that Stephanie didn’t think she had another shot on the show after Melissa Fumero was cast is absolutely ridiculous but completely indicative of how the business works for people of color.

I am so glad that there are two Latina women on the show and the one is the main love interest and neither are made to be stereotypes of their culture, they just are and they don’t compete for men or attention, they coexist like real human beings. Just the fact that they’re both on the show and have such different personalities is fantastic because it immediately disproves the idea that people of color can only fulfill one type at a time on any given show. Brooklyn 99 just makes me really happy and I am glad that in this dwindling age of network comedy, it’s a beacon of hope for both a brilliant, hilarious show, but also for the future of what television will look like. I quoted Stephanie below, but click through for more of her blog posts.

When I was waiting to hear about my screen test for Brooklyn Nine-Nine, I started looking at Deadline.com constantly. It’s a website that often posts up to the minute casting news, and is pretty handy during pilot season if you want to drive yourself absolutely bananas. I checked it, at minimum, eight times an hour. I was a woman possessed, because this show was the thing I wanted more than anything in the world. And then I saw that Melissa Fumero had been cast as Amy Santiago on Brooklyn Nine-Nine, and I felt my guts roll up into my throat and try to escape out of my mouth. Omgomgomgomg that’s it then. There’s no way in hell a major network is gonna cast two Latina actresses in such a tight ensemble show I AM SCREWED.

And then next day my agents called and told me I’d booked it.

I couldn’t believe it. I had been saying to my boyfriend the night before how there was JUST NO WAY. Normally, The Latina is a singular element of the ensemble she is working in. She’s there to provide contrast, or sexuality, or humor. Or she’s there to clean the floors and/or steal your man. There are some serious stereotypes very much alive in film and TV today, and The Latina is one of them.

Here’s the thing though. The world is changing. Slowly but surely, television is changing. The character stereotypes are changing, or being turned inside out by some fantastic writers and actors (I’m looking at you, Orange is the New BlackScandal, and The Mindy Project). People of color are on TV playing roles that are fleshed out, complex, human. And yes, some of those characters are maids. Some are sexy heartbreakers there to steal your man. Some own BBQ joints, while some are Chiefs of Staff. Some are prisoners, and some are cops. All are real people with hopes, dreams, ambitions, fears, and all the other vast human emotions and desires.

Right now, you can turn on your television or log onto your Netflix or Hulu account and SEE YOURSELF. Not always, and maybe not as much as you’d like, but you can. You can find characters who look like you. I couldn’t do that very often when I was a kid, and it subtly informed me that I might be kind of unimportant. Thank God for Luis and Maria (Sonia Manzano and Emilio Delgado) on Sesame Street, who were the first Latinos on TV I ever saw. I was fascinated by them both, and remember thinking how lucky I was that my mom looked just like Maria. I watched Sesame Street into junior high, simply because I loved seeing Maria and Luis on TV. In fact, in my memory, PBS was one of the only places I regularly saw people of all races on my television.

This is important. Because young women are watching TV, and they are getting messages about who they are in the world, who the world will allow them to be. And in big important steps, television is showing a reflection back to those young women that YOU CAN BE WHATEVER THE HELL YOU DAMN WELL PLEASE, and that two Latinas on one show is NORMAL. I think that’s a win for everybody. 

–Stephanie Beatriz

ConStar’s Pilot Watch: Cristela

I was wonderfully surprised by Cristela. It started off rough and I felt like my low expectations were being met during the first 20 seconds: Cristela walks in the room, her mother says something that’s not funny and the laugh track kicks in. It was a bad omen. I groaned aloud. I face palmed. But once it moved past forcing the first laugh, it legitimately made me crack up.

The character dynamics are on point; Cristela lives with her sister and brother-in-law, mother, and her niece (was there a nephew as well? I can’t remember). The mother was grumpy and old country, the brother-in-law hates Cristela, the sister is sexy and loves her family (clearly since she lets both her mother and her sister live in her house). Simple character traits that will define their relationships with each other and provide nice plotting.

Cristela, herself, is ambitious, but not easily so–it’s taken her six years so far to get through law school–but she’s in there and she’s not giving up. She likes sports (go Cowboys), makes friends with the adorable, inept Jewish fellow intern, and both stands up to but makes an effort to learn from her new (racist) boss. Which I hope they deal with a little better than they have so far, but they can’t squeeze everything into the pilot and most times in the world, you have to suck up people’s racism until you have the power to put them in their place–which she definitely doesn’t have yet.

The show is funny, so hopefully they don’t rely too much on forced laugh track gags like the very first one, and I think it has heart. Obviously it’s comparable to the George Lopez show, which I can’t remember well enough to really say if that’s going to help it or hinder it. The weakest part of the show was Gabriel Iglesias’ character—who seemed forced in because he’s a famous Latino comedian and who didn’t add anything to the show but weird sexual advances towards an uninterested Cristela. Hopefully they realize they don’t need his famous face.

Verdict: I was pleasantly surprised; I’m keeping it on my fall calendar.

ConStar’s Pilot Watch: Black-ish

I’m not sure how I feel about Black-ish. There are parts I really enjoyed and I think it had the humor it needed. I think Tracee Ellis Ross was fantastic and funny, and the kids on the show are super adorable. Plus, it’s a pilot, so there’s always room to grow and get stronger, but I’m not sure what I am supposed to take away from it. I think, and hope, that they’re building a show where the dad tries to make his family act stereotypically “black” but then realizes his family is black no matter how they act. They don’t have to conform to some stereotypical ideal of what black means. Because some of the “black” things he tried to make his son do were ridiculous and weren’t things that were even apart of his own culture, something I suppose they will touch on as well (the differences between being black and being African).

I do enjoy that there is a struggle and an uncomfortableness, because I struggle with the idea of being called “white” by my black family/friends or being called an “oreo.” I think it’s about people either adapting or sticking out and trying to find that balance and I think the show will explore that. I like the idea of the main character being in the wrong: every episode will deal with him trying to impose some sort of ideal on his family, then being forced to realize that they can balance the new aspects of themselves they like (field hockey for instance) with the things of “classic” black culture (there are Adidas track suits at the end of the episode that are literally in my cousin’s closet).

There were really funny moments, though I’m not sure how I feel about the voice over done by Anthony Anderson’s character. I suppose it flowed once the story picked up steam, but I wasn’t expecting it. Again, Tracee Ellis Ross was really great; I haven’t watched Girlfriends yet, so I’ve never seen her act in anything. I enjoyed her and the kids are cute and precocious, though only the oldest gets real character development.

There’s a lot of pressure on this show. It’s the only network black sitcom and if it fails, there might not be a call for more. And of course it has to follow in the footsteps of black family comedies like The Cosby Show, The Fresh Prince, and Family Matters. There’s totally room to grow; but let’s not get over-ambitious and call it the Cosby Show of this millennium. I’m not ready to give it that high honor yet. Just in terms of character and writing, what I remember of the Cosby Show defined all the kids’ characterization and their relationships in a stronger way than this did; and no one will ever forget the “I brought you in this world, and I will take you out” line that, while stemming from Cosby’s stand-up, really made an impression on the series’ tone and potential.

Verdict:  I will watch it regularly unless it disappoints. ::please don’t disappoint::

Upfronts 2014: Black-ish

Could this be the return of the black sitcom?

This is the question on everyone’s minds as the Laurence Fishbourne/Anthony Anderson comedy gets slated for ABC’s post Modern Family time slot. It’s definitely a strong lead-in, both because of Modern Family’s consistently high ratings and Emmy nominations as well as being similar family programming. Check out the teaser trailer below:

Based on Barris’ own life (loosely), Black-ish will follow an upper-middle class black man, intent on raising his kids with some sense of cultural identity, in the face of an assault of constant contradictions and obstacles coming from various directions, insisting that his children be color-blind.

decided to do this project when I looked up and realized that everywhere I go I’m constantly the fly in buttermilk… I’m usually THE Black guy at work. We’re THE Black family in the neighborhood. My kids are basically THE Black kids at school. I think it’s kind of a situation of be careful what you wish for. It’s almost in like moving on up, I’ve sort of priced myself “out” of being Black,” said Barris.

The show makes me both excited and nervous. I’m excited to see a black family on television. I’m even more excited to see a black family in a single camera sitcom (has there been one? I can’t think of one  Everybody Hates Chris was one!). But oh boy am I nervous. As a person who is often not seen as black because of the things that I like and the way I speak and the education I got, and as a member of the Black Girl Nerds community and seeing a lot of other people who struggle with being called “oreos” or “not black” and often being the only black person in your work/school/extracurriculars, there are a lot of sensitive issues to deal with. As long as the show deals with being black in a middle class environment without the characters losing their identities as black people.

The title alone is a little worrisome–black-ish implies that through their middle class lifestyle, they’re not fully black, only a little black or sort of black. Just because they have Jewish friends or hang out in affluent neighborhoods shouldn’t take away from the fullness of their blackness. It sounds like the character “insisting his children be colorblind” means that 1. they accept everyone regardless of their background and 2. the struggle the father endures through the series is that the children should be allowed to be who they are and like what they like with it having no reflection on how “black” they are. That’s not the kind of colorblindness we should have, but is often the kind we get: accepting characters regardless of their color but erasing any ethnic identity they have. I don’t know if I am explaining things right or if it’s truly the measure of how I believe things should be. Again, it’s sensitive issues and hard to define or draw the lines, but hopefully the team behind the show address these issues with comedy and class. Maybe the title was just a catchy way to express what the show is about.

So I’m excited! I’ll definitely be checking it out; I hope it’s funny and strong and I hope I can relate to the characters, as their experiences already speak to mine. But I am also nervous.

 

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ConStar Watches Parks and Recreation “Gin It Up!”

“Your heart’s in the right place. Your heart and your butt.”

I’ve honestly forgotten why Leslie was being recalled in the first place. I know it’s Jamm’s fault but what was the “reason”? I know it doesn’t really matter, but I definitely forget what the exact catalyst was for his hate.

TATIANA MASLANY! Tom in her face was a GREAT moment. WHY did he switch into a British accent (besides the BBC America reference, I suppose). I can’t wait for more Nadia/Tom, because she thinks he’s really weird but then she says things like “Jet Blue Ivy” and we all (Tom included) discover there is something there that could draw them together. Hope she gets to stay for a while.

This was a great Ron story. It was nice seeing Ron and Ben interact; we know Ron loves Leslie, but it’s nice to see him extend that sentiment to Ben in his own way. Making Ben and Leslie the godparents to the kids is so wonderful (I wish I’d been able to see Leslie’s reaction to it), because you know they’d do their best to raise them the way Ron would have wanted. But Ron will only die by the man who understands the symbols on his first will. So he’s safe.

I’m happy we got a Donna-centric episode. I can’t remember every getting one, and if we did, it’s been a long, long time ago. This was the perfect plot for her. Retta played sheepish Donna really well (it was kind of adorable). I hope we get more Donna-centric episodes, because she’s the Parks Department member that gets the least amount of screen and story-time. Even Jerry gets more screen time than she does.

I need a Leslie Knope so someone can get me presents at every turn.

As usual, Parks episode posts are mostly quotes, because this show is just so funny.

“That folder in my hand is deadlier than his bow in yours.” “Oh thats… probably true.”

“What are these weird symbols?” “The man who kills me will know.”

“We’ll be all set, like two biscuits inside a tin.”

“Obviously accountants are a little more bad-boy.”

“I’m going to say this one last time Wyatt–check that accounting crap at the door.”

“Are you a doctor? Somehow?”

“I’m going to keep her here using the most powerful weapon I have–beaurocratic incompetence!”

“Another word for jokes is lies. I do not lie.”

“isn’t language fun? it’s like racquetball for your mouth!”

“Jet Blue Ivy”

“We need to talk.” “That has never been true.”

ConStar Watches Parks and Recreation “Doppelgangers”

I don’t have a lot to say except to quote some of tonight’s fabulous lines. But it was fun seeing Ben and Chris be good cop/bad cop. I’m sad for Leslie, but her acting out was great. Again, it’s interesting that the plot is being introduced so early, as I believe they’re leaving in episode 13 and we’re just in 4(?). But ample time for all the characters to say their goodbyes, which is nice and well deserved for Chris and Ann.

I loved the distraction waffles and distraction Joe Biden.

Donna is fabulous and I love that she got to mention Scandal referencing her real life love for the show (it’s even better that Scandal airs on Thursdays as well.)(aside: I can’t wait for Retta to watch the premiere! Her livetweets will be EPIC!)

Sugar mustard.

April was brilliant and hilarious as Tynnyfer’s counterpart. It was merely funny at first until you realized that April was a genius in bonding with the girl to get her to leave her position.

One thing I would’ve like to have seen was the Eagleton Parks Department interact with each other. I was going to say that I wanted to see them act like our Parks Department, but then I realized that of course they wouldn’t act like our department–our department is a family; the Eagletonians aren’t. But it still would have been nice to see if Craig went to alt!Ron for advice and what the answer might be. I also might have liked to see what an Eagleton Jerry might have looked like. I imagine they would have just been like a Pawneean (poor, unworthy, lol) and everyone thinks he’s awful because of it. Leslie would be a Jerry in Pawnee.

I had more to say than I thought, but quotes below!

Ron is basically a better version of George Washington.

OH MY GOODNESS IS THAT JOE BIDEN ON A HORSE SHIRTLESS??

Craze-mazing

Sorry for the delay ladies, I was busy being ambushed by treachery.

You’re developing an accent from that town you might move to!

You’re like skinny Mother Teresa.

Giving into hate is like drinking salt water. The thirst only gets worst.

“The meth-like high of solving accounting puzzles”

ConStar Watches New Girl: “The Captain” and The Mindy Project: “Magic Morgan”

Not a lot to say about Mindy, so I combined them, but I enjoyed both episodes tonight. Mindy picked up steam for me this week. I’ll explain why I think so below.

New Girl:

I was not ready for Evil Schmidt. I’m glad we dealt with that in one succinct episode; I was worried it would be a drawn out arc. But I love Winston teaching Schmidt how to live in the loft with Nick/Jess and kind of how to be single. I think there will be more of that in the episodes to come.

“And you don’t have time to learn all those dolphin sounds.”

“Did you talk to tightpants and eyebrows!?”

Nick loves Jess too much to let Schmidt break them up over their communication skills. I loved that scene where he begins to express his feelings and I really loved both Jess’ pleased face about it and Schmidt’s disgust. 

SCHMIDT IS SO CHILDISH AND SELFISH. But I see that this is the climax of his actions. He peaked during the birth control pill scene and now he’s in a jerk-phase denouement. Interesting that he only went to CeCe’s house to leave the apology letter. We know he loves CeCe more, but he stayed with Elizabeth too, apparently because he liked them both, not because he just couldn’t break up with Elizabeth. He legit thought he loved them equally, so it’s interesting to wonder on whether it was 1. intentional of the writers to just pick CeCe (seems obvious but there’s also) 2. they couldn’t get Merritt Weaver for the episode or 3. Schmidt is subconsciously choosing CeCe. If that’s the case, I’m going to need Schmidt to discuss somewhere how he clearly loves CeCe more and how he didn’t keep dating them both because he loved them both, but because he was just too chicken to break up with Elizabeth. (Maybe I don’t need it; I suppose it’s all therein subtext. But still.)

I love Nick and Jess. Those final scenes with them were so great. Especially when Jess got annoyed at Nick for talking too much. I’m glad they’re not (currently) in danger of breaking up. Happy one month, guys!

The Mindy Project:

I enjoyed this week’s Mindy Project. it seemed to go back to it’s romantic comedy roots, which really helped the tone and my enjoyment of the show. I hadn’t quite picked up on that being missing while she was dating Casey, but maybe it was? It wasn’t hitting Romantic Comedy tropes. It did in this episode, and I enjoyed it more than the other episodes from this season so far.

Also the scene with Morgan and Mindy had a lot of fun physical humor. Her wrapped in the pizza box was a great visual.

Now I just need them to figure out the new Bro!Doctor (and get rid of him? He’s gross) and maybe make use of their supporting cast? Or at least figure out what to do with them as well.

ConStar Watches How I Met Your Mother “Last Time In New York” and Brooklyn Nine-Nine “The Slump”

catching up on TV during a sick day, so some of these will combine shows from earlier in the week.

HIMYM:

I love where you can see where they just redecorated an old set to make it in the Bed and Breakfast. The Bar/Lounge area is probably just the MacLaren’s set redone.

Is Lily gonna be slightly drunk this entire season? lol

Oh that bottle of scotch! Yuckkk! But oh Lily, stealing the new bottle.

I totally forgot about Ted moving to Chicago… Also, I missed The Mother in this one!

Aww the Mini-flashback of Ted during Lily’s Life Lecture lol. I enjoy their friendship.

Oh Cliffhanger!! Barney sounds mad in the scene, but why would he be upset? He’s been fine with Robin all this time (I don’t remember but I don’t even think they kissed?) so why is he suddenly mad at Ted? I guess I’ll find out Monday.

I suppose, for now, they’re succeeding in stretching the story to fit just the weekend. Though there is some time fudging. Each episode hasn’t been approx 30 mins of time (right?), but continuity is doing pretty well, especially the jokes from the premiere (“thanks, Linus”), so that’s good.

B99:

Yup. still enjoy the theme song. is this Scully the Jerry of the precinct? He has a disgusting body thing, is married, and they kind of also look similar.

“What did I say about doing voices.” “It’s my craft, I’m a storyteller.”

Oh ok I am finally getting some Santiago character; all about praise and commendations. Also as a friend of mine said, Chelsea Peretti’s character is Sam Puckett from iCarly, but so is Rosa. The mixture of them is the perfect Sam Puckett (Sam meets April Ludgate probably). Now that I’ve spotted the Jerry of the precinct, now I’m gonna look for other Parks characters in the B99 cast.

“This is taking too long! I’m going to miss the farmer’s market!!”

Oh hey that kid in the beanie is on WildnOut!

“Not now, Boyle, let a brother breathe!”

I think Santiago and Rosa are basically Sam and Carly. I hope they’re paired together often and become best friends lol.

Oh, I just noticed in the chief’s office, his binders are Rainbow colored right behind him.

I love how the Captain can get away with pranks right back to Peralta and because he is so serious, Peralta believes him. It’s brilliant.

No better way to scare children than weird dancing.

Wow, Terry Crews had some of the best lines of this episode.

Why Are Black Sitcoms Less Available to Us?: Black Sitcom DVD/Streaming Distribution Disparity

Black Sitcoms Distribution Article Cover

In this digital age of streaming and DVD and Blu-ray, its seems we can watch anything we want, on any device we want, any time we want. Despite the number of networks and outlets available, there are what feels like the fewest black sitcoms on today. Compared to the heyday of the 80s and 90s, the lack of black sitcoms is especially obvious when you consider there is not one on network television. So you’d think we’d be able to go back to those great 80s and 90s TV shows to fill the void of black faces on our television screens. And yes, there are plenty of shows in syndication thanks to BET and TV One and other minority niche networks. But, as I said, in this digital age, you’d think we could watch whatever we want, whenever we want. This is not the case.

When I fell in love with A Different World this summer, I immediately went searching for it on the internet. I found it: terrible quality, 3-parts per episode YouTube videos. Ok. What about on DVD? Only season 1. Netflix? Nope. Hulu? Hasn’t even heard of the show. I currently have 30 episodes stored on my DVR thanks to TV One syndication. Then I thought of other popular black sitcoms and decided to do some research.

Shows like The Cosby Show, The Fresh Prince of Bel-Air, and Family Matters had major audiences. Diverse audiences even; these shows aired during some of the most popular ratings time slots on TV: The NBC Thursday Must-See-TV block and the ABC TGIF block. The first two shows have full series on DVD, but Family Matters remains at only 3 seasons of its total 9 on DVD and none on any of the major streaming sites. Martin and Girlfriends also have all their episodes on DVD, but again, no streaming. Other shows from these eras and time slots, some with lesser ratings or critical acclaim are available but not black shows.

Check out this chart I made, featuring about 48 black sitcoms spanning from the ’60s to the ’00s (only 1 currently running sitcom is on the list)(It’s a bit ridiculous that it only took me a couple of hours to compile this list. It should be a longer list).

Black Sitcom DVD Release/Streaming Chart

Black Sitcom Streaming Availability Chart

Preview of the chart. Click through for the full and most updated version.

Only a quarter of the series on this list have full DVD releases. Only 3 are available on Netflix. Only 5 are available on Hulu. Some can be seen on the WB website or other network/studio pages (not listed on the chart), but I’ve watched shows on the WB website before, it’s not a pleasant experience (perhaps they’ve made some changes).

Why are our shows not available to us? Why must we hunt through DVD bins and “Save Until I Delete” on our DVRs or suffer through terrible quality YouTube versions (missing episodes or muted scenes because of song copyrights)? Why did so many Wikipedia pages say “Season 1 was released on DVD, but future seasons haven’t been made available due to poor season 1 sales”? Are people really not interested? Or were those cop-outs for those companies (more often than not, these shows were distributed by Warner Brothers)? I know that in the case of A Different World, season 1 differs greatly from the other 5 seasons, so of course DVD sales were low. The fans were waiting for season 2-6 to come out. What about The Jamie Foxx Show or Living Single or The Bernie Mac Show? Who is preventing these shows from being available to the (African-) American people?

I put African in parentheses above because here’s the thing: if shows featuring black people aren’t made available to everyone–not just black people–then how will a wider audience of people come into contact with black shows? If they were available as easily as [insert random show that people rarely watch or talk about but is streaming], we could get more than just black people watching these shows. We could expand the typical audience of these shows to include other races and the next generation. And in doing that, we could inspire writers and producers and networks to give more black written/black-led TV shows a shot (especially on network television). Then, more people would have exposure to great television programs and then realize, oh right, the cast was all black.

I don’t know what the solution is. Petition letters for shows like A Different World and Living Single have gone around, but they don’t seem to do much good. Hopefully, Netflix and Hulu will reach out to the black audience. For goodness sake, in their “Categories” section, Hulu has a Spanish Sitcom section while Netflix has a Korean TV Shows section. Why is there no “Black Sitcom” section, why are those shows not available? Maybe we need to create a streaming site that can get the rights to black TV shows; but there are already so many ways in which black television is being propelled backward (maybe you feel this way about Tyler Perry shows, maybe you don’t, but you definitely can’t ignore the complete lack of any black sitcoms on network television–and only three black led dramas, two which premiere this season)–we don’t need to add segregation to the list.

Let your favorite streaming service know that Black Sitcoms are worthy of being viewed. Make them talk to distributors to give them the rights. And support syndication reruns. Somewhere, I’m hoping something will change.

Are there any black sitcoms I left off the list? Any that have DVD/streaming availability that I neglected to mention? How do you think we can get better access to black television sitcoms?

*CORRECTION* I miscalculated on the chart: there are 12 shows with full DVD releases. Not much better. It has been corrected.

Related post: https://constarstudiestv.wordpress.com/2013/07/24/constar-studies-90s-black-sit-coms/

What I Watched Today – The Mindy Project “Music Festival”

I think I’m getting really ambivalent about The Mindy Project. It’s kind of on in the background. There might be a couple of funny moments, but I dunno, it doesn’t excite me as much as my other shows do.

But in this episode, I wasn’t fan of:

  • the Bro doctor. I get that he’s supposed to be annoying, but what purpose is it going to serve?
  • Pastor Casey becoming a DJ and then randomly (finally?) breaking up with Mindy. I get that it’s slightly a part of his character as the “cool” pastor, it’s still a random about face which was an obvious forcible set up for Mindy and Casey to break up. Why is he suddenly extra hip-hop pastor THEN an event planner after a trip to Haiti?? Suddenly he has no direction and wants to explore himself? It was too much of an obvious set up for tearing up their relationship. especially since it happened all in one episode. This is something they totally could have set up over 2 episode at least.
  • Why is Dr. British (I don’t remember his name) still randomly fat?

Also funny how her hair is growing so fast, time changes. She clearly wants her normal hair back lol.

I don’t know how I will continue to feel about The Mindy Project. It seems a bit all over the place sometimes, so I don’t know if it will find direction or if this is the path it will continue to take. Hope this isn’t a sophomore slump for them, as it might not survive it. I really want it to survive as it is one of the few shows with a non-white lead, but good storytelling is an important part of allowing a show with that extra factor to succeed.

What I Watched Today – New Girl “Double Date”

WHAT IS UP WITH SCHMIDT?!?! *spoilers ahead*

He’s been going crazy this season and it’s only getting worse. I love the show but I need to know where they are taking Schmidt’s character. It seems like they’re trying to weasel in an obstacle for Nick and Jess and the only way I’ll take this easily is if Nick and Jess survive it. Because to pit Schmidt against them so randomly and evil-y, if they break up over his future antics, then I will be very upset.

Nick and Jess are perfect for each other. There were so many things in this episode that continued to solidify that. Even at the end, after Schmidt begins his mind game, they fight and argue but still come around to an agreement about things. I really hope this test is not just a way to break them up, because as I’ve often mentioned, I’m really over shows constantly breaking up their will-they-won’t-they couple just to “create more tension.” I’m really enjoying watching Nick and Jess together and there could be so many stories for them to explore with them together, since they share such weird and occasionally opposite points of view on things. But they are so good together and Nick loves her so much (when he kissed her after she stuck her hand in the cigarette lighter and then did it himself–they’re both so hilariously dumb and weird but he clearly wanted her to not be in pain alone, great moment.)

I want this to work out, so hopefully they don’t go too far with Schmidt acting the way he is acting. He’s such a child and I am over it. I really would’ve enjoyed seeing him and CeCe together, but now that that is off the table (I would say for now, but what he did was really awful so I doubt they’ll get together again), I wonder what they’re going to do with CeCe’s character. Anything she does would be in Schmidt’s range and we’ve already seen the “date other people” plot. I really wonder where they’re going to take these two.

As long as Nick and Jess don’t meaninglessly break up. That would be a dealbreaker and would really kill my love for a show that I’ve grown to really enjoy watching every week. they’ve been killing it, so hopefully I can retain my faith in their storytelling and comedic abilities.

Bill Cosby says:

“I’ve seen this movie before,” Bill Cosby said in a recent interview. “How is it that there are people of color who are CEOs of companies, that are presidents of universities, but there is no reflection of that on the networks? It is arrogance and it is narcissism. Even the commercials have more black people than the programs.”

http://articles.latimes.com/2011/nov/19/entertainment/la-et-1119-black-family-20111119 (Unfortunately the show discussed in this article doesn’t seem to have survived–I haven’t heard much on it–though for me, the title is ineffective to start with. Too long and a bit clunky). 

Even on shows starring white leads, there aren’t characters in these high professions. Can we get that at least? 

ConStar Tries to Study 30 Rock but Can’t Because There Are Too Many Emotions Involved

I just have no words. 30 Rock is over. What will I do without Liz and Kenneth and Jack and Tracy and Jenna and everyone? Most people who love TV like I do love Tina Fey and all that she has done for funny since forever ago. And now Queen Tina of TV (as I’ve been calling her all day) is (currently) no longer filling our Thursday nights with the wise words of her daughter Alice. (I want to go to there.)

It’s pilot season and we know Tina has a deal with Robert Carlock (her fellow 30 Rock co-producer) and NBC so hopefully whatever is already in the works hits our screens by this fall. But for now, we mourn the loss of so many wonderful turns of phrase, outrageously hilarious moments, and fantastic meta moments (like the Lorne Michaels title plate coming up in the middle of the hour-long episode right when the first 1/2 hr was over–one of my favorite jokes of the night). 30 Rock was brilliant and while Nielsen America may want The Big Bang Theory, there are plenty of people who want the 30 Rocks and the Communitys and the Parks and Recreations–shows that actually make the watcher think and laugh at the same time. Shows that understand how we love television and how invested we get.  Shows done by people who clearly love what they do and don’t do it just for the paycheck. I hope that more shows like 30 Rock come to our TVs, because they are done by people who love TV for people who love TV.

Goodbye 30 Rock. I’ll miss you. I miss you already.

Lemon out.

ConStar Studies Series Endings

Next season, we say goodbye to Ted, Marshall, Lily, Barney and Robin. See here for the official announcement:

I love How I Met Your Mother. It is the only comedy on CBS I watch. It is the only multicamera show that I watch. I think it’s funny and clever and has great characters. It is ending next season and yet, despite my love for it, I am ready for it to end. 

Many shows we love end before their time. Some notable examples that immediately come to mind are Firefly, Pushing Daisies and Veronica Mars (which has been on the brain today for some reason). It’s not even the crime of ending a show too soon in its first season because of low ratings (when it’s the networks fault, I’m looking at you FOX), but it’s ending a show into their third, like Veronica Mars, and not giving the writers enough time to come up with a solid ending. Instead, we’re left with a cliffhanger that never gets resolved, or sometimes even worse, the last episode is just a normal episode where nothing spectacular happened. 

So it’s nice that some shows get a warning. Lost had a warning. 30 Rock and The Office have been given at least half a season’s worth of episode to wrap up their characters. And now the HIMYM gang gets to end with closure. It’s the end of an era for many TV shows it seems, with 30 Rock, The Office and now HIMYM ending, when they all seemed to pop up around the same mid-oughts era. And while it is sad to see them go (especially because I am not sure how I feel about some of the shows replacing them), it is time for some of them to end. I am ready. I am sad, but prepared to watch the last episode, even if I will be a glass case of emotion for hours afterward.

Because while I love HIMYM and it’s characters, it is time for us to meet the Mother. It is time for Barney and Robin to get married and be awesome together. It is time for Marshall and Lily and Marvin to cuddle up together. It is time for Ted to stop being an idiot. I need the season finale to be where Ted meets the Mother and the last season can focus on how they got together and probably end with a proposal and maybe a montage of happy moments between then and the kids being born. And some jokes from the kids about how he sped up the story right at the end or something. It’s just time. I hate when a show ends too early but it can be draining if a show goes on too long. Thankfully, while there have been slow patches of HIMYM, when watched in a marathon session, it’s still funny and watchable. Other shows who go on too long do not have that grace. 

The end is nigh for HIMYM. Let’s hope they have saved their absolute best ideas for the final stretch so it can go out with a bang bang bangity bang. 

[also this means Cobie Smulders can go be a bamf on SHIELD which will hopefully be in it’s second season by then. she’s got pretty good job security for the next couple of years should that show make it off the ground]