Constar Clicks

[I did say it might be less than every two weeks… I’ll blame every article on the media being about the Movie That Must Not Be Named for nearly an entire week.]

Okay, so these Clicks posts are becoming little Jane the Virgin shrines, but I don’t particularly care when it’s one of my favorite shows on television. Here’s post on Jane’s honesty as her superpower in a show (and a world) full of liars. And here’s another piece on Jane, an interview with showrunner Jennie Urman in HuffPo’s Latino Voices.

If my blog were her locker, it’d be 75% pictures of this show. The other 25%? Scandal and Arrow/The Flash probz.

But before this becomes a Jane the Virgin only blog (it kinda is anyway), there’re non-Jane related clicks too!

I’m gonna miss Stephen Colbert and the Colbert Report. I’m super sad Letterman isn’t retiring until May (I really thought it’d be earlier in the year), but perhaps it’s 5+ months for Stephen to do awesome things he won’t have time to do once he takes over Late Show, like maybe host SNL? In the meantime, here are some times Stephen’s broken character, rare but hilarious and adorable.

Annie‘s out this weekend, and while I haven’t seen it yet, it’s so important that Quvenzhane gets to play her. I wrote recently about my quote in Bitch Magazine regarding the movie as well.

In other movie news, Film Fatale urges director Angeline Jolie not to white wash Cleopatra, as has been done countless times in the past.

 Similar to my Midseason Diversity Check-in is Shadow and Act’s “Best Black Television of 2014,” mentioning the network TV shows with breakout black characters this season.

“For the first television season in a long time a lot of hubbub has been made about diversity on television, primarily on the major networks. While there has been a greater emergence of one or two Black characters on various shows over the past few years – in some cases token characters, but most often not really – the major difference for the new 2014-15 television season is that many of the hyped shows are headlined by very recognizable Black talent and in a few cases also produced and created by Black talent.  There is another difference – a lot of them are really good!”

I used to compile similar links posts for Amanda Pendolino’s blog The Aspiring TV and Screenwriter. So it’s great to see this interview with her on Maximum Z blog on how she became a script reader and things she looks for in a good script.

7. What are the 3 most important rules every writer should know?

-Writing is rewriting. Don’t send a script out until it’s ready.

-Read scripts and watch TV/movies voraciously.

-One single script probably won’t launch your career. Sometimes the best thing to do is move on and write a new script.

Betsy Beers and Shonda Rhimes

Betsy Beers and Shonda Rhimes, creative dream team

This article in the Hollywood Reporter talks about what it takes to get a job in Shondaland. Everyone wants to be Shonda Rhimes, but sometimes I think I want to be Betsy Beers. It seems she does a lot the behind the scenes work that lets Shonda focus on writing, but doesn’t get the bad press when the public doesn’t like certain things. “Beers, who also identified Scandal inspiration Judy Smith as a potential storytelling vehicle for Rhimes, says she looks for depth and three-dimensionality when she reads scripts for potential Shondaland vehicles.”

It seems like a lovely and educationally gratifying work environment:

“Across the board, there’s opportunity to grow yourself as an artist,” Wilson says. “We have our script supervisor that directs and also acts on the show. One of our grips is a director on the show now. Two of our editors, three of our writers, there’s such opportunity for movement if you can really appreciate where you are and soak that in. The writers constantly move from position to position every season; I don’t know if other universes work that way but ours certainly does and I really appreciate that.”

I’d really appreciate that too! I would of course love to benefit from such an environment, but I also love looking out for people in that way myself. seeing the potential in them and giving them a nudge in the right direction. Sometimes I feel like I am not the person meant to be a big name, but the person behind that person. But maybe that’s just the introvert and fear in me talking. But it’d be nice to have the careers of either one of these game changing women.

And finally, get your friends who are Parks and Recs fans this tasty looking Waffle Keyboard. It won’t come in time for Christmas, but maybe for premiere or finale parties?

keyboard shaped waffle

Leslie Knope wouldn’t know if she should type an acceptance speech or reach for the whipped cream.

Advertisements

Shonda Rhimes is Winning Awards Left and Right and It’s Only the Beginning

Shonda Rhimes to Receive WGAW’s 2015 Paddy Chayefsky Laurel Award

Shonda Rhimes has been winning awards left and right recently! There was the Director’s Guild Diversity Award  last year (which got all sorts of controversial press because of Shonda’s statement that she was “pissed off” that they even needed an award for such a thing) and recently the Sherry Lansing Leadership Award, which made headlines as Shonda broke the glass ceiling analogy by explaining that all the women who came before her cracked it first. Now she’s set to receive another award: The Paddy Chayesfsky Laurel Award for Television Writing Achievement (isn’t that a mouthful) from the Writer’s Guild of America.

Named after one of the most influential writers in entertainment history, the Paddy Chayefsky Laurel Award for Television Writing Achievement is the WGAW’s highest award for television writing, given to writers who have advanced the literature of television throughout the years and made outstanding contributions to the profession of the television writer. Past Television Laurel Award recipients include Steven Bochco, Susan Harris, Stephen J. Cannell, David Chase, Larry David, Diane English, Marshall Herskovitz & Ed Zwick, Joshua Brand & John Falsey, and, most recently, Garry Marshall.

See the names of those who have previously won this award? All white people. Only two women. Shonda will be the first black women, or woman of any color to receive this award — the guild’s “highest” award. That’s amazing. That’s inspiring. In a world where people of her gender and color are often marginalized, Shonda is not only making strides but giving opportunities to others who are pushed to the side. She’s showing us that you can have black leads and a diverse cast and dominate the ratings (competing even with football of all things). She’s providing  complicated characters of varying colors who aren’t stereotypes but aren’t perfect either. And she’s writing (and/or producing) compelling television that has people tweeting and talking about episodes weeks after they air.

I love that she is getting all of this recognition and while Grey’s Anatomy is in its 11th season (!!), this should still be considered just the beginning of her career. I can see her name being attached to loads of TV shows, even if she’s not writing them, à la a lot of the other names on that list of Laurel Award recipients past.

Shonda’s not a perfect writer. There are think pieces all over the internet with regard to her characters and her writing style, but she hadn’t written TV before Grey’s Anatomy and all writing is a process. I think she is, more and more, realizing her brand and sees what’s working best for audiences and is adapting to it. Rhimes herself, in awards speeches she’s made, has mentioned how competitive she is, so receiving these awards means she’s only going to continue to grow and try to outdo herself. And I am excited to see what she’ll come up with next.

Check the press release here: Shonda Rhimes to Receive WGAW’s 2015 Paddy Chayefsky Laurel Award.

Link: More Diversity in Prime Time: It’s Not Your Imagination – The Root

More Diversity in Prime Time: It’s Not Your Imagination – The Root

This article mostly talk about black-ish in the aftermath of it’s premiere yesterday, but it also spotlights Jane the Virgin, which I must say was probably my favorite pilot this fall. Check it out!

Also check out two more articles regarding blackish:
In ABC’s ‘Black-ish,’ everyone has racial issues [Washington Post]
Black-ish: “Pilot”: Don’t call it the black Modern Family [AV Club]

Minority actors land the lead roles in fall’s diverse TV lineup | New York Post

Check out the Post’s article on the PoC led dramas coming this fall. And a few are led by women! Numbers are getting better, but no where near where they need to be.

The link and a couple of quotes below.

With “Scandal” commanding $200,970 per 30-second advertising spot, it’s a cash cow.“The color Hollywood loves the most is green,” says Wilmore. “Shonda Rhimes really showed that you can have a black lead in your thriller and you can have a great show. She broke down that wall, and Hollywood follows success.”

Hollywood definitely follows the money. Hopefully these new shows prove to be great television as well. The problem we’ve faced in the past has not always been a lack of content (well, yes, this is the problem, but) sometimes the content put out there isn’t good. There are a lot of times people of color will watch a show featuring someone of their background and that will boost ratings, but ratings will drop off if they don’t consider the show good. It’s not just about representation in numbers, but representation in quality and content. Don’t just give us a show with a black person and say it’s diversity, the content has to be good as well.

Rina Mimoun, executive producer of “Red Band Society,” says that, because of the Rhimes effect, “people will open up their casting. There’s no reason not to.”

More and more producers are realizing this, but things still aren’t where they need to be. The Emmy’s certainly showed that with the small amount of PoC nominees and smaller winners (most weren’t even televised). Hopefully, with this new crop of PoC led shows, next year’s Emmy’s will feature more PoC nominees and winners (now that Breaking Bad is finally out of the race; and maybe Emmy voters will finally be over Modern Family).

(In addition to these current shows, let’s not forget Sleepy Hollow, also led by a black female–I don’t think the article mentioned it.)

via Minority actors land the lead roles in fall’s diverse TV lineup | New York Post.

ABC Heralds Diverse Lineup Of Shows At TCA

“Let’s not pretend we’re there yet,” when it comes to the television industry accurately reflecting the demographics of America, ABC president Paul Lee said at the Television Critics Association press tour Tuesday. “I think we’re taking a very good step along that journey. But to be able to pull this off, you need not just stars on air […] [y]ou need the storytellers and you need the executives. I’m very proud of the fact that if you look at the executives who do development and do programming and marketing, across ABC, it’s a very diverse group of people.

via ABC Heralds Diverse Lineup Of Shows At TCA.

Seems like the president of ABC, Paul Lee isn’t trying to say they’ve reached Diversity (yes, capital D) on TV just yet, despite ABC’s wide selection of both supporting actors, leads, and full series that feature diverse families as the lead (though not sure how I feel about Asian “clan,” you already used family twice, either use three different words for family or all the same. Anyway–). It’s nice to see that ABC isn’t trying to say they’ve won anything or that there isn’t more work to be done. There definitely is.

Upfronts 2014: Shondaland Thursday Coming This Fall — But Can She Sustain It?

 

Shonda Rhimes is ABC’s biggest money maker right now. She’s been re-upped through 2018 and nearly all her shows get greenlit without much effort or fuss. Scandal is one of television’s hottest shows right now and Grey’s Anatomy has been 10 years strong, so it makes sense to keep that legacy going. And of course, if Grey’s starts to falter and Scandal has a tentative “end date,” then ABC wants to get some Shonda shows in there that could overlap and continue the dynasty.

This fall, Thursdays become Shondalnd Thursdays. In addition to Grey’s Anatomy and Scandal, Shonda Rhimes’ new show, starring Viola Davis–How to Get Away with Murder–will premiere in the 10pm slot. Talk about a strong lead in. We know just from the Shonda brand that it will be highly watched, highly talked about, and will get ABC the Thursday ratings they want for the first few weeks at least.

But can she sustain it? Doing two shows at a time has got to be rough. The last time Shonda Rhimes had three shows on the air–no one remembers Off the Map, in conjunction with Grey’s Anatomy and Private Practice? Exactly, that’s what happens when you have three shows on the air. Grey’s was in it’s seventh season and Private Practice in what became it’s second to last. Three shows is draining. Three shows is stretching yourself thin. Three shows is hoping you can trust the people in charge of your other shows with the characters, with the storylines. And while there are shows with big names attached spread across multiple shows (Dick Wolf (L&O), Jerry Bruckheimer), they don’t have the showrunner, creator, creative input that Shonda has. So we’ll see how well each show does with Shonda spreading herself across them like this.

My biggest example of a highly involved creator trying three shows at once is 2002 Joss Whedon.

It’s almost like he’s saying, “Shonda, beware!”

As he was entering Buffy the Vampire Slayer‘s seventh season and Angel’s fourth season, Firefly came out. Cult hit that it (and the other two shows as well) was, that was a rough year for Whedonites. Yes, there were other factors to Firefly’s cancel (cough*FOX executive meddling*cough), but season 7 of Buffy and Angel’s 4th are some of the most contested seasons among fans. There’s a lot of dislike in the character development, storyline speed and progress, and just a general division among fans about whether or not they’re the weakest seasons in the bunch. Firefly was cancelled after 13 episodes (well, more like 10?), it became Buffy’s last season, and Angel’s second to last. In addition to all the other pressures that caused each show to go through it’s personal rough patch, it could not have helped that Joss had to concern himself with all three shows, in some way. Focusing on Firefly doesn’t mean that he could have completely ignored showrunner responsibilities for Angel and Buffy. That kind of stretching takes a toll on the showrunner and the shows.

I hope this doesn’t happen to Shonda. Both Grey’s (simply due to it’s length) and Scandal already have many fans once in love with the shows expressing apprehension about the coming seasons. Grey’s is losing a major, fan favorite character. Scandal’s struggled with White House saturation. With these cracks in the armor, can Shonda risk dividing her attention to another show? Only time, and ratings, will tell.

 

Enhanced by Zemanta

Scandal Monologues Are All the Buzz Today

Make Your Own Scandal Monologue — Vulture

Four Scandal Actors Break Down Four Memorable Shonda Rhimes Monologues

Joe Morton Mid Monologue

Tonight is the #Scandal season finale! I haven’t been recapping Scandal lately (busyness–I often don’t get home to watch it live, then had things to do Friday morning, no writing time–and my recap style fit more when the show was a tad bit more serial) but doesn’t mean I’m not still watching it. I’ll watch the finale as soon as I get home late tonight, but ahead of the episode, the internet is giving us loads of Scandal content to get us through the day.

These two links, both from Vulture, are different takes on Shonda Rhimes’ Scandal monologues. One is a monologue generator that I haven’t gotten to play with yet (but Shonda Rhimes has:

Screen Shot 2014-04-17 at 3.34.04 PM)

and the other is breakdowns of 4 monologues from this season, by Joe Morton, Bellamy Young, Kate Burton, and Jeff Perry. These are fun games but also very useful for me.

Earlier this year I was writing a Scandal spec script for a TV writing class I was taking. I got pretty far, but Scandal fatigue and adding other things to my writing interests put it on hold for a while. But something I was struggling with was figuring out how and where and who to give a brilliant Scandal monologue to. It’s hard work. The obvious choice would be Joe Morton’s character Eli, but he wasn’t quite giving me one. And I was so focused on trying to give him one (because he is my favorite character on the show) that I ruled out everyone else and I think I was suffering for that.

He could still get the monologue, but now I have a new idea! Use the Vulture Scandal Monologue generator! Obviously not to take whatever I get when I play, but I think the generator breaks down the monologues from the show in ways that would be beneficial to me looking at my spec and including one. It starts off with themes and goes from there. Once I break down the theme of my episode (another aspect I was struggling with–Shonda is very theme heavy in her episodes and it’s always good to know what yours is, but I haven’t broken down the theme to go with the plot of my episode), I can use this generator to get a monologue for it.

Sometimes you have to know how to use the fun of the internet to actually do work and understand things that were giving you trouble. I can’t wait to try it. If you use it, comment with your monologue!

I think another brilliant thing I just came up with could be to use all those Buzzfeed quizzes to learn more about your characters, just take them in their voice and use the end result as a way to understand your characters more. Or maybe your character wouldn’t take a Buzzfeed quiz. That’s telling too!

 

Enhanced by Zemanta

New York Women in Film and Television Black Actresses on Screen Panel

NYWiFT PanelPanelists: (l-r) Ylana Kellar (moderator), Chenoa Maxwell, Sharon Hope, Neema Barnette, Rachel Watanabe-Batton (r on screen) Julie Dash (l on screen)

Last week, I was blessed to have been able to attend a NYWiFT Panel on the current state of black women on screen at Harlem venue My Image Studios (MiST). It was very inspiring and I got to watch Scandal afterwards with a room full of Gladiators. It was pretty amazing. Here are some of the questions and responses below (featuring general essence of their answers, with direct quotes from my notes).

The panelists for the evening were: Neema Barnette, Julie Dash, Sharon Hope, Chenoa Maxwell, and Rachel Watanabe-Batton with Ylana Kellar as the moderator. You can google them and check out their work like I have been. They’ve all been working in Hollywood trying to get the stories of black women told in the right ways and the things they had to say were very inspiring for all future black artists: whether actors, writers, directors, producers, any kind of black content creator.

The questions and answers are below as slides, click one and read through! These ladies were really inspirational and it was great to just be in a room with other like-minded people. Hopefully the roles portrayed by black actresses will continue to expand in number and in character dimension.

Enhanced by Zemanta

ConStar Watches Scandal “We Do Not Touch the First Ladies”

This week’s episode started off with a bang. Well, two bangs.

Olivia and Fitz meet up and “review the numbers” then have an all out RAGING fight. All with poor Jake awkwardly chatting with the Secret Service right outside the door. I loved the fight and it was about time Olivia stood up for herself. Fitz is getting more and more ridiculous with the things he says and the things he demands from the people around him, especially the women. He doesn’t appreciate Olivia for what she brings to the table, what she wants, what she needs and Liv finally let him know. He didn’t really do anything in the rest of the episode that told me he was adjusting or changing, so we’ll see if this is just his character and the way the writers are going to continue to write him or if this is leading to a character development arc. Because Fitz, of all the characters on the show, needs the most character development in order for fans to continue to like him or believe that Olivia loves this man. (You may say, but Quinn needs some character development too! No, Quinn needs to die.) I suppose, in lack of a Papa Pope Speech of the Week, we can give Kerry some serious award noms for her part in the fight. She really did tell him about himself and that not everything is about him. I almost forgot to look for Kerry’s baby bump!

Some of the episode flashes back to the California governor’s mansion 14 years ago. Andrew Nichols, in the present, owns to some prescription drug use that someone is planting to use against the Grant campaign. But back in 2000, it was Mellie who took the pills. She was feeling sick and tired of her life, unable to look at Fitz or even touch him, scared that her kid wasn’t his and really feeling overwhelmed. Nichols finds her and stays up all night to make sure she makes it through and boy does he fall hard. But Mellie has a backbone and resists his charms, despite everyone kind of understanding and knowing where Fitz is headed in terms of his own marital screw-ups. But two wrongs don’t make a right, until the present day, when Mellie couldn’t take it anymore. Nichols certainly gets to touch the First Lady (and with Mellie’s hair like it was, she looked so great!) and he did it once, so he decides to do it again–this time the painting of Jackie O he was admiring before he had another first lady to admire.

Fitz is already pissed about Jake being “a fox in his hen house” so it’ll be interesting to see what conniption he experiences when he finds out his other “loyal” “trusted” friend is a fox. Even with how he dismisses Mellie, he wants to have his cake and eat it too, he doesn’t want her to do anything he doesn’t want. Fitz’ control issues are spiraling out of control and I believe it’s all because he found out about Defiance. And he started drinking.

Speaking of spiraling (weak transition, I know), poor Jake. He’s been command for over a month now, but B6-13 let him get settled before delivering the whammy. He gets a suitcase of mysterious files, all of the nations secrets. With very daunting words like “protect the republic.” Jake doesn’t seem like he was ready for this; he’s seeing how lonely it is at the top. The suitcase clearly stated that he was to act with no interference from the executive branch and to stay a step ahead of the president, etc, etc. He thought he was going in with Fitz by his side, but between Olivia and the weight of his office, his buddy is getting farther and farther away and the weight is getting heavier. I know many of us certainly loved the scene where he uses his “boyfriend of Olivia Pope key” to demand some real food in the house and to go take a shower. But the seams are more visible and the pressure will get to him more and more, I am sure.

Well, I suppose at least Jake isn’t James. James is about to shake right out of his skin, he really wasn’t made for this covert ops, behind his husband’s back stuff. The littlest sound is setting him off and his meeting with David under the bridge (or wherever that seemed to be) made me laugh at how cliche it was for a secret meeting between “spies.” He’s not ready for B6-13.

And neither is Quinn (I’m really killing these transitions aren’t I ;-)). Quinn makes me more and more angry as the season progresses. She wants to find her own way? So go back to being the girl you were before you were Quinn. Olivia and Huck made you Quinn and if you want express your independence, why not go back to whatever your name was before (you make me so angry I’ve chosen to forget what your real name is)? Don’t pull a gun on the person who’s best suited to save your life when the time comes. She walked into Jake’s office cocky as I don’t know what, but you got caught on your first go round by Olivia. Not Rowan, not Charlie, but Olivia, who isn’t exactly covert ops material herself (she’d be in the command station doling out orders). You didn’t even try to hide when spying on Rowan and someone is going to get fed up with you and kill you. And the entire audience is going to cheer with glee (we’re all still kind of on Huck’s side about the torture thing–he just went a little too far with the licking).

Huck kinda made me nervous though, bringing Olivia coffee like he was. Who knew what could have been in that coffee, considering his background. But it was apology coffee. Not for hurting Quinn, but for Olivia’s anger about it. Huck doesn’t let his desire for an apology stop him from telling Olivia about himself and herself. “You should have never given me someone to love. Monsters eat people, Liv. It;s what we do.” Oh Huck. It’s so telling about how he sees himself and his relationship with Olivia. And he loved Quinn. He took her under his wing and loved her and she went betrayed the master (if we’re sticking with Huck’s puppy metaphor), so he had to take a couple bites out of her for that. I wish he’d gotten a couple of more bites in.

Finally, I sat on my last post for about a week, hoping to unleash my theory about Adnan Salif working with Mama Pope and they reveal it the very next episode! I still KNEW IT! I really wonder what they’re up to, though. Adnan has now gotten her way into the Grant campaign camp, despite Cyrus knowing how criminal she is, and it was Mama’s idea? What’s the plan? And how will it interact with Eli’s plan to destroy Fitz? No way Maya wants Fitz to continue being president (certainly not without some damage somewhere), he knows about her and was the man who pulled her trigger. But if she does something to destroy Fitz, how does that play with Eli’s plan? Will they end up working on the same team somehow? What dangerous red strings of fate are being intertwined as we hurtle toward the end of the season?

ConStar Watches Scandal “Ride, Sally, Ride”

I’ve been slacking on bringing back my weekly Scandal posts. Partially because I am still busy and partially because I watched Scandal differently for the premiere than I usually do.

Scandal MiST Harlem ThursdaysLast week, I went to a panel on Black Women in Hollywood (which I will write about soon) put together by New York Women in Film and Television (NYWiFT), at a venue in Harlem called My Image Studios (MiST). After the panel, as they do every week, MiST played Scandal in their theater space. That’s right, this place in Harlem plays Scandal on two large movie screens every week. Dozens of women (and some men!) were there–partly the panel crowd, partly the usual crowd that usually appears there–and wow is it different watching Scandal with other people. I mimic the experience when I live-tweet the show, retweeting funny comments, but it’s great watching and hearing people’s physical reactions to things. The moment when Mellie walks in on Fitz and Olivia making out in the Oval, every gasped so loud. It was fun! I would totally do it again, but with more people I knew. I got to hang out with some of the NYWiFT interns, but I’d love to go back with some friends of mine and get to react to the show live. So the busyness of that night combined with other life reasons made me put off this post for a whole week. But here it is. Hopefully the next one won’t take as long.

 

Like I said, the entire screening audience gasped when we and Mellie all caught Liv and Fitz making out in the Oval. They were “reviewing the numbers” all right. The two pull their lips off each other to deal with Sally’s big announcementt: She’s running for president as an independent, but she’s not stepping down from the vice presidency… She claims the devil came in and killed Daniel Douglas, but the devil must be giving her some intense balls to think she can both be the VP and run against her boss.

All of this pisses Fitz off so bad that even Liv can’t get through to him. He says he’s got a new pick for VP, Andrew Nichols, who worked with him in California. Liv thinks it’s a bad idea, he’s from the same state and brings absolutely NO diversity to the table. Fitz dismisses her. “I said that’s all.” Here’s where Fitz pisses me off the most, and it comes up in his scene with Liv later: he says all the time how he loves her and trusts her and can’t win without her, but he refuses to listen to her opinions. Eli was right, he’s a boy who’s trying to prove he’s a man.

Speaking of Eli, Liv finds out that Jake is in charge of B6-13 and goes off to find her father, now that she knows he was fired from Wonderland. They meet at an old hangout spot of theirs and discuss his uncommon valor. Liv apologizes for what happened to him and that. sets. him. OFF. I’ll post more of the speech in a section I’ll call “Joe Morton Speech of the Week,” but he really tells Olivia how it is.

“You’re skipping around in a field full of bombs and mistaking them for daisies. This, dear, sweet, child is what happened. The married man you can’t seem to stay away from had me abducted and locked me up in chains and spoke to me about the way you taste while he allowed the terrorist who snaked her way into my marriage bed to clear US airspace. What happened was, the man you screw, betrayed me by freeing the woman who gave birth to you as a bargaining chip. What happened was, the man that defiled you also defiled an organization that I gave my soul to build. That is what happened. What is currently happening is that Fitzgerald Thomas Grant III has made an enemy. The worst kind of enemy. because i know all his secrets. I know where every body is buried.  And the greatest weapon I can use against him calls me Dad. […]

Everyone should be afraid. the president should be afraid. And if I were you, Olivia, I would be terrified. I would pick up whatever chips you have left and run as far away as possible from that burning building known as the White House. Run, Olivia, run. Because, mark my words, Fitzgerald Grant, is not going to make it to the end of his term.”

“You wouldn’t dare.”

“Watch me. Start grieving now, Olivia. Rend your garments. Curse the heavens. It will save you time down the road. But first, run.”

That’s it! I surrender! How Olivia manages to not cry from fear, I do not know. His speeches are always epic! And we all desperately want to know what he’s planning! Does he actually mean to murder Fitz? Or is it more of a political threat? Eli turning to Sally’s campaign manager Leo tells a more political destruction, but Eli told Olivia to grieve. Wow. I cannot wait to see what he has planned.

Leo puts thoughts of Olitz into the minds of the media and a circus ensues. In order for Mellie to come out on top, she urges Liv to pick a suitor, any suitor. When Olivia does, choosing Jake to be a “patriot” and date her to serve his country, Fitz is less than pleased. He’ll be even less pleased when he learns that his running mate pick, Nichols, shares a burning torch for Mellie. His decision to choose Jake and Andrew over loyalty is about to backfire largely in his face. Tonight, we’ll find out more about Andrew and Mellie’s secret fling 12 years ago.

Other plots:

Harrison is WIGGED OUT. Adnan Salif sends him veiled threats, causing us and Abby to wonder why Harrison knows how to use a gun. She shows up and all our thoughts about her being a large threatening man are thrown out the window and she and Harrison get busy in his office. What’s she up to? One theory below.

Charlie and Quinn take up kidnapping, but she misses being a gladiator

David Rosen and James are colluding against Cyrus. Secret recordings, double crossing, betrayal, backstabbing, all of it. James is tired of being married to a monster.

Theories:

I have no idea what Eli and Leo are planning. Is it a trade of secrets for Sally to use in her campaign? Is there a more sinister nature to their meetings? Time will tell.

Here’s the biggest theory of all: I think Adnan Salif is working with Mama Pope. Perhaps all this time. Perhaps Harrison even knows something about it (maybe not consciously). She comes in and wonders, “How we can help each other.” If she was brought into the country by Cyrus to get him to play his game, what agenda would she already have? I think she’s working with Mama Pope and wants to get close to Harrison again (not killing him as he feared) so she can get information on Olivia and Eli and everyone out looking for her. And whatever other plans they have set into motion. We won’t see Mama for a while, I presume, but Adnan will be her eyes and ears in the meantime.

Another theory rolling around the internet is that Mellie’s kids aren’t Fitz’. We already think Big Jerry is the father of the oldest (about 16 years ago) and with this new reveal, it may turn out the child #2 is also the product of another man, this time Nichols. Could this mean what fans have guessed already? That Fitz is sterile and none of the kids, not even Teddy, is his? And we’ve tracked the other two father’s down, who is Teddy’s biological father?

I am so glad Scandal is back! Thanks for reading!

What was your favorite “cover the baby bump” moment from this episode? The man’s head conveniently covering her stomach in the oval? I think mine is her giant purse with the distracting White House badge dangling off it as she walked down the hallway.

Enhanced by Zemanta

Link: 14 Things You Do After Watching ‘Scandal’ on Thursday Night – Atlanta Black Star

It’s Scandal Thursday! I’m working on last week’s Scandal post just ahead of tonight’s episode, but here’s a list of some of the reasons why I was distracted from writing it last week. I’ll name some more in my post when I finally get to rewatching last week’s episode.

Check it out!

14 Things You Do After Watching ‘Scandal’ on Thursday Night – Atlanta Black Star.

Spec Inspiration: How to Raise the Stakes by Challenging a Character’s Identity

Spec Inspiration: How to Raise the Stakes by Challenging a Character’s Identity

Make the character prove his point. Once your character’s identity has been challenged, make him or her prove that the challenge is incorrect.

This idea might help me with my Scandal spec. I’ve been struggling with giving Olivia more to do. She has some role in the major plots of the episode, sure, but a lot of that is easily delegated. I’m struggling with her wanting something, more than “to clear his name” or whatever the case may be. But this helps.

I’ve been trying to find a way to explore Olivia’s relationship with both Fitz and her dad and by using this idea, I can have one refer/label her relationship with the other, then have her rebel against the idea. Haven’t figured out which way yet.

Shonda used this herself, when she had Cyrus question Fitz’ “balls.” Fitz went off and proved himself and went back to Cyrus asking, “How presidential are my balls now, Cy?” The audience loved it, but it also gave Fitz something to do, something to want in that episode. I need to use it with this one.

More spec updates soon! Once I stop distracting myself with other blog thoughts (new blog coming soon lol).

via How to Raise the Stakes by Challenging a Character’s Identity [Read to Write Stories]

A Brief Update on How My Scandal Spec is Going

A Brief Update on How My Scandal Spec if Going

later:

Screen Shot 2014-02-11 at 11.58.59 AM

Ok. It’s not nearly as bad as that (there’s a vague idea of a plot and characters are interacting blah blah blah), but it’s somewhere in the vicinity. Every time I think I have a handle on my outline, I write to a later scene and everything before comes into question.

Recently I heard the quote that “The first draft is just you telling the story to yourself,” so, in addition to the mentors and teachers telling me to continue to write forward, I’m at the moment resisting every urge to scrap everything I’ve done and just make notes of things that will need to change. That’s the hardest part for me, resisting the urge to start over, but I’m gonna try to just vomit draft this plot and then go back… We’ll see how it goes!

Enhanced by Zemanta

Women’s Round Table Discussion: The State of Black TV

Andrea Lewis put together this awesome roundtable on the state of Black TV with various black, female content creators who have turned to the web to circumvent the difficulties of breaking into mainstream media. These ladies, Andrea Lewis, Issa Rae, Lena Waithe, Ashley Blaine Featherson and Numa Perrier have all made some sort of name for themselves through indie means, mainly meaning using the Internet to widen their fanbase. It’s really inspiring to see and hear their opinions because they make so many great points. It’s not an end all, be all discussion, but of course it gets a conversation started in the minds of those who watch it. How can we further the success of black content makers both online and in mainstream media. Watch it below.

Below are some of my favorite bullet points and thoughts.

  • Numa says that she doesn’t often feel like she’s surrounded by stereotypes because she actively works to watch content at contrasts the mainstream stereotypes. Shows like Love and Hip-Hop definitely portray a stereotype and is seen as mainstream media. “I’m not consuming the content that feels anti to my sense of truth.” I don’t watch those shows either, and while sometimes I do hate on them (sorry), the ladies make the excellent point that, “some people watch that content, why should they be discredited for who they are.” While the kind of behavior presented on those shows isn’t what I enjoy, others do, and I shouldn’t always be so derisive about it. I just wish there was more variety to the representation of black women (and other underrepresented groups).
  • Issa says she does watch some of the L&HH type shows, but there’s not enough of the other stuff. “We’re relegated to one stereotype. We watch the shows and know that there’s more to black women than this, but the general public doesn’t know. and opportunities are limited.
  • They point out that it’s about balance. There are two extremes. The Love and Hip-Hop types and the Olivia Popes. Either pristine, suits, wealthy or L&H characters. Bougie vs ratchet. We’re missing the middle ground. It’s an excellent point made that our two extremes are unbalanced as well. There’s only 1 Scandal, but multiple L&H’s shows. I’m a bit surprised the ladies don’t discuss the problems people have with Scandal, but I suppose that’s a whole ‘nother discussion.
  • It’s up to BET to step their game up and show people that the “middle ground” type black woman exists. But they’re trying to reach their base. Unfortunately, the middle ground doesn’t fit into their demo, “but what about Netflix and IFC and Sundance?” Those looking for new and interesting. It seems indie is the best place for a black content creator to go.

“Our tastes are being partitioned.”

  • How do you reach people worldwide who want to see this content? The internet has certainly been the best place for this for these ladies.
  • “Some people are going to have to get old and die before things change.” It’s a shame that this seems to be the truth about a lot of things.
  • “We need to continue to find ways to reach the world-wide audience, reach black people in Korea, etc.” Everything is so global these days. and “international eyeballs matter too.” Even movie Box Office numbers are increasingly including and discussing the international box office revenue.
  • Is online working better for you than mainstream? People are certainly grateful for content that represents them (esp when its free), but it’s hard to find/create content without sponsorship or support, to translate that community to a larger space.

“Keep doing the work and the right people will come.”
“We have to value ourselves more.”
“People are inspired and impressed when they find out I’m doing it online rather than just a “guest star” on a show.”

  • Don’t wait for things to come to you. Be driven.
  • Your work has to be something people are talking about and connecting with.
  • How do you develop your fanbase online? You can’t do it with 2 followers. Make sure you talk back to the fans. When people realize you’re gonna hit them back up, you build  relationships. It helps when people can trust you and the content is something they like.
  • All these ladies all “share in being a black women, but have such different voices”. It is definitely important that we get that across in the mainstream–we are not a monolith of Olivia Popes or Real Housewives of Atlanta.
  • It’s all about trial and error. Be strategic about collaboration. Be unapologetic about what you are and who you want to write for.

“This is black women not fighting.”

    • It’s a funny way to end the piece, but a sad fact that most shows, especially the reality shows which are born and bred on conflict, must show black women fighting all the time. That might be some people’s truths, but it’s not everyone. And if we have representations of black women not fighting with each other, but rather, supporting each other, perhaps there can be less fighting in the actual black community?

Finally, check out a webseries my friend created and I’ve helped work on, called Blacktress (I promise it was conceived before we ever knew about Andrea Lewis’ Black Actress webseries). It’s still a work in progress and we’re looking to expand very soon. But watching this was certainly inspirational for us to keep going and expanding and just getting more content out in the universe.

Enhanced by Zemanta

Adventures in Speccing – Scandal

This year, I’m taking my love of TV and desire to write for it a step further. I am currently an intern at the Gotham Writers Workshop here in New York and we get to take a free writing class. I decided, of course, to take their TV Writing class–10 weeks of learning how to write TV. So far, many of the basics have been covered (for students who had no idea what a script looked like/was formatted like, had never written a script before), but I’m sure I’ll learn some new things that I haven’t learned from extensive reading and googling about how to write for TV.

As you may know, when learning about TV writing, you start off by writing a spec script–a script based on an existing TV show– because 1. you’ll need to be in the habit of writing someone else’s story, you don’t all start off with pilots like Shonda Rhimes and 2. because it’s better to learn and mess up on someone else’s work than on your own creative baby. (This does not apply to real babies. It might often be worse to mess up someone else’s kid when you’re babysitting, so this is a very situational piece of advice.)

If you’ve read this blog before, you may be able to guess that I chose Scandal as the show I would spec. It’s a complicated show, but it’s kind of perfect in terms of the factors that decide what kind of specs you should write. They should be 1. Shows that you know and like well, 2. shows past season 1 but not too aged, 3. shows in the genre you’d want to write in. So I’m attempting a Scandal spec. Yikes!

The first rough thing about Scandal, in comparison maybe to other shows, is how many characters there are. Scandal has 10 main characters this season (as in listed in the main credits every week) and several important recurring characters (like Liv’s dad, whose been in every episode this season, yet isn’t a main character). So one of our first assignments was to create character sheets for each other characters.  It was so much work because of how many characters there are and how little, in some instances, we’ve gotten about them. Displaying IMG_20140201_012858.jpg

Right now, I’m working on my first 7 pages or so. But in order to figure out what happens in those 7 pages, I wanted to have a better idea of what was happening in the rest of the episode. So I turned to Dan Harmon‘s plot circles, because I think they’re a great structural way to look at episodes and plots. Here’s a link. Then, when googling, someone turned Harmon’s circle into a wave, which really helped me visualize the story and act breaks and rises and falls in momentum.

Here’s a picture of what I’ve got so far.

Displaying 20140203_161034.jpg

It’s nice to be able to visualize when act breaks should happen and what should happen in them. Basically, “breaking the story.” It’s tough, but it’s also kinda fun and is further cementing the idea that this is what I would want to do in life. Hopefully my first 7 pages aren’t terrible, according to the instructor. (But if he thinks so, I’ll just ask my fellow Gladiators, you might be able to help me make it even better. My instructor certainly doesn’t watch Scandal.)

Now I just gotta continue breaking the story, adding points to the subplots and think of ways to Olivia more active. Most of my ideas so far have her reacting to other characters, which is fine for their storylines, but she needs to have more agency in the plot, because she’s the main character. So hopefully I can think of more for her to do.

I’ll try to keep you updated! Any ideas, let me know! (Just remember that ideas are not copyrightable, so I wouldn’t get in trouble for stealing them and making boatloads of money off of them. ;-))

Enhanced by Zemanta

Response: Why the Presence of Black Women in Media is Important for Everyone via The Conversation

Ramou Sarr wrote this article, which I found via justwriteray, which speaks about the importance for representations of black women on television. She bring up some really great points about the need for better representation in the media.

In such a social society, television is one of the things that really brings people together. Many of my friendships and conversations began after I realized someone liked a show that I did. It warms you up to another person because now you have something in common. It’s a strange feeling when you’re left out of a conversation because you’re the only person who doesn’t watch that show. This happens even on social media.

I didn’t even know what any of these people were reacting to, and yet I still needed to watch; I still wanted to be included somehow. That’s the power of television.

[…]

This communal aspect of television is layered, and perhaps the most significant facet of it is the idea that television often acts as an agent of socialization, offering us a glimpse into how we are both different and alike, and informs how we view and interact with one another. Television also has the power to impact how we view ourselves and, by seeing portrayals of people like us on television, tells us how society views us. Children’s shows often have lessons and exercises about diversity and inclusion because most of us want children to know about these things, and yet this portrayal of the world as a diverse and inclusive one is sorely lacking in the current state of television catered to adults.

And we also have to remember that children don’t just watch children’s shows, they watch adult tv shows too. Whether because their parents let them, or they sneak it, or it’s on simply while they’re in the room, kids watch grown up TV as well. Someone in a class about children’s books said that kids only read books about kids their age or older. After a while, kids want to watch adult TV shows and adult TV shows don’t have the same messages of inclusion and diversity, as Ramou mentions, that kids shows do. So kids stop learning the lesson. I’m in no ways saying regular network TV should have lessons or that they all need family values, but there are ways people learn from television. It’s in our homes every day; if there were more people of color on television, adults (and the kids who see these shows too) would have a better understanding of the wider world around them.

In terms of relatability, black women can, of course, establish connections with white television characters, and they do…

White people, and Asian people and Hispanic and every other nationality should find that they relate to black characters too. They shouldn’t (finally have to) create a black princess and then only see black children using that doll. If Rapunzel (who I love dearly) is a universal princess and is found everywhere, then Tiana, Mulan, and Pocahontas and Jasmine should be too. Same goes for television. Black shows shouldn’t be considered a risk for only drawing black audiences (which is a bigger market than given credit for); plenty of people who weren’t black grew up watching the Cosby Show and Fresh Prince and currently enjoy shows like Scandal. Black should be given the chance to be see as universal.

Representation of black women on television is important because black women are important.

This is so important. Black women often grow up not seeing themselves as important because they don’t see positive representations of themselves in the media. More representation means more people, of all colors, get to see more sides to the black experience: both the ways in which we are unique and the ways in which we are the same.

Black Girls TV Banner 1

Check out Ramou’s full piece here: The Conversation | Honest Talk with Amanda de CadenetThe Conversation.

 

Enhanced by Zemanta

Response Post: “New Girl, Brooklyn 99, and Breaking the “One Black Friend” Pattern | TIME.com”

Can you find the token? (Love you Dule Hill)

It’s so very rare to find a show with more than one character of color. Some notable tokens off the top of my head include Angela from Boy Meets World, Lisa from Saved by the Bell,  Martha Jones from Doctor Who, Charlie on The West Wing and Gunn on Angel. 30 Rock subverts the trend by having Tracy Jordan in the main cast, but also Twofer, who is both black and nerdy. Some of the disappointment behind Agents of SHIELD came from the team claiming diversity and internationality (yup, I made that up), but only having one character of color, Melinda May.

For the most part, the characters listed above were main cast members, but even when I Googled “Token Black Character,” a lot of the examples were recurring characters, if that. When we begin to include 1-episode black characters as “token” characters, it doesn’t look good for the diversity of television.

Some shows this season, however, are trying to buck that trend. Mostly they’re on FOX, who started and seems to be maintaining a diversity initiative this season. Brooklyn 99 has one of the most diverse casts out there, up there with Grey’s Anatomy in terms of variety, which makes sense due to its New York Police Department setting. FOX also airs Sleepy Hollow, which has 2 black main cast members and up to 4 black supporting characters. Then there’s John Cho’s recurring character and the sometimes seen Abbie ex-boyfriend Det. Morales.

And when they brought Damon Wayans Jr back to New Girl, I was pleasantly surprised that Lamorne Morris wasn’t going anywhere. (Though, just through a quick google, there don’t seem to be any new cast photos with Damian– I have to wonder how the conversation went down when they told Lamorne Damon was coming back. Was there a “don’t worry, we’re not replacing you with him like we did him with you” conversation, or was it just we’re adding him to the cast everyone, no one is leaving. With this trend so prevalent, I would have been a little nervous my time was up.)

This article, from Time a few weeks ago, discusses FOX and other networks beginning to break the 1 black friend trend, which we could hopefully include other nationalities of color too. Here are some of my favorite quotes from the article.

But it’s also a welcome change because it makes New Girl a rarity in TV today: a major-network sitcom with more than one African American character in its regular ensemble–a comedy about friends in which “a black friend” isn’t “the black friend.”

[…]

The big networks have had a notoriously sketchy track record on casting diversity–better some seasons, terrible other seasons. The reaction has tended to be adding minority characters to shows with largely white casts. That affects the overall math, of course, but it has the side effect of replicating a universe in which black–or Asian, Latino, &c.–characters are scattered, uniformly and singly.

[…]

The exceptions are scarce: Troy and Shirley on Community; Glee, if you count that as a comedy; Parks and Recreation, depending on your definition. (That is, Rashida Jones is biracial, but having seen every episode I can’t recall Ann Perkins’ ethnicity.)

[…]

Brooklyn 9-9, the diversity is very conscious, not for p.c. reasons but simple realism. As its co-creators have said, it’s a New York City police show, and New York’s police department is about half minority. So you’ll see two Latina detectives who are very different personalities, because why not? You’ll see Andre Braugher and Terry Crews (who had a fantastic episode this week), sharing a subplot about Crews’ character’s annoying brother-in-law–not because they’re bonded as the precinct’s black characters, but simply because they work together, and it’s life–and, you know, in-laws, amirite?

[…]

But there’s another reason: sometimes, a show should just have two black women on it, because sometimes in life, there just are two black women in the same place. (Again: or men, or Indian, or Middle Eastern, or…) TV should be diverse because of fairness, but above all because it should reflect the world.

I hope this upcoming pilot seasons shows a continued growth to this trend. It shouldn’t just be FOX and Shonda Rhimes’ shows on ABC that have more than one token character of color. But that’s if the shows feature a character of color at all, like I said, sometimes the token is a recurring character and not even a supporting character. All television shows don’t necessarily have to be a tossed salad of racial diversity, but more shows need it.

Read more: New Girl, Brooklyn 9-9, and Breaking the “One Black Friend” Pattern | TIME.com http://entertainment.time.com/2013/11/07/new-girl-brooklyn-9-9-and-breaking-the-one-black-friend-pattern/#ixzz2q49hWhew

Enhanced by Zemanta

Link: Shonda Rhimes doesn’t like that there needs to be a DGA Diversity Award | Inside TV | EW.com

Shonda Rhimes on her DGA Diversity Award: ‘We’re a tiny bit p-ssed off that there has to be an award’ | Inside TV | EW.com.

Shonda Rhimes

Shonda Rhimes (Photo credit: geekchic89)

“It’s not because of a lack of talent. It’s because of a lack of access. People hire who they know. If it’s been a white boys club for 70 years, that’s a lot of white boys hiring one another. And I don’t believe that that happens out of any specific racism or sexism or prejudice. People hire their friends. They hire who they know. It’s comfortable. You want to be successful, you don’t want to take any chances, you don’t want to rock the boat by hiring people of color because, well, look at us,” she said. “Both Betsy and I like the world that we work in to look like the world that we live in. Different voices make for different visions. Different visions make for something original. Original is what the public is starving for.”

[…] The DGA, by the way, is the only Guild giving out this type of award in an attempt to draw attention to the problem, which I think is kind of badass.”

Shonda’s right, there doesn’t need to be an award, but maybe if more guilds/associations in the media gave out these kinds of awards, more people would strive to be more diverse? That’s really hard to say, and you don’t want people doing it who aren’t really in it for simple diversity, but it might help.

If nothing changes in the next year, Shonda might be getting the award again. Thankfully FOX seems to be sticking with it’s diversity initiative and shows like Sleepy Hollow (for network) and maybe Orange is the New Black are two other shows with diverse casts that might be honored for such a feat. But there simply needs to be more diversity in the media, but especially an everyday sort of medium like television. Diversity needs to be in people’s homes so they accept it more in the world.

Enhanced by Zemanta

ConStar Watches Scandal: “A Door Marked Exit”

Scandal Midseason Finale Preview: What To Expect From 'A Door Marked Exit' image

[Apologies for no post for last week’s episode, I had some other stuff distracting my brain, making me unable to write a post][This might be my longest Scandal post yet!]

Last night’s Scandal Winter Finale left me at a peak during Papa Pope’s EPIC speech (which I will of course get to later, probably in the most detail of any other plot point) and then kind of rolled down to the end of a roller-coaster. The end wasn’t shocking like last week’s (though that’s typical of a penultimate episode–a shocker ending to get you into the finale) but neither did the episode really have those BIG moments we expect from Shondaland. Last season’s mid-season finale was the Defiance arc–those five major moments in that episode: from Cyrus almost getting James sniped, to Fitz killing Verna–but we didn’t get nay moments that big. Some jobs switched around, and Mama Pope came back (which is not really a surprise), and ugh Quinn. Nothing really big happened, so I was left a tad disappointed. But perhaps it’s better this way! We don’t get another episode until February 27 (which is basically March), so I’m kind of glad this was an episode that wouldn’t have me going through MAJOR Scandal withdrawal. Just minor withdrawal will happen now. 😉

Starting with the Sally/Cyrus arc, as the episode does, I really enjoyed the direction of the fight at the beginning of the episode: the fight overlapping quiet moments of introspection between them. I don’t know that I am sold that Sally would kill him in this moment–he merely threatens to leave her and tell her story on national TV? I am not sold that that would be the push to send her over.

“The devil came in.”

Cyrus seeing that his actions have negative consequences if very important. Usually, his awful actions have no negative consequences for him; but now it’s affected his marriage and killed a man (hope you weren’t eating during the vomit shot).

“Give me your sin. Let me clean this up.”

Quinn needs to get her life together. She needs to pick a side and stick with it. She’s a gladiator, then she betrays them, then she agrees to kill Command for Huck, then can’t do it so she takes her tracker out and sticks with Charlie, then in middle of the night goes BACK to OPA, and is SURPRISED when she is rejected! Then back to B6-13. SMH. GET IT TOGETHER GIRL.

Fitz really wants to be in charge. He tries to use his power to control Rowan and gets in a tizzy when it backfires. So he calls up Jake to take over B6-13. I don’t understand how this happened. Rowan constantly says that B6-13 is above the president, so how does Fitz have the power to have him removed? Has Rowan been wrong this whole time? And Fitz allowing that power dynamic to seem like it’s out of his favor until this moment? Or did he call someone else to have that change made? I don’t get it. And choosing Jake? That’s going to go sour real quick, since they have rival affections for the same woman. What will Jake do with this position? I feel like he would have to eventually make the same choices Rowan did, the choices that he and Huck are scarred over. There must be more to Jake accepting this position; does he plan to destroy B6-13 with his new power? Or will he eventually put Charlie/Quinn in the hole like he was?

Now onto the Fitz/Rowan scene. As I mentioned before, Fitz is trying so hard to play grown. He decides to rub it in Rowan’s face that he is sleeping with his daughter. That’s never a good idea, fool, regardless of whose father you are speaking to.

“Here’s the thing about power, Rowan. It’s always hard to accept when you’ve lost it.” “But you realize you never had any at all.”

Fitz clearly takes this as a challenge. But then why hasn’t he done anything about Rowan before all of this?? If he had the power to do anything about it, it should’ve been done. And Fitz clearly isn’t the type to do anything unless prompted. He didn’t want to get into politics but he was prompted by Mellie and challenged by his father. Just recently, Cyrus questioned his balls, so Fitz made a counter-move to say “How presidential are my balls now, Cy?” He only did what he did in response to someone calling him out on how weak he is. All the signs of a “boy,” as Rowan says.

Watch the moment when Fitz tells Rowan about him and Olivia. The direction is brilliant here: Rowan in the chair, center of the screen coming at him from below, with Fitz dominating the left half of the screen behind him. The angle makes him look large as he hovers over Rowan to tell him about Liv. Fitz wants to have the power, but Rowan out plays him in this moment.

Rowan calling Fitz a “boy” has so many levels. Obviously, one is that it’s true. Fitz has suffered from his father’s influence on him, as well as his wealthy status, and in turn has never grown up. He gets things handed to him, but throws a fit when he finds out about it. But not enough to do anything on his own.

But Rowan calling Fitz “boy” also has some historical connotations as well. To have a black man call a white man [who is in power, but that wasn’t even usually the case] “boy” speaks to centuries of racism. Rowan’s character is probably the most racial context we’ve gotten on this show, between this moment and his “you have to work twice as hard” speech from the premiere.

“For you, it’s always summertime and the living is easy and daddy is rich and your momma’s good looking!”

Excellent delivery of this well known lyric. Really, the whole scene is fantastically executed. Joe Morton wasn’t playing around when he delivered these lines, and that’s all while being tied down in a chair. I don’t know if Season 3 is eligible for any of those TV awards, but I really hope Joe Morton gets some sort of recognition for this role, because right now, he’s the most interesting character on the show for me.

“You have everything handed to you on a silver platter and you squander it!”

Someone on twitter mentioned that this monologue should be every black actor’s audition piece. It really is fantastically performed.

“So you decided the one thing you wanted was my daughter. My child. Mine. What I made. What I created.”

It’s a problem that they are talking about Olivia like she has no autonomy of her own, but that’s built into these characters. They are both characters who possess things. Fitz has things handed to him, Rowan works for them, but they are both still men who believe they deserve power and the things that come with power.

“You love that she is a door marked exit.”

This has been it from day one. Fitz wanted to get caught with Olivia, he’s the one who leaked her name. He built a house in the country they could never live in, they talk about making jam, he constantly wants to run away with her. He is, as Rowan says, using her to fuel his escape fantasies from this life that was 1. handed to him 2. designed by his father.

“She is always going to be the formidable Olivia Pope.”

Said right after he says the apple doesn’t fall far from the tree, Papa makes Olivia formidable, so he can imply he is even greater than that.

“Don’t use the person that I made to make you into a man. You are a boy.”

“You disappoint me as a suitor for my daughter’s hand.”

I was lightheaded from that speech. It was so well delivered and hit some great points about Fitz and Liv’s relationships.

After this moment, the episode left me kind of meh. Mellie is ruthless, Quinn is dumb and can’t pick a side, James wants to file charges against Sally or Cyrus, Maya used Rowan to kill 300+ people… for fun? As an act of terror that lies on the side of the government rather than a terror organization? Rowan is released but then fired as Command in favor of Jake. James decides to stay with Cyrus and play some power games of his own to get White House Press Secretary. Leo, Sally’s wanna be Chief of Staff, also doesn’t bat an eye to Sally murdering her husband, he wishes he’d been called. Definitely Cyrus-light. Rowan continues to evade Olivia’s questions, but I’m not sure why at the moment.

And Maya escapes from the plane only to still be in DC, looking like Olivia Pope’s mother (hair, fly jacket, GLOVES), outside the White House with her burner phone. What is she planning? Has she already done it? Is she going after Rowan? What has she been planning for the last 20+ years? But I couldn’t help but feel this moment wasn’t enough for what we expect to end on in a Shondaland episode. But like I said earlier, it’s for the best, so that my withdrawal isn’t as strong.

Oh, another moment that I loved was the one between Eli and Olivia. When Liv lip quivers and realizes the truth in front of her dad, he doesn’t even move. but his acting is still impeccable?! How does he do it? He literally just stares into space, but you can see his jaw clench and the tears in his eyes and that speaks so much. So much about his love for his daughter, which I’ve seen all along, and about being played by his wife, and the effects his job has on other people and himself. Maybe he needs this break from being command.

ALSO, when Eli flashes back to the night Maya “dies,” we see him crying in front of the TV. We’ve been showed this before and assumed it was because he loved his wife. But now we see that it was because of all those people he had to shoot down. When he said in the last episode that he got no pleasure in taking a life, we scoffed, but deep down, it’s true. He didn’t cry for Maya (or perhaps he cried for knowing she betrayed him all those years), but he cried for the plane crash victims and he cried for what he was about to do to Olivia. Again, Eli/Rowan/Papa Pope is (clearly) my favorite character and it’s moments like these that cement that opinion.

Other things:

“Your father, he is not our hero. He is our demon.”

“You’re not a gladiator anymore.”

“I’ll see you real soon.” –> Shonda’s words to us fans.

I can’t wait to see how they continue to hide Kerry’s Washington’s pregnancy!

We won’t get another episode until February 27, so hang in there, gladiators! We can do this! If anything, we’ll still make Scandal trend on Twitter on Thursdays.

See you real soon, gladiators!

ConStar Watches Scandal “Vermont is for Lovers, Too”

As always, where do I begin?

Let’s first begin with the greatness that is a primetime show with a black female lead, a black female showrunner, and a black female director (Ava DuVernary) of an episode. When has THAT ever happened? On TV ever? (The episode was not written by a black female, however, I think our brains would’ve exploded). Such a rarity to see those things together; hopefully we get to see more of it across all media.

Now, on to the episode. While last week’s episode gave us lots of backstory, this episode is setting us up for next episode’s Winter Finale (we’re not readdyyyy!). However, I think this was my least favorite—and the weakest—episode of the season. Many moments were kind of forced (really Liv? You still think he murdered your mother— sorry, we’ll get that later) or fell flat (the Josie storyline is just gonna end like that? Whomp whom). But there were some nuggets of character for the Parental Popes that I am enjoying trying to figure out.

We didn’t learn as much about Mama Pope as I think we were hoping, in terms of the actions that got her in prison, but I think we learned a lot about her personality wise. She is fierce and bold, a little nuts (you nearly threw up in your mouth when she chewed her own wrists, didn’t you), but that move made her ingenious. She goes after what she wants and does whatever it takes to get there. But what does that mean about her past? Did she use these same traits to hurt people? To pass secrets? To take action to blow up a plane? Later, I’ll ask you guys to give me your favorite Mama Pope theories (I’d like to do another blog post on those); for now, we’ve just been given her character traits–which we’ve seen have passed on to Olivia. (As well as a love of popcorn.)

Turning to her relationship with Eli/Rowan, I can’t tell where they’re at right now. His entrance into her cell didn’t seem like a surprise. He cradles her wrists in the hospital and hands her water. He brings her pictures of Olivia, touches her shoulder, laughs with her. She laughs back. They don’t seem to hate each other. She told him to take care of Olivia. Have they seen each other in the last 20 something years? Has he done anything to help her? Can he? They don’t seem to have ever talked about Olivia in all these years, but they don’t act like it’s been 20 years and a conspiracy driving them apart. I don’t get it. What could the circumstances of Operation Remington be that they’re almost cordial with each other until he denies her what we might call “visitation rights.” Then he’s Command and the leader of B6-13, angry that a prisoner escaped. We’re they operatives together? Was she on our side but then turned traitor? I need answers and I need them now.

Things I Didn’t Like (Shocker, I know)

Harrison and Candace. I called their UST from the moment they met each other in the episode, but I’m upset because it’s (so far) served no purpose. He didn’t get a storyline in the episode about it, the two don’t even seem to be sticking around for the next episode (there is clearly no room for them in the winter finale) so he and Candy probably won’t continue to see each other, and it didn’t help either him or Candy in the episode. So what was the point? To pretend to give Harrison some (literal) love? How is this helping Cyrus’ proposed blackmail to bring that guy back into the country? Did that even happen? Have we forgotten about that in honor of non Harrison story lines? Even Abbie and David’s storyline has had more forward movement than anything Harrison is given. It was disappointing. As was the Marcus storyline as a whole. I was hoping Lisa Kudrow would go out with a bang; her presidential candidacy barely last a month? Liv is free to go back to the Grants?

But that’s the easy choice; what will Shonda do to unravel Olivia and Fitz? She certainly fused them back together for a moment that might have had fans cheering a few episodes ago, but now felt extremely forced. I’ve mentioned before I’ve faltered between Team Jake and Team Fitz, but Olivia thinks he KILLED HER MOTHER. At the very least, he killed hundreds of people (under orders he’ll keep saying) and never told her about it. Then he has the nerve to be upset that she didn’t tell him about her father (who—as far as Fitz knows—could have a similar “don’t tell anyone I am your father for national security reasons” hold over her). His upset about that really made me angry (also, leave the girl be for ONE MOMENT, instead of using your power and emotional manipulation to get her to do what you want. -____-) so I was disappointed that she thought that a house (that he has to keep secret because he is STILL MARRIED) was enough to forget all of that for one night. And I get it, he’s her weakness. She forgets herself and her morals when she’s around him, but where will her self control come in? I hope Mama Pope will smack some sense into her daughter and cause another rift (final? because what else could drive Liv and Fitz apart once and for all?) between Olitz. I think I am officially over Team Fitz.

Also the end. We knew Olivia and Maya would meet again, but it felt a little flat to end it on their first meeting. I might have preferred if Liv had actually passed out (she certainly looked like she would. and maybe they’ll begin next episode with such a move). but it was kind of anticlimactic because we’ve met her mom, we knew where she was going and that they’d meet eventually. If mom had been doing something else (killing someone, breaking into Liv’s apartment, something), maybe it would’ve have been a good ending, but since it was expected, and came after the HUCK KNOWS moment, it fell a little flat for me.

But part of this is being the set up for the winter finale, it’s putting as many pieces in place as it can to set those explosive events in motion. I just wish the moments hit stronger in this one; because now I have to wait two weeks for the next episode and I was underwhelmed by this one. =/

Other thoughts

Mellie, Mellie, Mellie. She was so sad and had such a change of heart about the Honey Trap when she learned Fitz and Liv were off somewhere together. But what can she do next? She’s already threatened divorce, outed his affair on national television, he’s already been shot at—what’s left for Mellie? After all that she’s sacrificed and she still will only get to be the First Lady for another term—she hates being First Lady.

Will Shonda write in an Olivia pregnancy from the Vermont scene? I think she could ave written it in by now, but maybe the timing wasn’t right when Kerry told her about it? If it had been written in before, the obvious plot would’ve been the question of whether it was Jake’s or Fitz’. If done now, it would most certainly be Fitz’. And where would that leave us? I was hoping they wouldn’t write it in at all, but now it’s certainly possible; hiding Kerry in those black and white pants suits, giant coats and behind lamps will only work for so long, I suppose. And in order to keep the scheduling promise they gave us, these run of episodes, then the next set after winter break with no reruns, Kerry will have to keep working through the baby bump, until probably mid/late spring when she’s likely due. So it’s highly likely they just wrote in the pregnancy and when we get back, Liv will be having the president’s baby. Guess it’s good she told him to keep the house, huh? I wonder what that might mean for the Grant kids, of which I am not sure any of them are his. Can he only reproduce with Olivia? Mellie might snap on that information.

Finally, what are your Mama Pope theories? She and Rowan were my favorite parts to this episode, figuring out what their current relationship is and what events in the past determined it is really fun. The one thing I truly believe they agree on is that they love their daughter. It looked like they loved each other too. So what happened to destroy it all? Let me know your theories!

My Inbox on Scandal Night

Screen Shot 2013-11-21 at 11.27.14 PM

I’m working on the blog post for tonight’s episode of Scandal (and also trying to use the left over energy to twist my hair), but just to tide us over until I can get my thoughts together, here’s a look at my Gmail Social Media inbox on Scandal night… It gets pretty crazy. I never have this much social media interaction lol I love the discussion and humor that twitter brings to the Scandal party. It really makes watching fun (and sometimes hard), but gets people theorizing and sharing jokes. I love it.

I bet everyone’s mentions and social media interaction is going to skyrocket for the Winter Finale in 2 weeks. We’re not ready, I just know it.

If you recognize your twitter handle there, hi! I love tweeting with you on Shondaland Thursday!

Oh, looks like I just got another notification! lol

Quote/Link: Fox TV Says That Diversity Is Just Good Business Sense [Shadow and Act]

Of course it may seem like a no-brainer, but execs told those in attendance that their shows must reflect today’s current and increasingly multi-racial and multi-cultural world in order to attract those coveted younger viewers.

Of course the success that Fox has enjoyed with their runaway hit Sleepy Hollow, which has already been renewed for a second season, and other current shows, like Almost Human and Brooklyn Nine-Nine, are just some signs of the network’s commitment to its new programming strategy.

Fox TV Says That Diversity Is Just Good Business Sense [Shadow and Act]

At least FOX is getting with the program. I love BK99 and Sleepy Hollow (and a bunch of other people are watching and talking about it) and I am looking forward to watching Almost Human. When you have a diverse cast, you basically double your expected audience, because while I watch plenty of “mainstream” (read: majority white cast) TV shows (and enjoy them), I have more pre-interest in a show that has a diverse cast. I look forward to it more. If Michael Ealy wasn’t in Almost Human (if the character was a white person), I’d perhaps be interested because it’s JJ Abrams, but I would be less interested, less invested, and less likely to watch it. Other people feel the same way. The same goes for Sleepy Hollow. I didn’t know anything about it before it premiered. If I’d heard about it (merely the title), I didn’t really care. I checked it out because I learned there was a black female star. I probably wouldn’t have if Nichole Beharie (or any other black female) hadn’t been the star. Networks really need to pay attention, the success of Sleepy Hollow and Scandal is not isolated to social media, their premises, or even the good writing (because both shows are great, but they’re not perfect). Those things are a factor, but their diversity is what has helped them skyrocket to the hit shows that they are.

ConStar Watches Scandal “Everything is Coming Up Mellie”

I don’t even know where to begin! It’s amazing how you can guess certain plot points (and plan to *finally* try to write spec scripts based on them) and STILL be shocked when they actually occur on the show.

Mellie has long been the underdog of Scandal since the beginning. People fight over #TeamFitz vs #TeamJake for Olivia’s affections, but rarely is anyone on Mellie’s team. This season we’ve seen a different side to Mellie’s character (including the ever memorable Drunk!Mellie scene–we’ll all have to go back and watch that for hints!), but tonight’s episode takes the cake!

We flashback 15 years to before Fitz was in the political eye. His father is awful as usual and Fitz doesn’t want to run because of what he did as a marine/Operation Remington. “Big Jerry” continues to berate him and take the credit for everything he is (“That’s all you are is my son…not as smart…I made you…I can destroy you.” ), leaving Fitz unwilling to run for office, despite Mellie and a bearded (in more ways than one) Cryus’ pleas for him to do so. Mellie tries to talk to Big Jerry, but in his drunken state, he rapes her. It’s awful and Bellamy Young pulls off the horror of the act and walking back into her and Fitz’ bedroom just right. The choice of her full length clothing, turtleneck included, and no makeup is a classic but heartbreaking choice. But Mellie soldiers on, dedicated to the cause of getting Fitz elected. Weeks later, Mellie tells Fitz–who’s decided to run for office after Mellie gets Jerry to back him up–that’s she’s pregnant. Fitz knows his father’s going to make them name a boy after him. And the entire audience shudders.

I had a theory that Teddy wasn’t Fitz’ kid (which is still a valid theory, not yet proven), but as @DetroitDelta15 on Twitter thought–what if Fitz is infertile? None of those Grant children could be his. This certainly explains why they have been shipped off to boarding school all this time; Mellie must have a hard time looking at them.

Mellie’s portion of the episode was about sacrifice. She says to Fitz, that he doesn’t understand what she’s given up for him, given away. (Again, I need to rewatch the drunk!Mellie scene for clues in that speech.) What has Fitz given up? For Mellie? For Liv, even? He “threatens” to give it all up for Liv all the time, but he hasn’t. He’s still the president, they are not in Vermont making jam. He’s still married. He still calls Liv. He has it all. Liv gave up her relationship with Edison and is not fully committed to the one she kinda has with Jake right now, because she’s still hung up on Fitz. We see what Mellie gave up for him. When will Fitz have to sacrifice anything?

As if this wasn’t enough for one episode, Shonda Rhimes pulls another one on us in the other half of the episode. While Quinn tries to get down with Charlie from B6-13, the Pope and Associates gang look into Maya Lewis’ death. They determine that someone was brought off the aircraft before it took off; everyone goes looking. They track down someone who might’ve seen the passenger who was taken away, but Quinn kills him because she was distracted by Charlie’s lips. He told her she was drugging the guard, but the poison kills him instead. Quinn has been initiated into B6-13. Clearly by her reaction after the man dies, she isn’t ready, but we’ll see what Rowan’s plan for her is.

Speaking of Papa Pope, he goes to a prison looking for the passenger who got let off the plane. Shoddy prison blanket unrolls and it’s none other than Maya Lewis! Who has been alive this WHOLE TIME! Many fans knew it, but why is she in jail? Why is she under the name Omar Dresden? Why didn’t she seem too surprised to see Eli?

Going back to the theme of sacrifice, I’m sure it will be explored more next week, but it is clear Maya Lewis-Pope sacrificed something. Eli did too, if he loves her. If he doesn’t, he still gave up Olivia, who he clearly loves. They both sacrificed their happy family–for what? Hopefully we’ll find out next week.

Quotes

“How am I? I’m surrounded by murderers. That’s how I am.”

“I’m standing in a graveyard made by people I thought I loved.”

“I love you.” “So what?”

“The pieces of myself I have given away.”

“Our daughter has been asking about you.”

We’ll have plenty of time to discuss Mama Pope’s survival next week. This week I want to know: Are you #TeamMellie? What convinced you? Was it her revealing past in this episode? Or are you yet convinced she deserves our sympathy?

sidenote: I really did think about writing a Scandal spec today and was legit thinking of 1. Quinn trying to kill someone and either doing it and freaking out or killing the wrong person. Either way, she is and will always be in over her head. It also featured Liv discovering Fitz wasn’t Teddy’s dad and Mellie needing Liv to “fix” it for her. That’s as far as I got. Crazy how it just got shot down basically. #sigh #tvspecwriterproblems

 

Article Response: Why I think “Why Is ‘Sleepy Hollow’ A Hit?” from Forbes is Missing a BIG Factor

First: Click here and skim Why Is ‘Sleepy Hollow’ A Hit? – Forbes, though I basically summarize it below.

Here are some reasons the Forbes gives for the success of my favorite new show of the season, Sleepy Hollow and some counterarguments.

1. “Choosing a young person, Emily Murray, as ‘Social Media Producer.'”

2. “Using Facebook and Twitter” (duh? What else would you use?), or I guess the point is knowing where your fans are hanging out (which is an excellent point–Castle, Doctor Who, and Supernatural fans rule Tumblr, Scandal and Sleepy Hollow are Twitter hits, no one is really using Facebook for this kind of thing).

3. “Collaborating internally.” I guess this means having the social media team and creatives and marketing people all work together to have gifs and images ready for the twitter experience; all of that requires multiple departments to work with the social media guys.

4. Focusing on the product, not the company.” or I guess, creating a community around the show not the network, but this is what every show does. Every show has a twitter account and makes it about the show. This isn’t a special thing Sleepy Hollow is doing.

5. Getting the actors to tweet. Yes, this is a huge helping, which they learned from shows like Scandal. Get everyone on board and people will retweet behind the scenes info or Orlando Jones being a hilarious doofball mentioning fanfiction and gifs in his tweets.

6. The twitter account having a back and forth “fight” with the twitter account from rival network show Elementary. Yes, this was funny to see and contributed to word of mouth.

But the article, which is definitely tech/social media focused, didn’t at all think about the show or the fans it draws. Other shows do these very same things. They have show specific twitter accounts. They try to get their actors to live tweet. They have the marketing department draw up designs and posters that work with their live tweeting efforts. These aren’t the only factors.

The audience is a major factor, and who is in Sleepy Hollow‘s audience? The same kinds of people who are in Scandal’s audience. Young black (females mostly, but some males who reluctantly admit they watch either or both shows) people (what these young people call Black Twitter). The media hasn’t yet caught on that young African-Americans LOVE Twitter. And if you give us a show with a black lead, we will watch that show (because we don’t have many options with that factor, so we watch the ones that do until there are more options). And we will tweet about it to our other African-American friends on Twitter. And shows like Sleepy Hollow and Scandal, both with a black female lead, will skyrocket to the top of the tv ratings and social media discussion charts. Oh, but we don’t talk about this being a factor, do we? Nor do we discuss the fact that the person doing the most tweeting and connecting with the fans is Orlando Jones, a person of color. These things are certainly important.

Other shows have tried to mimic the formula of Scandal. They’ve done the same social media things that Sleepy Hollow is doing. And yet they’re not ratings phenomena. All because the networks and media coverage are hesitant to acknowledge the real reason these shows are blowing up: because people want to see diversity on their TV screens. They are more likely to tune in. They are more likely to tell their black/asian/hispanic/white/etc friends about it. And then the show get super popular and gets renewed for the next season 4 episodes in, like Sleepy Hollow did.

Don’t let social media take all the credit for this show’s success. I know that’s what the article was about, but in a discussion about social media, you should discuss the people who use social media, and their various idiosyncrasies. That’s the real way of understanding how to use it and what platforms are best.