Who Are the Emmy Voters?

Another Tatiana Maslany Emmy Nomination Snub — Vulture

Emmy nominations came out today and they’re extremely frustrating. I’ve never claimed to watch the most popular or hit shows on television, if I do, it’s usually after they’ve ended or the hype has gone down. I watch oddball stuff, the low-rated critical darling comedies (on NBC lol) and sci-fi/fantasy/action stuff (I’m binging Arrow, and I’m really enjoying it so far!). The shows I watch are hardly ever nominated. It’s not like I’m expecting Sleepy Hollow to win all the awards, I’m not. But Emmy noms make me wonder who is voting for the shows that get picked. Is it a representative sample of television watchers? Or just a bunch of old white men (and probably some women, which is good but not great) like every other prestigious committee?

We don’t really know who they are for some obvious reasons, but are there demographics available? I am thinking women are decently represented, especially with Orange is the New Black‘s nominations, and there are plenty of action loving men if HBO’s record breaking nominations are any indication. I’ve lost count of how many Game of Thrones received–this I am pleased with–but a lot of the people I know who watch Game of Thrones, also watch Orphan Black. There is a reason Sci-fi/Fantasy are so often lumped together when people list categories–fans one of often like stuff from the other. (Obviously not always, you usually pick one over the other–I’m more Fantasy than sci-fi myself.)

So who is voting for Game of Thrones but has no interest in Orphan Black? Who is voting for fantastic women on Netflix but isn’t interested in one fantastic woman playing many fantastic women on BBC America?I get that there are many other considerations to voting, people’s personal interests and whatever the For Your Consideration choice was, but for a second year in a row, an amazing actress was overlooked. And that doesn’t count the mainstream snubs: I don’t even watch The Good Wife and I think it was snubbed for a best drama nomination.

I wish we knew more about these voters. Where are they coming from? What makes them decide the way they do? Do we need an upgrade of the entire system? Like many things, I kind of imagine they haven’t changed the way they do things, or include people, in ages. Have they widened their net of voters in this ever expanding age of television? They need more sci-fi watchers, more fantasy watchers, more young people, more people who will vote for Amy Poehler to finally win that comedy award she so achingly deserves (they’ve got this year and next to recognize. She might get another show immediately, but she deserves it for Parks so, so much). There’s more television happening than ever before and it’s not being looked at by the Emmy committee. There are more networks, more internet voices coming to play in the big leagues; have we included voters to represent those new voices that these new networks and new shows are trying to bring to the forefront? The Emmy pool just tells me that the efforts being made to bring diversity to the screen isn’t being made in the voting pool.

Maybe we need a category for science fiction, since it’s the most snubbed TV genre that I can think of. Maybe I am wrong or misinformed,  but the selections aren’t showing the true pool of talent on television and isn’t that what the Emmy’s are for*?

*The answer is probably actually all about money. So everything I said means nothing. Except, the Good Wife is a hit show on the “number one network,” you know some hefty money is involved there. Ok, I’m done rambling about Emmy snubs now.

Check out the full nomination list here: http://www.thewrap.com/emmy-awards-nominees-nominations-emmys/ 

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‘Community’ to Return for Season 6 on Yahoo Screen – TheWrap

‘Community’ to Return for Season 6 on Yahoo Screen – TheWrap

It’s amazing how a joke from season 2 has determined the fate of Community. If Abed hadn’t spoken those fateful words, would we be here now? Or would there be another rallying cry that would get us to… Yahoo.

I tweeted yesterday that there seems to be some sort of TV checks and balances going on. Hieroglyph (a show I was looking forward to checking out) got cancelled months ahead of it’s “greenlit to series” debut, but Community is back!

#SixSeasonsandaMovie rolls ahead as Yahoo picks up the series. But, Yahoo though?! Who watches Yahoo TV? Obviously Yahoo jumped on the deal when Hulu didn’t, so that Community fans would actually get an audience to Yahoo, because, again… who watches Yahoo TV?! Yahoo definitely wins in this case, with ample opportunity presenting itself to get viewers to watch their streaming offerings, on whatever platform or device or website they apparently run original content on. And Dan Harmon wins, because he’ll definitely be able to do more and push the boundaries more (which’ll be farther out than they were at NBC) and really stretch his storytelling.

So we lose one show on a major network, but gain a beloved show on a fledgling online one… some sort of checks and balances.

Once I finish season 5 (those last two episodes are sitting in my DVR. I wanted to watch the meta one about story structure–the specific one, since they’re all kind of about that haha–but haven’t had time yet), perhaps I’ll find season 6. Somewhere on the internet.

Yahoo is against the Darkest Timeline.

Maya Mondays! – Maya Rudolph Gets Her Own Variety Show

Maya Rudolph Talks Being Able To Do Whatever She Wants On Her New Show (Video Interview)|Shadow and Act

Revisiting the classic variety show format, The Maya Rudolph Show will feature guest stars Craig Robinson, Andy Samberg, Kristen Bell, Fred Armisen, Chris Parnell, Sean Hayes, Diallo Riddle, Bashir Salahuddin, and others.

Grammy Award-nominated singer-songwriter Janelle Monae will serve as the musical guest. R&b singer-producer Raphael Saadiq will be the bandleader.

via Maya Rudolph Talks Being Able To Do Whatever She Wants On Her New Show (Video Interview)|Shadow and Act.

This, I am excited for. I didn’t watch Maya too much on SNL (most of my favorite former SNL stars, I never actually watched them while they were on it… weird), but I did watch her on short-lived sitcom Up All Night. On Monday she gets her own variety shows, which might be a primetime mix of SNL type sketches, musical numbers (Maya has sung on SNL and is daughter of singer Minnie Riperton), and musical performances. Having Janelle Monae on her first episode proves to be an awesome move right out the gate, as well as getting Raphael Saadiq to be bandleader. I think this will bring a fun R&B flavor to the show–much like Jimmy Fallon’s decision to have the Roots as his houseband.

Hopefully the show does well, so that we can 1. have more Maya Rudolph 2. Have more lady comedians on TV 3. Have more black female comedians on TV. Tune in Monday at 10pm on NBC. Hopefully the hashtag will be #MayaMondays because it’s pretty perfect.

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Upfronts 2014: Parks and Recreation

Before I talk about the new shows coming up, let me mourn the shows going out.

We all know now that Community is gone for good. And while I knew it was probably the case, the other NBC stanchion from the last comedy block era, Parks and Recreation, is headed into it’s last season. Parks is easily one of my top 2 shows right now (along with Castle). I love a show that can make me smile every single time I watch it (a reason I love The Tonight Show starring Jimmy Fallon). Parks knocks it out of the park (oh, oops, totally not on purpose) with comedy, heart, emotion, zaniness, inspiration (who hasn’t been inspired to do something big and crazy after Leslie Knope tried something big and crazy), and a love of waffles and whipped cream. Even the dullest episodes of Parks make me smile in some way that hold me over until the next big episode.

And it’s all of the above that let me know they couldn’t do it forever. Mostly, the idea that they don’t hold characters back to adhere to comedy/storytelling/tv tropes. Ben and Leslie got together and then stayed together. Chris and Ann faltered a bit, but then had a baby and actually moved out of town. April has gotten married, (graduated? left school? they’re a bit fuzzy on that) and moved up in her career several times. Ron has gotten married and had children! Talk about character development! The show’s commitment to allowing their characters to be people, to be funny but real people is why it couldn’t last forever, because we’ve hit moments that are series enders. Leslie having a baby, Leslie finishing Lot 49, Leslie moving up in government are all series enders. We’re moving past the premise (and title) of the show, so it definitely couldn’t last forever. Leslie’s character could never stay cooped up in the Parks department, if she did, we’d love her less, or at least lose respect for her and her huge vision.

So I knew this was coming, but it doesn’t make it any less sad. And mad. Because NBC hasn’t put it on the fall schedule. How dare they make their longest running sitcom thus far wait until a new show is cancelled before putting it in the line up?! Do they not care about Parks fans? Seems not if this is how they’re treating Parks fans, which just by virtue of enjoying the show, are loyal fans. We wouldn’t like the show is loyalty wasn’t important to us, because it’s important to Leslie. I won’t be watching any of their new comedies (there’s only 4 of them. Could that be a record low for recent years?) and if the trend is right, other Parks fans probably won’t either. Mike Shur, Parks Executive Producer, has a show on another network that fits the Parks brand. Even the other FOX comedies feel more in line with Parks than NBC shows do. So NBC lost a lot of points with me by doubling my negative emotions. But once season 7 begins, I’ll forgive them, just for the half hour Parks is on, until the series finale. (This summer they get my Maya Rudolph eyes. And Jimmy Fallon. And sometimes Seth.)

I am excited to see what they do for this last season. Knowing that it’s ending gives the writers an opportunity to take risks they couldn’t before, to push the boundaries of both comedy and storytelling, because it’s their last shot. And they can take the characters to the end goals you know they’re headed towards with more time than a rushed series finale. Hit those home runs, Parks team, I know you will.

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Upfronts 2014: FOX, NBC what are you doing?

Let’s start network-wide. Fox and NBC swapped for me in the past year, NBC going from a favorite, most watched network, to me having one show next season (the mid-season, finale season Parks debacle…). While FOX went from me abandoning several of it’s shows due to reordering episodes and demanding stasis in characters that achieved character development to the network I have the most shows I am interested in this fall. And FOX pulled me in with the commitment and success in diversity. So let’s talk about what they’re doing this fall.

NBC– honey, what are you doing? They’ve cancelled most of their comedies, leaving Parks and Recreation, their current longest running sitcom as a mid-season replacement in it’s finale season. According to the schedule listed in the link on Vulture, there are only 4 comedies on the schedule, split between Tuesday and Thursday 9-10 comedy hours. What? Has NBC given up on reclaiming it’s must-see-tv fame? I suppose it wasn’t working, but it kills me that not one of the four comedies is Parks. What a way to alienate your little comedy fanbase. Why not use Parks and the final season momentum to pull your existing fans over to new shows? You now have to do the work to get non-NBC comedy watchers (those who didn’t watch 30 Rock and Community and Parks in the hey-day of low-rated but cult favorite comedies). I suppose they no longer want those fans. They want new ones entirely. Or they’re trying to sustain the network on the Voice, Dick Wolf, and the Blacklist until they figure out something that works. But, to me, it doesn’t seem like they’ve found the formula yet. I’ll see you mid-season, NBC, when you put Parks and Recreation back on the schedule. (Let’s face it, it’s a cancelled-new-show replacement. As soon as one of the new comedies fail, they’ll stick Parks in the 9pm comedy spot until the rest of the season is done. More on Parks later.

 

 

FOX, homie, you’re doing a lot of things right, but one thing feels very wrong. I will be watching seven FOX shows this fall. That’s more than any other network and more than I’ve ever watched FOX. They’ve been getting some good, diversely cast comedies in these past couple of seasons. New Girl confirmed Damon Wayans Jr as the 6th member of the cast, rounding them out to Friends proportions, The Mindy Project had a strong finale with lots of possibility, and Brooklyn 99 came out of the gate with comedy, diversity, and heart. So why are they sending Brooklyn 99 to the Sunday animation slot?! It seems ridiculous to me. Vulture says,

There’s logic behind this year’s changes: Family Guy is pretty much a multi-camera sitcom that happens to be animatedand Mulaney is multi-cam; Brooklyn is sophisticated single-cam that could mesh with the sensibility of The Simpsons. And once Fox picked up both Brooklyn and The Mindy Project, it was obvious one would either move or wait until midseason: Fox simply doesn’t have the comedy strength to support a two-hour sitcom block on Tuesdays.

But that seems absurd. I definitely think they could sustain it. But even if it can’t, splitting the comedies into the animation block disturbs something that’s been working on FOX for years now. Animation fans won’t necessarily hold up these fresh comedies and when was the last time comedies aired on a Sunday night?! This makes me nervous for both BK99 and Mulaney (which I may watch), because they’re basically hiding it in the schedule. No one looks for comedies on Sunday nights. That’s typically a Feature film, Sports, Drama night. FOX made success with animation as alternative programming to this trend, but this upcoming change might break both the animation block and the comedies they want to succeed. Sigh. There are few shows I want to succeed more than Brooklyn 99. I hope they just suck it up and block the comedies together.

Schedules change, often by November sweeps when networks figure out what’s working and what’s getting cancelled. So we’ll see if this remains the schedule for the fall. But both networks are boggling my mind.

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Pilot Season/Upfronts 2014

It’s that time of the year, Upfronts (also here for another way to look at what Upfronts actually are), when networks present their pilot season shows and lineups to advertisers and the general public. I’ve been a bit busy or lethargic the last month or so, so I haven’t been posting (though I’ve been pleasantly surprised at the views I’ve still managed to get) but get ready for a deluge as I look at shows coming this summer, fall, and beyond, and discuss current shows’ trajectories (I’m a bit mad about NBC’s treatment of Parks and Recreation. We’ll get there).

I’ll write a bunch and try to spread them out over the week as to not spam. Also, I’ll post my current fall tv chart–it’s looking as busy as usual as I find out about all these new shows!

Let the Upfront madness begin!

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Pilot Season Diversity: Various Network Pilots

For the last few days, I’ve been showcasing some pilots being worked on this season with diverse casting. Here are some more that might be coming to our screens in the fall, but maybe I am less invested in. I found them by checking the TVLine descriptions and seeing which actors/producers are PoCs. If a show coming up with PoCs is being made but not on this list, I just didn’t notice. Definitely not an extensive list, and I’ll be keeping an eye out for more along the way.

Descriptions are from TVLine

Fresh Off the Boat (Comedy)
EPs | Nahnatchka Kahn (Don’t Trust the B—- in Apartment 23), Jake Kasdan, and Melvin Mar
It’s the 90’s and hip hop loving Eddie is growing up in suburban Orlando, raised by an immigrant father who is obsessed with all things American and an immigrant mother who is often bewildered by white culture. With his father owning and operating an All-American Steakhouse chain, this loving family of FOB (“fresh off the boat”) Taiwanese Americans try to live the American dream while still maintaining their cultural identity and sense of family. [ABC]

I hope this makes it just because its an ethnicity we don’t get to see much of on television. The specifics of Asian culture is often grossly glossed over. I went to school with Asian students with families from all over the continent, so I got a chance to learn about different aspects of Asian life and how each nationality differs from each other, but most Americans don’t know Asian from being specifically Chinese or Japanese. Just because TV is entertainment, doesn’t mean you should never learn anything about different people.

How to Get Away With Murder (Drama)
EPs | Peter Nowalk (Grey’s Anatomy), Shonda Rhimes, Betsy Beers
A sexy, suspense-driven legal thriller about a group of ambitious law students and their brilliant, mysterious criminal defense professor who become entangled in a murder plot that will rock the entire university and change the course of their lives. [ABC]

No guarantees on who the casting will be for this one, but as a Shonda Rhimes show, it is sure to have color-blind casting.

Untitled Kevin Hart Project (Comedy)
EPs | Kevin Hart, Dave Becky, Neil Goldman and Garrett Donovan (Community)
Based on Kevin Hart’s life and stand-up, it takes a candid look at the post-divorce life of a couple trying to forge a friendship for the sake of their kids, despite differences. [ABC]

Kevin Hart has been everywhere. He has like 4 movies out, 3 shows in development, and who knows what else. I don’t know if that over-saturation is stifling his true funniness (some people have said his stand-up special wasn’t as good as the previous ones), but hopefully this turns out good. Kevin Hart is funny and we have zero black sitcoms on network TV. If this AND Blackish get greenlit, that would make a grand total of 2. #sigh

The Flash (Drama)
EPs | Greg Berlanti (Arrow), Andrew Kreisberg, Geoff Johns, David Nutter, Melissa Kellner Berman
DIRECTOR | David Nutter (Arrow)
CAST | Grant Gustin (Glee), Jesse L. Martin (Law & Order), Danielle Panabaker (Shark) and Rick Cosnett (The Vampire Diaries)
The Arrow spin-off follows Barry Allen, a Central City assistant police forensics investigator with a tragic past.

Jesse L. Martin is all I have to say. I bit token-esque, but I’ll let it go lol.

Cabot College (Comedy)
EPs | Matt Hubbard, Tina Fey, Robert Carlock, Pam Fryman, David Miner
DIRECTOR | Pam Fryman (How I Met Your Mother)
CAST | Bonnie Dennison (Third Watch), Jack Cutmore-Scott, Brandon Jones, Margaret Cho (Drop Dead Diva)
A women’s college begins accepting men for the first time in its history.

While I’ll give any new show from Tina a chance, it featuring Margaret Cho is a plus in the diversity factor. Also Pam Fryman from HIMYM fame is a plus for me.

Empire (Drama)
EPs | Danny Strong (The Butler), Lee Daniels (The Butler), Brian Grazer, Francie Calfo
DIRECTOR | Lee Daniels (The Butler)
A unique family drama set in the world of a hip-hop empire [FOX]

I probably wouldn’t watch this, but it could be a great black drama, which are even harder to name than black comedies…

Mr. Robinson (Comedy) — ORDERED TO SERIES
EPs | Mark Cullen and Rob Cullen (Back in the Game), Howard Klein, Mark Schulman
CAST | Craig Robinson (The Office), Larenz Tate (House of Lies), Amanda Lund, Jean Smart (Harry’s Law, Hawaii Five-0)
A talented musician adjusts to his new life as a middle school music teacher, where he maneuvers precocious kids, teacher politics, and the temptations of single moms. [NBC]

This one’s already been ordered to series and stars Office alum Craig Robinson. So there will be at least one new black sitcom coming in fall. It sounds very similar to the Steve Harvey Show, so I’ll have to check it out to see how it’s different/updated for the new millennium.

It surprises me not one bit that none of these shows are for CBS… I don’t remember any for the CW either (and with it’s WB/UPN  strong PoC cast roots, this is sad to say).

IO’m excited for all of these shows featuring people of color. It’s about time we got some new faces on our TV screens. Hopefully these survive pilot season and we get to at least give them a test run in September.

for more, check TVLine’s Pilot Scoop

 

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Briefly Discussing SNL’s New Cast Member

And (UPDATE) newest staff members, two black female writers.

I didn’t want to have a lot of words on this, since everyone else will, but people have been asking my opinion on it, so here are my thoughts on Sasheer Zamata being cast as SNL’s newest token black cast member– black female comedian (neither is much better is it?). I had more thoughts than I thought I would.

via Sasheer Zamata’s Twitter

I know nothing about this girl, so this opinion has little to do with her or her comedy style. I sincerely hope she is great and has a great time and it leads her, whenever she is ready, to bigger and better things. But SNL hasn’t solved the problem. This hire really will only highlight more problems. What about comedians of other races? Will SNL only cave to include an Indian or an Asian after those communities raise an uproar? What about SNL’s non-acting writing staff (the cast and featured players aren’t the only writers, as far as I understand–perhaps I am wrong), how diverse is that group? Is the placement of this hire a ratings stunt for the traditionally slow month of January?

I worry also about featured player dynamics now that Sasheer has been chosen. The newbies on SNL are all currently fighting to get as much sketch/screen time as the main cast. Is Sasheer on featured player level, or main cast level? Either way, the show is gonna have to use her often, if only to prevent backlash of, “oh you hired her but don’t let her do anything.” Hopefully this opens up the writers’ sketch ideas in what they can include (non-drag Oprah and Michelle Obama will be a nice change of pace), but will those other writer’s write appropriate sketches for a black character?Some of Kerry Washington’s sketches were seen as problematic, if not on their own, but mostly because the issue was so hot then. If the show was known to have black writers/cast members as apart of the team, those sketches might not have had such unfortunate implications. To be specific, I’m thinking of the fact that Kerry played a lot of “ghetto” girls in her sketches, even the digital short. Kerry on SNL

Part of Jay Pharaoh’s failure as a successful main cast member is that he did great impressions, but once he did them, what was left? The ones we’ve seen become unfunny if done every time you’re in a sketch. His original work left much to be desired. Will Sasheer be relegated to those kinds of characters–ghetto girls and black female celebrities–without allowing her to broaden her range and play the straight man in a sketch or play a (quirky) character that has no ethnic implications?

Only time will tell. All I know is that Sasheer’s first (and probably second) episodes will be some of the highest of the season–the normal crowd will be watching, as well as critics (both positive and negative) of the choice, as well as “Black Twitter,” which has shown itself to be a force to reckon with. The black television audience is larger than networks give us credit for and the success of Scandal and even Sleepy Hollow have shown that black women will watch a television show with a black female character (even if just to hate on it) because we are so starved for representation. The rest is up to the writing, which SNL has been suffering with in the past, but hopefully some new blood will raise the quality of the writing as well.

UPDATE: http://splitsider.com/2014/01/snl-adds-two-black-female-writers/ SNL has also hired two black female writers LaKendra Tookes and Leslie Jones, to add to the staff. This certainly alleviates concerns about the treatment or Sasheer’s characters. As long as they can 1. fight to shut down sketches with unfortunate implications and 2. not be sidelined to only write sketches Sasheer is in… but right now, SNL is seeing our concerns and circumventing them, so here’s to hoping! Even more reason to watch SNL when it returns… They really will be some of the highest rated of the season I am sure.

ConStar Watches Parks and Recreation “Doppelgangers”

I don’t have a lot to say except to quote some of tonight’s fabulous lines. But it was fun seeing Ben and Chris be good cop/bad cop. I’m sad for Leslie, but her acting out was great. Again, it’s interesting that the plot is being introduced so early, as I believe they’re leaving in episode 13 and we’re just in 4(?). But ample time for all the characters to say their goodbyes, which is nice and well deserved for Chris and Ann.

I loved the distraction waffles and distraction Joe Biden.

Donna is fabulous and I love that she got to mention Scandal referencing her real life love for the show (it’s even better that Scandal airs on Thursdays as well.)(aside: I can’t wait for Retta to watch the premiere! Her livetweets will be EPIC!)

Sugar mustard.

April was brilliant and hilarious as Tynnyfer’s counterpart. It was merely funny at first until you realized that April was a genius in bonding with the girl to get her to leave her position.

One thing I would’ve like to have seen was the Eagleton Parks Department interact with each other. I was going to say that I wanted to see them act like our Parks Department, but then I realized that of course they wouldn’t act like our department–our department is a family; the Eagletonians aren’t. But it still would have been nice to see if Craig went to alt!Ron for advice and what the answer might be. I also might have liked to see what an Eagleton Jerry might have looked like. I imagine they would have just been like a Pawneean (poor, unworthy, lol) and everyone thinks he’s awful because of it. Leslie would be a Jerry in Pawnee.

I had more to say than I thought, but quotes below!

Ron is basically a better version of George Washington.

OH MY GOODNESS IS THAT JOE BIDEN ON A HORSE SHIRTLESS??

Craze-mazing

Sorry for the delay ladies, I was busy being ambushed by treachery.

You’re developing an accent from that town you might move to!

You’re like skinny Mother Teresa.

Giving into hate is like drinking salt water. The thirst only gets worst.

“The meth-like high of solving accounting puzzles”

What I Watched Today – Parks and Recreation

(really, yesterday, but I had to rewatch because I was so tired and couldn’t blog)

Parks is easily one of my favorite shows on television. From lovable, hilarious Amy Poehler, to snarky and dark April, and tough as nails but the best giggler on television Ron Swanson; comedy fans across the nation have fallen in love with Parks and Recreation. The only people who don’t seem to love Parks is the Emmy nomination committee, who nominate it but don’t acknowledge the brilliance of the show or its lead. So of course I am super excited it is back on my television.

Ron Swanson is a fantastic character. I love how rough and gruff he is, but how deep his sensitiveness goes. His romantic yet brief gestures for Xena (sorry, I must) Diane are completely sweet and completely in character. (He built her a canoe!!) And you can tell why he loves her so much because she’s also brief and to the point but still with a sly sense of humor. I can’t wait to see what kind of Dad he’s going to be. (I’m surprised he doesn’t already have older children but then again, with either of the Tammy’s, those families would have been jacked up.) I loved everything about their impromptu wedding, best of all Leslie’s joy and excitement, which as some posts on tumblr claimed, are how we all feel when watching our favorite TV show. Image

Everything about the Teaser was the perfectly the show.

London was a fun trip and I see some of the seeds of the rest of the season developing (Andy’s character development to match his hair and ab changes lol), also Ron and Chris/Ann becoming parents (and the latter’s departure). But I have to say that Tom’s storyline kind of bored me. There were perhaps too many Saperstein’s in the episode and they kind of cancelled each other out for me. Jean-Ralphio is my favorite, but mixed with Mona Lisa and their dad, it didn’t hold as much weight or excitement for me. I wonder, though, where the Tom/Jean-Ralphio relationship is heading, considering how frustrated Tom was with Jean-Ralphio in this episode. “I need some better friends.” Dr. Saperstein wasn’t as dynamic as he perhaps should have been for a father of JR and ML. He was kind of normal and oblivious to his children’s antics.

I am really in love with Leslie/Ben and it rivals my other 2 current TV couples for best post-will-they-won’t-they relationship upgrade. (Castle/Beckett and Nick/Jess are the other two.)

The best parts of the episode were the beginning and Jerry’s epic Jerry-ism with Chris and Ann. That scene cracked me up!

“When did you make the switch to boxer briefs?” More Donna, please!

I need Leslie Knope in my life, so she can help me figure out my life and get me awesome, super personalized and thought out gifts. LOL

“One bearded lady. She got all offended when I marveled at her.” I really dig April’s character development and how she showed her love of Leslie and supported Andy. And got to be Ron Swanson’s best man. She would’ve been the only choice for the job even had they decided to have a real wedding. Her letter to the committee about Leslie was so beautiful and made me tear up.

“I’m basically Babyface.”

Parks and Rec is not only super funny, but it’s got the most heart of any sitcom on television. And that’s why I love it. People can love Breaking Bad and Mad Men and things that focus on what’s dark in this world–and that’s fine–but we also need shows that focus on the good of people and friendship and love. We should focus on that equally as much.

Joss Whedon says:

“The goal is never about the medium. It’s always about the next story.”

~@josswhedon

In this day and age, the word “television” doesn’t always mean “watching on a television set in the living room.” This quote speaks to the power of stories and, considering it’s Joss discussing SHIELD, the power of television stories, regardless of the device people are watching it on. We don’t care about network (except to think about the kind of shows they bring us), we care about the stories and characters. So Netflix can bring us new stories/characters, Hulu, YouTube, NBC, ABC (ugh I guess CBS too -__-). As long as we get continuous stories (which is what TV provides us that movies, books, and plays can’t to the same extent).

ConStar Studies Parks and Recreation

In order to think of spec ideas, one tends to turn to recent events in the news to spur an idea. I’m not always good at that. But a show that I would love to spec (I’ve been trying and have yet to get it right) is Parks and Recreation and I think they’ve been fantastic, especially this season, at taking current events and adapting them to Pawnee.

Just from this season:

  • 5.02 “Soda Tax” pokes fun at cities (esp NY currently) that are imposing rules on the size of soft drinks in stores. Great way to adapt to Pawnee. Especially the great visual humor of the “child size” cup. 
  • 5.13 “Emergency Response” makes reference to cities’ amount of preparation for major storms and in giving Pawnee a failing grade, subtly makes commentary on the fact that most cities have been unprepared for the crazy kinds of storms we’ve been getting recently. (Quakenado!)
  • 5.16 “Bailout” took the idea of a major government bailout and scaled it down to be about an independent movie rental chain (covering two things at once, really).

These are just a few examples in which Parks is able to take a major news story or a recent trend (as with the movie chain idea) and adapt it to life in Pawnee. I really like this idea and keep searching for ways to take media stories and move them to Pawnee.

Side note: I wrote this post yesterday but scheduled it for today. I’m working my way towards blogging more! Score!