NOC Recaps iZombie: Where Veronica Mars Meets Chuck Meets Pushing Daisies

I am now recapping iZombie for The Nerds of Color! (Making that 3 recaps a week, plus occasional 4ths (there may be a Game of Thrones recap in my future), plus a 5th nostalgia recap I should be doing for another blog but haven’t started yet, plus TV MVPs at the end of the week for Just About Write… Someone will hire me to do this full-time eventually right?)

NOC is recapping iZombie! Here’s a bit of background on the show before we dive in to this week’s episode.

iZombie is The CW’s newest series. Based on the DC comic book of the same name, it tells the story of Olivia Moore (she goes by Liv. Liv Moore), a former heart surgeon, who went to a boat party that went badly. The boat was attacked by some dudes on an experimental drug and she was swiped in the arm on the way over the side of the boat. She wakes up with white hair and an intense craving for BRAAAINNS.

So far, I’ve been enjoying the show. It reminds me of three other shows:

  • Veronica Mars — Clearly this is the strongest and most obvious. Both shows were run by Rob Thomas and Liv’s pale shoulder length locks and her snarkiness are very reminiscent of Veronica Mars’ style.
  • Chuck — Liv’s Skill of the Week reminds me of the show Chuck where the lead character downloaded the Intersect 2.0 which gave him new temporary skills as the plot demanded.
  • Pushing Daisies — A supernatural detective using skills related to death to find out how someone was murdered? A live man and a dead girl can’t touch for fear of something bad happening? One brown man who knows crime fighter’s secret? Too bad Washington’s dreary rain is the opposite of Couer d’Couers.
  • (Also, fake psychic detective? Very Psych.)

Read more: NOC Recaps iZombie: Where Veronica Mars Meets Chuck Meets Pushing Daisies | thenerdsofcolor.

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ConStar Clicks

gina rodriguez golden globes speech

Preach it, Gina!

Award season is here and after last Sunday’s Golden Globes and this week’s Oscar nominations, a lot of the articles going around have to do with the severe lack of diversity in Hollywood. Here are just a few (from before Oscar noms were announced — they didn’t change the conversation much anyway) articles on the diversity deficit.

This USA Today article talks a lot about the lack of diversity in Into the Woods and other fictional pieces, but also delves into the excuses made when diverse actors aren’t considered for roles and how even with a PoC director on a film or showrunner on a TV show, it’s still hard to achieve the diversity needed to match the actual demographics of this country.

♠ Here’s an interview with Selma cinematographer Bradford Young in the Huffington Post on how the lack of diversity in the industry spreads beyond even the top roles we normally think about, the above the line players (actors, producers, directors, etc). Here he points out that the lack of diversity exists below the line too — he’s speaking primarily as a cinematographer, but it counts for editing and sound design and costumes and all the rest of the crew. Most of the Selma crew was not people of color. Hollywood sets and Hollywood Academy voters, neither represent the diversity of America.

♠But it’s not all bleak, the Golden Globes honored my most recent fave Gina Rodriguez with a best actress in a comedy win — I literally screamed when they said her name. Her speech was amazing (see top photo and the one below for quotes).

gina rodgriguez i can and i will

Gina is full of inspiring quotes! Click the photo for the full video.

If only other people in power were more like those at CBS/CW and Jane showrunner Jennie Urman who took a chance on Jane. See what it gets you? A new hit show and award nominations! The CW is on the map now, all because they went with a person of color. Others networks could benefit from the same choice.

♠ Shameless self promotion of the week: After the Globes, I felt my post on New Emmy Categories was especially relevant. Let’s be honest, there were some weird category combinations — shows like Jane the Virgin, Orange is the New Black, and Transparent all in the comedy category? Jane is pretty funny, OITNB has some humor, but I’ve never, ever gotten the impression that Transparent was a comedy/musical. (Chelsea Peretti tweeted something about how even comedy and musical aren’t even similar — though it was in true Chelsea Peretti fashion) Ads always lean towards serious. And these shows submit for comedy categories because the drama categories are over-saturated and straight comedies have no room! All of this would be resolved with a Dramedy category. More shows get more recognition. No? We don’t want that?

I love this article on Hitfix on how it’s a Golden Era for geeky TV shows because I watch a lot of these shows. As I explained last week when I talked about the “mid-reputable” TV shows article, a lot of the shows I watch tend to be sci-fi/fantasy/mystery (most of whom are never Emmy/Golden Globe contenders), so it’s great that there are more and more “mid-reputable” shows that happen to be SFF/mystery on network television. If I have to deal with a continuing lack of diversity, at least part of my geek soul is being fulfilled.

♠ In that same vein, here’s an article in Ad Week about The Flash and the other DC Comics shows on The CW (and mentions of Supergirl coming to CBS) and the way they are bringing life to television. The article goes through a bit of Marvel vs DC in terms of their known strengths: Marvel excels at movies, while DC excels at TV. This, to me, has always been true. I don’t know a lot about the comics themselves, but each creator has shown their live-action/animated strengths known since the 90s. Marvel had massive success with the Blade movies, the Spiderman movies, even the X-Men movies even before the current MCU revitalized the superhero blockbuster. In the TV-verse, DC was always better: besides the X-Men cartoon series, Marvel didn’t really have any standout cartoons in the 90s; compare to the different Batman and the Justice League cartoons and their incarnations. In live-action, I was always partial to Lois and Clark, the New Adventures of Superman, whose 90s cheese was absolutely perfect the era. And of course there was Smallville. It’s great that each company, Marvel and DC, are succeeding somewhere specifically. It just means everyone has somewhere to go to get their superhero fix.

And for a random take away from that same article: “Under Time Warner, DC is tied to a broadcaster (the CW), cable networks (Adult Swim, Cartoon, TBS, TNT) and, of course, the movie studio.” Just a random fact for when thinking of your favorite DC comics and what networks you could match them with (don’t forget CBS, as they own The CW). Remember, of course, that Marvel is owned by Disney, so when mentally pitching Marvel TV shows, stick to Disney owned nets (though now there’s Netflix getting in on the Marvel game).

♠ Finally, how do I combine the two main themes above, diversity and geekdom? Easy, with this article by Daniel Jose Older in The Guardian on the lack of people of color in fantasy fiction. “And while “urban” has become publishing industry code for books by and for black people, throw the word fantasy on the end and suddenly the characters and authors are very white.” The work of achieving diversity is still being labored at in all media.

Oof, these Clicks are long. Should they be shorter?

ConStar’s Pilot Watch: The Flash

I’d watched The Flash already (shhh), but I enjoyed it again the second time, which is a great omen. Obviously, I’ve been ranting and praising Arrow for the last two months and I really enjoyed Grant Gustin as Barry on that show, so I was pleased that the pilot held up to that portrait of him (even if they did fudge the order of events from the way they happened on Arrow). I think the characters are in solid places and it’s not too much a replica of its sister show. It’s whimsical and light and fast and fun and I really enjoy that.

I love its diversity: the Wests are black and Cisco is Hispanic and there were some other background characters of color that made me feel like I was more in the real world than most other tv shows. I love that Jesse L. Martin gets to be a cop again, but with fantastical story lines. He’s such a NY good cop icon, especially in TV land, so it really helps sell Central City as this Metropolis type place, compared to Arrow’s dark Gotham like elements.

In fact, the two shows play light and dark the same way Superman and Batman do, which I think will help make them awesome sister-shows. The way that people love Batman and Superman to interact and reference each other. If anything, if Batman is always in our mental periphery when watching Arrow, I think that Superman could be when watching Flash. Barry is clearly more readily willing to be a hero, a lighter beacon than the Arrow, so it’ll be fun to see what his hero’s journey is. I think Oliver knows how to save people, but doesn’t know how to be a hero, a symbol, just yet; while Barry knows how to be a hero, but doesn’t quite know how to save people yet. He’s got powers, but is still learning how to use them. Something deep and analytical like that. Either way, rewatching this pilot only made me more excited for it to premiere.

Verdict: Yes, yes, yes!

Constar’s Pilot Watch: Gotham

I wasn’t sure what to expect from this one–it’s got so many big shoes to fill, but I enjoyed it.

Maybe it was a bit overly heavy-handed with introducing each of the villainous players, but it was nice to guess at them, right before a punny name drop, confirming who you think it is. I thought Ben MacKenzie was a nice Gordon–trying to do the right thing, but being tossed into this seedy world surrounded by awful people. His smarmy partner–played by Donal Logue who I know from the sitcom Grounded for Life (don’t ask, there was a ABC Family phase and that was in syndication) —was a great foil for MacKenzie. I think he plays his character perfectly, we’ll love to hate him.

I really like how much time Jada Pinkett-Smith gets, especially considering she’s a show original character? The fact that she’s such a boss and is helping these villains get their origins is cool. Helps that’s she’s feisty and powerful and has sexy/powerful outfits. Little Bruce Wayne was adorable and sad and I wonder where they’ll take his character, considering it’s such a long ways off from becoming anything even close to Batman. He’ll probably not appear too often, I don’t imagine they want to overload us with the one thing we can’t have from this show.

I liked the tone and the look of the show–seedy and dark and kinda greenish-gray, very 20s grimy New York, with some Art Deco feel to it too. Fish Mooney’s place was very French brothel or something. The art direction is really great; they’ve really filled it with film noir tones which kind of help with a timelessness of it. (Though, I noticed that Gordon has a flip phone—so cellphones exist, but not current ones? I think this show will probably be a bit of an anachronism stew… but that’s alright with me as long as it’s consistent.)

Verdict: Yup, I’m watching it. I got a better feel for this than I did from the Agents of SHIELD pilot, so that’s a good sign for this superhero show.

Fall TV 2014: How Packed is Your Primetime Schedule?

I’m trying to blog more, I really am. But work-life and attempting to write scripty things has taken away my energy. Also my obsession with the show Arrow. BUT Fall is approaching and I wanted to take a look at the shows I’ll be watching this season.

Here’s TV Line’s full Fall Schedule.

And here’s mine! [Sept 13 edit, after I’ve watched several of these pilots, check out how and read reviews here.]

Screen Shot 2014-09-13 at 2.31.27 PM

What should I be watching that’s not on here?

I’m most excited for The Flash, Arrow S3, and Brooklyn 99 S2, but of course my other returning shows bring me much joy as well. I’m watching the Nolan Batman trilogy as I type this–Batman Begins at the moment–so I’ll check out Gotham (hopefully it goes more the way of Arrow and less the way of Agents of SHIELD in maintaining my interest). I’m gonna check out Cristela (even though it’s a multi-cam comedy) because diversity needs a shot on television. black-ish also gets my views for that reason, but also just missing the existence of a black sitcom, and having a TV that might speak to my experiences as a black nerd (hopefully).

How to Get Away with Murder should be very interesting. Shondaland Thursdays are in full effect–if only I still felt like watching Grey’s Anatomy. Sleepy Hollow and Castle are my Monday mainstays–hopefully I’ll still be able to blog about them come fall. New Girl and Mindy help BK99 fill the void of Parks not coming back till mid-season, but only just barely. Finally, I’ll check out Mulaney and Jane the Virgin, but those could go either way for me.

Screen Shot 2014-08-26 at 10.50.20 PM

On September 6th, I’ll be at the Paley Center here in NY watching the FOX, ABC, and CW pilots, so I’ll have a bit of an early preview regarding those, with an audience no less! Should be fun! I’ll try to blog about the experience. I know some pilots are available already, but like I said, other concerns have taken precedence. I’m working on getting back to blogging as fall approaches, hopefully I can start posting more. [Edit: Full post with links to episode reviews here.]

If you’re following along, what fall shows are you most looking forward to watching? So far my schedule is 14 shows deep! That’s not including Key&Peele, Whose Line, The Tonight Show, The Daily Show, The Colbert Report…! Phew! I hope my DVR can handle it all!

How packed is your primetime schedule?