Emmys Month: Black at the Emmys (Infographic)

I created this infographic to show some stats I’ve discovered as I researched Black actors at the Emmy awards. I focused on the acting, directing, and writing categories and found some interesting things. In addition to the facts on the graphic, below are some other facts I couldn’t fit on there.

Black at the Emmys

Black at the Emmys (Acting, Writing, Directing)

  • The category with the most wins? Best Writing in a Variety Show (8) (Though, those are split between just 3 people: Wyatt Cenac with 4 from the Daily Show and Chris Rock with 4. Wanda Sykes has two co-won with Chris.), followed by Outstanding Supporting Actor in a Drama (8) and Lead Actor in a Drama (5).
  • I think Chris Rock and Wanda Sykes are the only black duo to win.
  • Best Lead Actor in a Drama has 5 wins but there hasn’t been a winner since 1998 and no one has even been nominated since 2001 (Andre Braugher was the last in both wins and noms for the category).
  • There wasn’t a single nomination for Best Lead Actor in a Comedy in the 90s. Not one. (Weren’t the 90s the heyday of black sitcoms?)
  • Phylicia Rashad is the last actress to be nominated for Best Lead Actress in a Comedy, back in 1986. Did the Emmy voting committee really not see Tracee Ellis Ross in blackish this year? Or any of the other black actresses in the last 30 years? The last person to win in that category was Isabel Sanford (The Jeffersons) back in 1981.
  • Viola Davis in 2015 became the first black woman to win Best Lead Actress in a Drama.
  • There hasn’t been a black winner of Best Supporting Actor in a Comedy since Robert Guillaume won for Soap in 1979.
  • No black male has won Best Supporting Actor in a Drama and there are no nominees this year (2015).
  • No black actress has won Best Supporting Actress in a Comedy since 1987, when Jackee Harry won for 227.
  • In acting, there are 255 nominations to date, with 41 total wins.
  • No black actress has won for Best Supporting Actress in a Drama since 1993 (Mary Alice, I’ll Fly Away).
  • I’m waiting for Chandra Wilson or Debbie’s Allen to be nominated for best director on Grey’s Anatomy. One day. So far, only three women have ever been nominated (Debbie Allen back in 1989 among them). None have won.
  • Shonda Rhimes, Dee Rees and Wanda Sykes are the only black women nominated for Best Writing in any category.
  • Larry Wilmore is the only black writer to be nominated for Best Writing in a Comedy. He won the year he was nominated in 2002 for The Bernie Mac Show.

For another great infographic of Emmys diversity wins and fails, check Lee and Low’s Diversity Gap graphic.

Any other notable Black at the Emmys facts that I’ve missed? Comment, tweet or contact me!

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Quote/Link: Fox TV Says That Diversity Is Just Good Business Sense [Shadow and Act]

Of course it may seem like a no-brainer, but execs told those in attendance that their shows must reflect today’s current and increasingly multi-racial and multi-cultural world in order to attract those coveted younger viewers.

Of course the success that Fox has enjoyed with their runaway hit Sleepy Hollow, which has already been renewed for a second season, and other current shows, like Almost Human and Brooklyn Nine-Nine, are just some signs of the network’s commitment to its new programming strategy.

Fox TV Says That Diversity Is Just Good Business Sense [Shadow and Act]

At least FOX is getting with the program. I love BK99 and Sleepy Hollow (and a bunch of other people are watching and talking about it) and I am looking forward to watching Almost Human. When you have a diverse cast, you basically double your expected audience, because while I watch plenty of “mainstream” (read: majority white cast) TV shows (and enjoy them), I have more pre-interest in a show that has a diverse cast. I look forward to it more. If Michael Ealy wasn’t in Almost Human (if the character was a white person), I’d perhaps be interested because it’s JJ Abrams, but I would be less interested, less invested, and less likely to watch it. Other people feel the same way. The same goes for Sleepy Hollow. I didn’t know anything about it before it premiered. If I’d heard about it (merely the title), I didn’t really care. I checked it out because I learned there was a black female star. I probably wouldn’t have if Nichole Beharie (or any other black female) hadn’t been the star. Networks really need to pay attention, the success of Sleepy Hollow and Scandal is not isolated to social media, their premises, or even the good writing (because both shows are great, but they’re not perfect). Those things are a factor, but their diversity is what has helped them skyrocket to the hit shows that they are.

Article Response: Why I think “Why Is ‘Sleepy Hollow’ A Hit?” from Forbes is Missing a BIG Factor

First: Click here and skim Why Is ‘Sleepy Hollow’ A Hit? – Forbes, though I basically summarize it below.

Here are some reasons the Forbes gives for the success of my favorite new show of the season, Sleepy Hollow and some counterarguments.

1. “Choosing a young person, Emily Murray, as ‘Social Media Producer.'”

2. “Using Facebook and Twitter” (duh? What else would you use?), or I guess the point is knowing where your fans are hanging out (which is an excellent point–Castle, Doctor Who, and Supernatural fans rule Tumblr, Scandal and Sleepy Hollow are Twitter hits, no one is really using Facebook for this kind of thing).

3. “Collaborating internally.” I guess this means having the social media team and creatives and marketing people all work together to have gifs and images ready for the twitter experience; all of that requires multiple departments to work with the social media guys.

4. Focusing on the product, not the company.” or I guess, creating a community around the show not the network, but this is what every show does. Every show has a twitter account and makes it about the show. This isn’t a special thing Sleepy Hollow is doing.

5. Getting the actors to tweet. Yes, this is a huge helping, which they learned from shows like Scandal. Get everyone on board and people will retweet behind the scenes info or Orlando Jones being a hilarious doofball mentioning fanfiction and gifs in his tweets.

6. The twitter account having a back and forth “fight” with the twitter account from rival network show Elementary. Yes, this was funny to see and contributed to word of mouth.

But the article, which is definitely tech/social media focused, didn’t at all think about the show or the fans it draws. Other shows do these very same things. They have show specific twitter accounts. They try to get their actors to live tweet. They have the marketing department draw up designs and posters that work with their live tweeting efforts. These aren’t the only factors.

The audience is a major factor, and who is in Sleepy Hollow‘s audience? The same kinds of people who are in Scandal’s audience. Young black (females mostly, but some males who reluctantly admit they watch either or both shows) people (what these young people call Black Twitter). The media hasn’t yet caught on that young African-Americans LOVE Twitter. And if you give us a show with a black lead, we will watch that show (because we don’t have many options with that factor, so we watch the ones that do until there are more options). And we will tweet about it to our other African-American friends on Twitter. And shows like Sleepy Hollow and Scandal, both with a black female lead, will skyrocket to the top of the tv ratings and social media discussion charts. Oh, but we don’t talk about this being a factor, do we? Nor do we discuss the fact that the person doing the most tweeting and connecting with the fans is Orlando Jones, a person of color. These things are certainly important.

Other shows have tried to mimic the formula of Scandal. They’ve done the same social media things that Sleepy Hollow is doing. And yet they’re not ratings phenomena. All because the networks and media coverage are hesitant to acknowledge the real reason these shows are blowing up: because people want to see diversity on their TV screens. They are more likely to tune in. They are more likely to tell their black/asian/hispanic/white/etc friends about it. And then the show get super popular and gets renewed for the next season 4 episodes in, like Sleepy Hollow did.

Don’t let social media take all the credit for this show’s success. I know that’s what the article was about, but in a discussion about social media, you should discuss the people who use social media, and their various idiosyncrasies. That’s the real way of understanding how to use it and what platforms are best.

The Diversity of the Sleepy Hollow Cast Makes Me So Happy

The Sleepy Hollow cast is just all I want from television right now. A diverse cast with (maybe not perfect) but interesting story lines, putting people of color in stories they are not often seen in. I also like nerdy history retellings, supernatural/fantasy stories, and Judeo-Christian lore.

But I mean look at this! Only 3/9 (10 if including Jill Marie Jones soon to recur as Orlando Jones’ character’s ex-wife, 2/9 if you don’t include the Sheriff who was only in the pilot, aside from flashbacks.)

This show and Brooklyn 99 are the best shows (especially new shows) in terms of diversity on network television. Grey’s Anatomy has always been good at it, but I think even these two shows beat out Grey’s.

Sleepy Hollow returns tonight! I’m excited to have it back!

Essence.com | Nicole Beharie on Her New Show, ‘Sleepy Hollow,’ Being Black on Primetime TV

EXCLUSIVE: Nicole Beharie on Her New Show, ‘Sleepy Hollow,’ Being Black on Primetime TV | Essence.com.

“ESSENCE: It’s so great to see a Black woman on prime time as the lead. Besides Kerry Washington, there’s you. Pressure?

NB: Yes, I think you just put the pressure on. [Laughs] My shoulders just fell. One thing I have considered is that the success of a show like Scandal and [Kerry’s] presence and Shonda Rhimes has opened up the minds of studios and executives. They know it’s possible. Even before that I liked Living Single. To me, all those shows were proof that of course it’s possible. Not only is it possible, but extremely entertaining and enriching.”

“I’m 5’1’’ and an African American woman. I just didn’t think anyone would hire me to play the cop. There’s a certain demographic of girls who look the same in every action piece and I didn’t think that that was going to be me. I’ve always been a big sci-fi person. I love fantasy, so when the opportunity presented itself I wanted to take a shot at this. Getting to hold a gun and running away from witches and incantations…there’s so much more that you’re going to see in the season that just doesn’t really fit into what I keep seeing on Twitter or what I keep hearing some people saying like ‘Yes, you’re the Black person who doesn’t die.’ A lot of people were like, ‘You’re going to die soon right?’ and I’m like I don’t know you have to watch. I haven’t died. It’s kind of a joke in the community like we always die within 20 minutes.”

Nicole Beharie is my new favorite person. She like sci-fi/fantasy, is a black nerd girl it seems, and I love her voice. I’m so excited that there is another black female lead, and as she says, the success of this show and Scandal will show producers and networks that choosing a black lead works. People will watch it (Sleepy Hollow and Scandal are doing extraordinarily well). I can’t wait to see what this inspires next.

I, for one, am very happy that this is a sci-fi/fantasy show, a realm you don’t get to see many black people (or black females) act in (outside of an ethnic magical person or wacky disbelieving sidekick) so black girls like me can know that black people do like sci-fi, we do like fantasy, we do act in these things and it’s ok to write them and explore them.

This show is making me very happy.

Shows to look out for: “Almost Human” coming November to FOX

Shows to look out for: “Almost Human” coming November to FOX

JJ Abrams? Sci-Fi co-starring a black actor (Michael Ealy)? I shall have to check this out in Nov. (Uh oh, it’s on FOX. Uh oh, the last time JJ tried a show with a black lead it sadly failed [anyone remember Undercovers?? Hopefully it goes well this time])

 

Hopefully I’ll be more in a posting mood as the fall tv season approaches. 

Click through to check out a sort of preview.